This week on his podcast Bill Gates asked Sam Altman how his team is doing after his (temporary) ouster, Altman replies "a lot of people have remarked on the fact that the team has never felt more productive or more optimistic or better. So, I guess that's like a silver lining of all of this. In some sense, this was like a real moment of growing up for us, we are very motivated to become better, and sort of to become a company ready for the challenges in front of us."

The rest of their conversation was pre-ouster — but gave fascinating glimpses at the possible future of AI — including the prospect of very speedy improvements. Altman suggests it will be easier to understand how a creative work gets "encoded" in an AI than it would be in a human brain. "There has been some very good work on interpretability, and I think there will be more over time... The little bits we do understand have, as you'd expect, been very helpful in improving these things. We're all motivated to really understand them, scientific curiosity aside, but the scale of these is so vast...." BILL GATES: I'm pretty sure, within the next five years, we'll understand it. In terms of both training efficiency and accuracy, that understanding would let us do far better than we're able to do today.

SAM ALTMAN: A hundred percent. You see this in a lot of the history of technology where someone makes an empirical discovery. They have no idea what's going on, but it clearly works. Then, as the scientific understanding deepens, they can make it so much better.

BILL GATES: Yes, in physics, biology, it's sometimes just messing around, and it's like, whoa — how does this actually come together...? When you look at the next two years, what do you think some of the key milestones will be?

SAM ALTMAN: Multimodality will definitely be important.

BILL GATES: Which means speech in, speech out?

SAM ALTMAN: Speech in, speech out. Images. Eventually video. Clearly, people really want that.... [B]ut maybe the most important areas of progress will be around reasoning ability. Right now, GPT-4 can reason in only extremely limited ways. Also reliability. If you ask GPT-4 most questions 10,000 times, one of those 10,000 is probably pretty good, but it doesn't always know which one, and you'd like to get the best response of 10,000 each time, and so that increase in reliability will be important.

Customizability and personalization will also be very important. People want very different things out of GPT-4: different styles, different sets of assumptions. We'll make all that possible, and then also the ability to have it use your own data. The ability to know about you, your email, your calendar, how you like appointments booked, connected to other outside data sources, all of that. Those will be some of the most important areas of improvement.
Areas where Altman sees potential are healthcare, education, and especially computer programming. "If you make a programmer three times more effective, it's not just that they can do three times more stuff, it's that they can — at that higher level of abstraction, using more of their brainpower — they can now think of totally different things. It's like, going from punch cards to higher level languages didn't just let us program a little faster — it let us do these qualitatively new things. And we're really seeing that...

"I think it's worth always putting it in context of this technology that, at least for the next five or ten years, will be on a very steep improvement curve. These are the stupidest the models will ever be."

He predicts the fastest technology revolution "by far," worrying about "the speed with which society is going to have to adapt, and that the labor market will change." But soon he adds that "We started investing a little bit in robotics companies. On the physical hardware side, there's finally, for the first time that I've ever seen, really exciting new platforms being built there."

And at some point Altman tells Gates he's optimistic that AI could contribute to helping humans get along with each other.

porkchop_d_clown (Slashdot reader #39,923) writes: MOND — MOdified Newtonian Dynamics is a hypothesis that Newton's law of gravity is incorrect under some conditions. Now a paper claims that a study does indeed show that pairs of widely separated binary stars do show a deviation from Newton's Second Law, arguing that, at very low levels, gravity is stronger than the law predicts.
Phys.org writes that the study "reinforces the evidence for modified gravity that was previously reported in 2023 from an analysis of the orbital motions of gravitationally bound, widely separated (or long-period) binary stars, known as wide binaries."

But RockDoctor (Slashdot reader #15,477) calls the hypothesis "very much disputed." YouTubing-astrophysicist Dr Becky considered this report a couple of months ago (2023-Nov-09), under the title "HUGE blow for alternate theory of gravity MOND". At the very least, astrophysicists and cosmologists are deeply undecided whether this data supports or discourages MOND. (Shortened comment because verification problem.)

Last week, I updated my annual count of MOND and other "alternative gravity" publications. While research on MOND (and others) continues, and any "suppression" the tin-foil-hat brigade want to scream about is ineffective, it remains an unpopular (not-equal-to "suppressed") field. Generally, astronomical publication counts are increasing, and MOND sticks with that trend. If anything is becoming more popular, it's the "MOG" type of "MOdified Gravity".

Long-time Slashdot reader Geoffrey.landis writes: Hundreds of British postal workers wrongly convicted of theft due to faulty accounting software could have their convictions reversed, according to a story from the BBC. Between 1999 and 2015, the Post Office prosecuted 700 sub-postmasters and sub-postmistresses — an average of one a week — based on information from a computer system called Horizon, after faulty software wrongly made it look like money was missing. Some 283 more cases were brought by other bodies including the Crown Prosecution Service.
2024 began with a four-part dramatization of the scandal airing on British television, and the BBC reporting today that its reporters originally investigating the story confronted "lobbying, misinformation and outright lies."

Yet the Guardian notes that to this day in English and Welsh law, computers are still assumed to be "reliable" unless and until proven otherwise. But critics of this approach say this reverses the burden of proof normally applied in criminal cases. Stephen Mason, a barrister and expert on electronic evidence, said: "It says, for the person who's saying 'there's something wrong with this computer', that they have to prove it. Even if it's the person accusing them who has the information...."

He and colleagues had been expressing alarm about the presumption as far back as 2009. "My view is that the Post Office would never have got anywhere near as far as it did if this presumption wasn't in place," Mason said... [W]hen post office operators were accused of having stolen money, the hallucinatory evidence of the Horizon system was deemed sufficient proof. Without any evidence to the contrary, the defendants could not force the system to be tested in court and their loss was all but guaranteed.

The influence of English common law internationally means that the presumption of reliability is widespread. Mason cites cases from New Zealand, Singapore and the U.S. that upheld the standard and just one notable case where the opposite happened... The rise of AI systems made it even more pressing to reassess the law, said Noah Waisberg, the co-founder and CEO of the legal AI platform Zuva.
Thanks to Slashdot reader Bruce66423 for sharing the article.

"What is lost when billionaires with no background nor interest in a civic mission, who are only concerned with profiteering, take over our most influential news organizations? What new models of news gathering, and dissemination show promise for our increasingly digital age? What can the public do to preserve and support vibrant journalism?"

That's a synopsis posted about the documentary Stripped for Parts: American Journalism on the Brink, cited by the long-standing news industry magazine Editor and Publisher (which dates back to 1901). This week its podcast interviewed filmmaker Rick Goldsmith about his 90-minute documentary, which they say "tells the tale" of how hedge fund Alden Global Capital clandestinely entered into the news publishing industry in a big way — and then "dismantled local newspapers 'piece by piece,' creating a crises within the communities they serve, leaving 'news deserts' and 'ghost papers' in their wake." [Goldsmith] spent more than 5-years creating his latest work... a film that tells the tale of how newspapers business model is faltering, not just because of the loss of advertising and digital disruption; but also to capitalist greed, as hedge funds and corporate America buy them, sell their assets and leave the communities they serve without their local "voice" and a final check on power.
On the podcast, Goldsmith notes that in many cases a paper's assets "were the newspaper buildings and the printing presses... These were worth in many cases more than the newspapers themselves." After laying off staff, the hedge fund could also downsize out of those buildings.

By 2021 Alden owned 100 newspapers and 200 more publications — and then acquired Tribune Publishing to become America's second-largest newspaper publisher.

The hedge fund currently owns several newspapers in the San Francisco Bay Area, according to SFGate: At first, Goldsmith's documentary might seem like it's delivering more bad news. But it avoids despair, offering hope on the horizon for news deserts where aggressive reporting is needed. It introduces the notion that the traditional capitalist business model is failing the news industry, and that nonprofit organizations must be providers of local coverage.

Michaela Zee reports via Variety: More than 15 years after his death, stand-up comedian George Carlin has been brought back to life in an artificial intelligence-generated special called "George Carlin: I'm Glad I'm Dead." The hour-long special, which dropped on Tuesday, comes from Dudesy, a comedy AI that hosts a podcast and YouTube show with "Mad TV" alum Will Sasso and podcaster Chad Kultgen.

"I just want to let you know very clearly that what you're about to hear is not George Carlin. It's my impersonation of George Carlin that I developed in the exact same way a human impressionist would," Dudesy said at the beginning of the special. "I listened to all of George Carlin's material and did my best to imitate his voice, cadence and attitude as well as the subject matter I think would have interested him today. So think of it like Andy Kaufman impersonating Elvis or like Will Ferrell impersonating George W. Bush."

In the stand-up special, the AI-generated impression of Carlin, who died in 2008 of heart failure, tackled prevalent topics like mass shootings, the American class system, streaming services, social media and AI itself. "There's one line of work that is most threatened by AI -- one job that is most likely to be completely erased because of artificial intelligence: stand-up comedy," AI-generated Carlin said. "I know what all the stand-up comics across the globe are saying right now: "I'm an artist and my art form is too creative, too nuanced, too subtle to be replicated by a machine. No computer program can tell a fart joke as good as me.'" Kelly Carlin, the late stand-up comedian's daughter, posted a statement in response to the special: "My dad spent a lifetime perfecting his craft from his very human life, brain and imagination. No machine will ever replace his genius. These AI generated products are clever attempts at trying to recreate a mind that will never exist again. Let's let the artist's work speak for itself. Humans are so afraid of the void that we can't let what has fallen into it stay there.

Here's an idea, how about we give some actual living human comedians a listen to? But if you want to listen to the genuine George Carlin, he has 14 specials that you can find anywhere."

home-electro.com shares a report from Engadget: On Sunday night Samsung held its annual First Look event at CES 2024, where the company teased the world's first transparent MicroLED display. While there's still no word on how much it costs or when this tech will find its way into retail devices, Samsung showcased its transparent MicroLED display side-by-side next to transparent OLED and transparent LCD models to really highlight the differences between the tech. Compared to the others, not only was the MicroLED panel significantly brighter, it also featured a completely frameless design and a more transparent glass panel that made it easier to see objects behind it. LG also unveiled a similar piece of tech: the company's "first wireless transparent OLED TV." It's called the OLED T and supports 4K resolution and LG's wireless transmission tech for audio and video.

You can watch a demo of Samsung's transparent microLED screen on YouTube.

necro81 writes: ULA's Vulcan rocket, many years in development, had a successful first launch this morning from Cape Canaveral. The expendable rocket, which uses two methane-fueled BE-4 engines from Blue Origin in its first stage, is the successor to the Delta and Atlas-V launch vehicles.

Years overdue, and with a packed manifest for future launches, Vulcan is critical to the ULA's continued existence. The payload on this first mission is called Peregrine -- a lunar lander from Astrobotic. Unfortunately, Peregrine has suffered an anomaly some hours into flight; it is unclear whether the mission can recover. UPDATE: According to Reuters, Peregrine's propulsion system experienced issues hours after separating from Vulcan, "preventing the spacecraft from angling itself toward the sun for power."

"While mission engineers regained control, the faulty propulsion system is losing valuable propellant, forcing Astrobotic to consider 'alternative mission profiles,' suggesting a moon landing is no longer achievable," reports Reuters.

In the most recent update (#5) on X, Astrobotic said in a statement: "We've received the first image from Peregrine in space! The camera utilized is mounted atop a payload deck and shows Multi-Layer Insulation (MLI) in the foreground. The disturbance of the MLI is the first visual clue that aligns with out telemetry data that points to a propulsion system anomaly. Nonetheless, the spacecraft's battery is now fully charged, and we are using Peregrine's existing power to perform as many payload and spacecraft operations as possible. At this time, the majority of our Peregrine mission team has been awake and working diligently for more than 24 hours. We ask for your patience as we reassess incoming data so we can provide ongoing updates later this evening."

"The famed and mysterious disappearance of D.B. Cooper has puzzled investigators for over half a century," writes a Seattle TV station. Now new evidence is coming to light in the supposed "skyjacking," after a microscopic piece of metal found on D. B. Cooper's tie could help reveal his true identity. "Considering the totality of all that has been uncovered in the last year with respect to DB Cooper's tie, I can say with a very high degree of certainty that DB Cooper worked for Crucible Steel," said independent investigator Eric Ulis.
"I would not be surprised at all if 2024 was the year we figure out who this guy was," Ulis told another local Seattle news station: This particle is part stainless steel, part titanium... 18 months ago, Ulis used U.S. patents to trace three of these fragments from the same very tie to a specific plant in Pennsylvania, Crucible Steel. "Headquartered in the suburbs of Pittsburgh, a significant subcontractor all throughout the 1960s," said Ulis. "It supplied the lion's share of titanium and stainless steel for Boeing's aircraft...."

Ulis claims evidence points to Cooper having in-depth knowledge of the 727 he hijacked, and of the Seattle area. Workers at Crucible Steel were known to travel and visit their contractor, Boeing. "This is also the time, 1971, when Boeing had this significant downturn, the big depression, with 'The last person leaving Seattle, please turn out the lights' [billboard sign]," said Ulis. "It's reasonable to deduce that D. B. Cooper may well have been part of that downturn."

Ulis admits his findings are not yet concrete. He's not crossing any suspects off the list. However, he believes from what he's seen, all roads lead to titanium research engineer Vince Peterson from Pittsburgh.
It all reminds me of that episode of Prison Break where they suspect one of the prisoners is secretly D.B. Cooper...

Long-time Slashdot readers necro81 writes: The popular vision of Neptune is azure blue. This comes mostly from the publicly released images from Voyager 2's flyby in 1989 — humanity's only visit to this icy giant at the edge of the solar system. But it turns out that view is a bit distorted — the result of color-enhancing choices made by NASA at the time. A new report from Oxford depicts Neptune's blue color as more muted, with a touch of green, not much different than Uranus. The truer-to-life view comes from re-analyzing the Voyager data, combined with ground-based observations going back decades. (Add'l links here, here, and here.)

This is nothing new: most publicity images released by space agencies — of planets, nebulae, or the surface of Mars — have undergone some color-enhancement for visual effect. (They'll also release "true-color" images, which try to best mimic what the human eye would see.) Many images — such as those from the infrared-seeing JWST — need wholesale coloration of their otherwise invisible wavelengths. The new report is a good reminder, though, to remember that scientific cameras are pretty much always black and white; color images come from combining filters in various ways.
Also thanks to long-time Slashdot reader Geoffrey.landis for sharing the story.

Programmer James Lambert has been working on a demake of Valve's Portal puzzle game for the Nintendo N64. After several years of development, Portal 64: The First Slice is now out of beta with two-thirds of the game's test chambers available to play. PC Gamer reports: In the announcement video Lambert goes through some of the new features in the latest build, including a seriously impressive visual rework on the portal gun itself. The video also showcases just how much of Portal's feel this manages to successfully capture, in particular the mind-bending effects of observing rooms and Chell through the portals themselves. I once called this the most impressive homebrew game I've ever seen and, while admittedly the N64 nostalgia helps, I'd stick by that.

While this is obviously the first slice (geddit) and there's more to come, it's an incredible achievement in its own right: The first 13 test chambers of the game all present-and-correct. Portal has 19 test chambers, and Portal: Still Alive (which unbelievably has never seen an official PC release) added a further 14, so Lambert's well on his way to completing a vanilla version of Portal 64. You can follow the Portal 64 project on YouTube and download the game here.

According to MoffettNathanson, the U.S. pay-TV industry had its worst-ever third quarter after losing about 900,000 subscribers. "That poor result, the research firm added, left the total pay-TV industry shrinking at a record pace of -7.3%, widened from a year-ago decline of -5.9%," reports Light Reading. "It also left pay-TV penetration of occupied households (including vMVPDs) at just 54.8% -- a level last seen in 1989, five years before the debut of DirecTV." From the report: Drilling down on Q3 results, traditional pay-TV providers (cable, telco and satellite) shed 1.97 million subscribers, widened from a loss of 1.94 million in the year-ago quarter. Within that category, US cable lost 1.10 million video subs in Q3, versus a loss of -1.09 million in the year-ago period. Satellite operators (Dish Network and DirecTV) lost 667,000 subs in Q3, versus -567,000 in the year-ago quarter. Telco TV providers lost 198,000 video subs in the period, an improvement when compared to a year-ago loss of -250,000 subs.

vMVPDs, meanwhile, added 1.08 million in Q3, down from a year-ago gain of about 1.34 million. Despite those gains, vMVPDs recaptured only 21.7% of traditional pay-TV's subscriber losses in the period, according to MoffettNathanson. Meanwhile, YouTube TV continues to dominate the vMVPD category. MoffettNathanson estimates that YouTube TV added about 350,000 subs in Q3, extending its total to 7 million -- representing 40% of the vMVPD sector's 18 million subscriber total. "Based on our Q3 estimate, YouTube TV has now surpassed Dish Network [6.72 million satellite TV subs at the end of Q3] to become the country's fourth largest MVPD of any kind," Moffett noted. "At the current trajectory, YouTube TV should pass DirecTV for third place in less than a year."

Microsoft is adding a dedicated "Copilot" key to PC keyboards, adjusting the standard Windows layout for the first time since 1994. The key will open its AI assistant Copilot on Windows 10 and 11. On Copilot-enabled PCs, users can already invoke Copilot by pressing Windows+C. On other PCs, the key will open Search instead. ArsTechnica adds: A quick Microsoft demo video shows the Copilot key in between the cluster of arrow keys and the right Alt button, a place where many keyboards usually put a menu button, a right Ctrl key, another Windows key, or something similar. The exact positioning, and the key being replaced, may vary depending on the size and layout of the keyboard.

We asked Microsoft if a Copilot key would be required on OEM PCs going forward; the company told us that the key isn't mandatory now, but that it expects Copilot keys to be required on Windows 11 keyboards "over time." Microsoft often imposes some additional hardware requirements on major PC makers that sell Windows on their devices, beyond what is strictly necessary to run Windows itself.

An anonymous reader quotes a report from Ars Technica: Modern fighting games have come quite a long way from their origins in providing accessibility options. Street Fighter 6 has audio cues that can convey distance, height, health, and other crucial data to visually impaired players. King of Fighters 15 allows for setting the contrast levels between player characters and background. Competitors like BrolyLegs and numerous hardware hackers have taken the seemingly inhospitable genre even further. Tekken 8, due later this month, seems to aim even higher, offering a number of color vision options in its settings. This includes an unofficially monikered "colorblind mode," with black-and-white and detail-diminished backgrounds and characters' flattened shapes filled in with either horizontal or vertical striped lines. But what started out as excitement in the fighting game and accessibility communities about this offering has shifted into warnings about the potential for migraines, vertigo, or even seizures.

You can see the mode in action in the Windows demo or in a YouTube video shared by Gatterall -- which, of course, you should not view if you believe yourself susceptible to issues with strobing images. Gatterall's enthusiasm for Tekken 8's take on colorblind accessibility ("Literally no game has done this") drew comment from Katsuhiro Harada, head of the Tekken games for developer and publisher Bandai Namco, on X (formerly Twitter). Harada stated that he had developed and tested "an accessibility version" of Tekken 7, which was never shipped or sold. Harada states that those "studies" made it into Tekken 8.

Not everybody in game accessibility circles was excited to see the new offerings, especially when it was shared directly with them by excited followers. Morgan Baker, game-accessibility lead at Electronic Arts, asked followers to "Please stop tagging me in the Tekken 8 'colorblind' stripe filters." The scenes had "already induced an aura migraine," Baker wrote, and she could not "afford to get another one right now." Accessibility consultant Ian Hamilton reposted a number of people citing migraines, nausea, or seizure concerns while also decrying the general nature of colorblind "filters" as an engineering-based approach to a broader design challenge. He added in the thread that shipping a game that contained a potentially seizure-inducing mode could result in people inadvertently discovering their susceptibility, similar to an infamous 1997 episode of the Pokemon TV series. Baker and Hamilton also noted problems with such videos automatically playing on sites like X/Twitter. "Patterns of lines moving on a screen creates a contiguous area of high-frequency flashing, like an invisible strobe," explained James Berg, accessibility project manager at Xbox Game Studios. "Human meat-motors aren't big fans of that." People typically start to notice "flicker fusion frequency" at around 40 frames per second, notes Ars.

Tekken's Harada responded by saying a "very few" number of people misunderstood what his team was trying to do with this mode. There are multiple options, not just one colorblind mode, Harada wrote, along with brightness adjustments for effects and other elements.

"These color vision options are a rare part of the fighting game genre, but they are still being researched and we intend to expand on them in the future," Harada wrote. Developers "have been working with several research institutes and communities to develop this option," even before the unsold "accessibility version of Tekken 7," added Harada.

A 13-year-old has beaten the original NES Tetris, previously thought to be an impossible task, after 34 years. The Gamer reports: The assumption I always had was that Tetris goes on forever and ever until you finally run out of space. While that's mostly true, as the game has no story, levels, or any form of progress beyond high scores and increasing speed, you 'beat' the game by crashing it, AKA reaching the "True Killscreen". It's called the "True Killscreen" because, for decades, it was assumed that level 29 was the Killscreen.

For context, the longer you play Tetris, the faster the blocks fall, upping the ante as you're forced to think in split-second moments about where each piece should drop. The speed caps at level 29, making it near impossible to reach the sides. So, the community believed that was the 'end' of the game. It isn't. The end comes when you reach a level so high, Tetris simply crashes.

Long-time tech entrepreneur Anil Dash predicts a big shift in the digital landscape in 2024. And "regular internet users — not just the world's tech tycoons — may be the ones who decide how it goes." The first thing to understand about this new era of the internet is that power is, undoubtedly, shifting. For example, regulators are now part of the story — an ironic shift for anyone who was around in the dot com days. In the E.U., tech giants like Apple are being forced to hold their noses and embrace mandated changes like opening up their devices to allow alternate app stores to provide apps to consumers. This could be good news, increasing consumer choice and possibly enabling different business models — how about mobile games that aren't constantly pestering gamers for in-app purchases? Back in the U.S., a shocking judgment in Epic Games' (that's the Fortnite folks') lawsuit against Google leaves us with the promise that Android phones might open up in a similar way.

That's not just good news for the billions of people who own smartphones. It's part of a sea change for the coders and designers who build the apps, sites, and games we all use. For an entire generation, the imagination of people making the web has been hemmed in by the control of a handful of giant companies that have had enormous control over things like search results, or app stores, or ad platforms, or payment systems. Going back to the more free-for-all nature of the Nineties internet could mean we see a proliferation of unexpected, strange new products and services. Back then, a lot of technology was created by local communities or people with a shared interest, and it was as likely that cool things would be invented by universities and non-profits and eccentric lone creators as they were to be made by giant corporations....

In that era, people could even make their own little social networks, so the conversations and content you found on an online forum or discussion were as likely to have been hosted by the efforts of one lone creator than to have come from some giant corporate conglomerate. It was a more democratized internet, and while the world can't return to that level of simplicity, we're seeing signs of a modern revisiting of some of those ideas.
Dash's article (published in Rolling Stone) ends with examples of "people who had been quietly keeping the spirit of the human, personal, creative internet alive...seeing a resurgence now that the web is up for grabs again. "

• Digital artist Everest Pipkin

• The School for Poetic Computation (which Dash describes as "an eccentric, deeply charming, self-organized school for people who want to combine art and technology and a social conscience.")

• Mask On Zone, "a collaboration with the artist and coder Ritu Ghiya, which gives demonstrators and protesters in-context guidance on how to avoid surveillance."

• There's projects and tools from makers like Stefan Bohacek, Darius Kazemi, and Elan Kiderman Ullendorff (including Youtune ("a stream of relatively unviewed original songs posted to YouTube.")

Dash concludes that "We're seeing the biggest return to that human-run, personal-scale web that we've witnessed since the turn of the millennium, with enough momentum that it's likely that 2024 is the first year since then that many people have the experience of making a new connection or seeing something go viral on a platform that's being run by a regular person instead of a commercial entity.

"It's going to make a lot of new things possible..."

A big thank-you for submitting the article to long-time Slashdot reader, DrunkenTerror.

"Billions of people" uses social media every month, notes the Wall Street Journal.. But "fewer and fewer are actually posting."

Instead they're favoring "a more passive experience, surveys of users and research from data-analytics firms say." In an October report from data-intelligence company Morning Consult, 61% of U.S. adult respondents with a social-media account said they have become more selective about what they post. The reasons are varied: People say they feel they can't control the content they see. They have become more protective about sharing their lives online. They also say the fun of social media has fizzled. This lurker mentality is widespread, across Meta Platforms' Instagram and Facebook along with X and TikTok....

In a survey conducted in the U.S. this summer, research firm Gartner found more than half of respondents believed the quality of social media has declined in the past five years. They cited misinformation, toxicity and the proliferation of bots as reasons it has gotten worse. "The less you trust social-media brands, the less of a good experience you're having," says Gartner analyst Emily Weiss. Users are less likely to share opinions or insight into their lives since the community they are looking for isn't there, she adds. Ads and suggested posts have also sucked the joy out of apps, some users say... The algorithmic spotlight on creators and their hyper-curated content has made some users feel insecure and less likely to share their own photos and videos, says Kevin Tran, media and entertainment analyst at Morning Consult. In turn, some now think of social apps more as sources of entertainment, like YouTube or Netflix.

Gartner estimates that 50% of users will either abandon or significantly limit their interactions with social media in the next two years.
Any threat to interacting is a threat to business, the article notes, adding "The companies are responding." They are investing in more private user experiences like messaging, and making interactions more secure. And encouraging people to post to a more intimate audience — as with Instagram's recently expanded Close Friends feature... Meta responded to user complaints, saying it would continue to work on improving recommendations to help creators reach more people. The company added a snooze button that pauses suggested posts for 30 days at a time, and chronological feeds that temporarily only show posts from accounts people follow... Meta began shifting its resources toward messaging, including efforts to enable end-to-end encryption by default across all of its messaging services... TikTok has also shown signs of investing more in the messaging portion of its app, nudging users to chat with people they haven't messaged in a while.
When the Wall Street Journal posted their article on Threads, Adam Mosseri (head of Instagram) responded that "People are sharing to feeds less, but to Stories more," and "even more still" in Messages ("even photos and videos"). Mosseri also said that Instagram's Notes feature — basically a post where you cab specify a smaller subset of your followers to see it — "have quickly become a big thing, particularly for young people.

"So it's no so much that people are sharing less," Mosseri argued, "but rather than they're sharing differently."

An anonymous reader quotes a report from the Associated Press: Social media companies collectively made over $11 billion in U.S. advertising revenue from minors last year, according to a study from the Harvard T.H. Chan School of Public Health published on Wednesday. The researchers say the findings show a need for government regulation of social media since the companies that stand to make money from children who use their platforms have failed to meaningfully self-regulate. They note such regulations, as well as greater transparency from tech companies, could help alleviate harms to youth mental health and curtail potentially harmful advertising practices that target children and adolescents.

To come up with the revenue figure, the researchers estimated the number of users under 18 on Facebook, Instagram, Snapchat, TikTok, X (formerly Twitter) and YouTube in 2022 based on population data from the U.S. Census and survey data from Common Sense Media and Pew Research. They then used data from research firm eMarketer, now called Insider Intelligence, and Qustodio, a parental control app, to estimate each platform's U.S. ad revenue in 2022 and the time children spent per day on each platform. After that, the researchers said they built a simulation model using the data to estimate how much ad revenue the platforms earned from minors in the U.S. The platforms themselves don't make public how much money they earn from minors. [...]

According to the Harvard study, YouTube derived the greatest ad revenue from users 12 and under ($959.1 million), followed by Instagram ($801.1 million) and Facebook ($137.2 million). Instagram, meanwhile, derived the greatest ad revenue from users aged 13-17 ($4 billion), followed by TikTok ($2 billion) and YouTube ($1.2 billion). The researchers also estimate that Snapchat derived the greatest share of its overall 2022 ad revenue from users under 18 (41%), followed by TikTok (35%), YouTube (27%), and Instagram (16%). "As concerns about youth mental health grow, more and more policymakers are trying to introduce legislation to curtail social media platform practices that may drive depression, anxiety, and disordered eating in young people," said senior author Bryn Austin, professor in the Department of Social and Behavioral Sciences. "Although social media platforms may claim that they can self-regulate their practices to reduce the harms to young people, they have yet to do so, and our study suggests they have overwhelming financial incentives to continue to delay taking meaningful steps to protect children."

LG just announced its latest 4K projector, the CineBeam Qube. It'll officially unveil the projector at CES 2024 in early January, but the company's giving curious consumers an early look. From a report: The CineBeam Qube has plenty of high-tech bells and whistles, but with a stylish design that LG calls "minimalist." There's also a handle that resembles a crank. Yeah this thing has an actual handle. The CineBeam Qube is built for portability. It's lightweight, at around three pounds, and the square form factor makes it easy to place just about anywhere. The 360-degree rotatable handle also helps with placement. LG's calling it "one of the smallest projectors available."

Of course, the most important part of any projector is, well, the projection. The Qube projects 4K UHD (3,840 x 2,160) resolution images that measure up to 120 inches. There's an RGB laser light source, a 450,000:1 contrast ratio and 154 percent coverage of the DCI-P3 color gamut. With these specs, that episode of Reacher will really pop. Speaking of streaming content, the projector runs on LG webOS 6.0 and offers access to all of the big streaming services, including Prime Video, Disney+, Netflix and YouTube.

Major streaming services test releasing children's content on YouTube and cut back on fare for kids. From a report: Netflix's share of U.S. streaming viewership by 2- to 11-year-olds fell to 21% in September from 25% two years earlier, according to Nielsen. Meanwhile, YouTube's share jumped to 33% from 29.4% over the same period. That reality is changing major streaming services' approach to children's entertainment, from what shows and movies they make to where they release them. Many are pulling back on investments in children's content, and some streamers have started content for young viewers on such platforms as Google-owned YouTube and Roblox.

[...] Netflix has also slimmed down its slate of animated children's originals, opting instead to rely more on third parties such as Skydance Animation, with which it just signed a multiyear deal to do animated films. Now, Netflix is focusing its youth programming resources on bigger swings, such as the animated film "Leo," starring Adam Sandler, its biggest animated debut ever in terms of views. The eight largest U.S. streamers, including Netflix, Warner's Max and Amazon Prime Video, added 53 originals catering to children and families in the first half of the year, down from 135 for the first half of 2022, according to Ampere. That represents a decrease of 61%, compared with a 31% decrease in overall originals across these streamers for the same period.

"It's like visiting an old friend for the holidays," according to this article: Approaching his 86th birthday, Donald Knuth — Stanford's beloved computer science guru — honored what's become a long-standing tradition. He gave a December "Christmas lecture" that's also streamed online for all of his fans...

More than 60 years ago, back in 1962, a 24-year-old Donald Knuth first started writing The Art of Computer Programming — a comprehensive analysis of algorithms which, here in 2023, he's still trying to finish. And 30 years ago Knuth also began making rare live appearances each December in front of audiences of Stanford students...

Recently Stanford uploaded several decades of Knuth's past Christmas lectures, along with a series of 22 videos of Knuth from 1985 titled "the 'Aha' Sessions'" (courses in mathematical problem-solving). There are also two different sets of five videos from 1981 showing Knuth introducing his newly-created typesetting system TeX. There are even 12 videos from 1982 of what Knuth calls "an intensive course about the internal details."

And on Dec. 6, wearing his traditional brown holiday sweater, Knuth gave yet another live demonstration of the beautifully clear precision that's made him famous.