Slashdot reader rtfa0987 spotted this on the front page of the San Jose Mercury News. "Silicon Valley is poised once again to cash in on other people's products, making a data grab of unprecedented scale that has already spawned lawsuits and congressional hearings. Chatbots and other forms of generative artificial intelligence that burst onto the technology scene in recent months are fed vast amounts of material scraped from the internet — books, screenplays, research papers, news stories, photos, art, music, code and more — to produce answers, imagery or sound in response to user prompts... But a thorny, contentious and highly consequential issue has arisen: A great deal of the bots' fodder is copyrighted property...

The new AI's intellectual-property problem goes beyond art into movies and television, photography, music, news media and computer coding. Critics worry that major players in tech, by inserting themselves between producers and consumers in commercial marketplaces, will suck out the money and remove financial incentives for producing TV scripts, artworks, books, movies, music, photography, news coverage and innovative software. "It could be catastrophic," said Danielle Coffey, CEO of the News/Media Alliance, which represents nearly 2,000 U.S. news publishers, including this news organization. "It could decimate our industry."

The new technology, as happened with other Silicon Valley innovations, including internet-search, social media and food delivery, is catching on among consumers and businesses so quickly that it may become entrenched — and beloved by users — long before regulators and lawmakers gather the knowledge and political will to impose restraints and mitigate harms. "We may need legislation," said Congresswoman Zoe Lofgren, D-San Jose, who as a member of the House Judiciary Committee heard testimony on copyright and generative AI last month. "Content creators have rights and we need to figure out a way how those rights will be respected...."

Furor over the content grabbing is surging. Photo-sales giant Getty is also suing Stability AI. Striking Hollywood screenwriters last month raised concerns that movie studios will start using chatbot-written scripts fed on writers' earlier work. The record industry has lodged a complaint with federal authorities over copyrighted music being used to train AI.
The article includes some unique perspectives:

• There's a technical solution being proposed by the software engineer-CEO of Dazzle Labs, a startup building a platform for controlling personal data. The Mercury News summarizes it as "content producers could annotate their work with conditions for use that would have to be followed by companies crawling the web for AI fodder."

• Santa Clara University law school professor Eric Goldman "believes the law favors use of copyrighted material for training generative AI. 'All works build upon precedent works. We are all free to take pieces of precedent works. What generative AI does is accelerate that process, but it's the same process. It's all part of an evolution of our society's storehouse of knowledge...."

In iOS 17, iPhone users who change their passcode will be able to reset it within 72 hours using the previous passcode. However, users can choose to expire the previous passcode immediately in the Settings app to increase security. MacRumors reports: If you enter an incorrect passcode, tapping on "Forgot Passcode?" at the bottom of the screen will lead to another screen with a "Try Passcode Reset" option. Tapping this option allows you to enter the iPhone's previous passcode and create a new passcode. As a safeguard, an option in the Settings app lets you expire the previous passcode immediately so that it cannot be used to reset the new passcode.

As of the first beta of iOS 17, it is still possible to change an Apple ID account's password with an iPhone's passcode, despite a Wall Street Journal report in February highlighting instances of thieves spying on an iPhone user's passcode in public and then stealing the device in order to gain widespread access to the device. In an interview with Daring Fireball's John Gruber last week, Apple's software engineering chief Craig Federighi said Apple has continued to "look at other ways to address this," but no changes have been made as of yet.

YouTube has sent a cease-and-desist letter to Invidious, an open-source "alternative front-end" to the website which allows users to watch videos without having their data tracked, claiming it violates YouTube's API policy and demanding that it be shut down within seven days. From a report: "We recently became aware of your product or service, Invidious," reads the letter, which was posted on the Invidious GitHub last week. "Your Client appears to be in violation of the YouTube API Services Terms of Service and Developer Policies." The letter then delineates the policies which Invidious is accused of having violated, such as not displaying a link to YouTube's Terms of Service or "clearly" explaining what it does with user information. Invidious is open-source software licensed under AGPL-3.0, and it markets itself as a way for users to interact with YouTube without allowing the site to collect their data, or having to make an account. "Invidious protects you from the prying eyes of Google," its homepage reads. "It won't track you either!" Invidious also allows users to watch videos without being interrupted by "annoying ads," which is how YouTube makes most of its money.

Google last month upgraded its Bard chatbot with a new machine-learning model that can better understand conversational language and compete with OpenAI's ChatGPT. As Google develops a sequel to that model, it may hold a trump card: YouTube. From a report: The video site, which Google owns, is the single biggest and richest source of imagery, audio and text transcripts on the internet. And Google's researchers have been using YouTube to develop its next large-language model, Gemini, according to a person with knowledge of the situation. The value of YouTube hasn't been lost on OpenAI, either: The startup has secretly used data from the site to train some of its artificial intelligence models, said one person with direct knowledge of the effort. AI practitioners who compete with Google say the company may gain an edge from owning YouTube, which gives it more complete access to the video data than rivals that scrape the videos. That's especially important as AI developers face new obstacles to finding high-quality data on which to train and improve their models. Major website publishers from Reddit to Stack Exchange to DeviantArt are increasingly blocking developers from downloading data for that purpose. Before those walls came up, AI startups used data from such sites to develop AI models, according to the publishers and disclosures from the startups.

The advantage that Google gains in AI from owning YouTube may reinforce concerns among antitrust regulators about Google's power. On Wednesday, the European Commission kicked off a complaint about Google's power in the ad tech world, contending that Google favors its "own online display advertising technology services to the detriment of competing providers." The U.S. Department of Justice in January sued Google over similar issues. Google could use audio transcriptions or descriptions of YouTube videos as another source of text for training Gemini, leading to more-sophisticated language understanding and the ability to generate more-realistic conversational responses. It could also integrate video and audio into the model itself, giving it the multimodal capabilities many researchers believe are the next frontier in AI, according to interviews with nearly a dozen people who work on these types of machine-learning models. Google CEO Sundar Pichai told investors earlier this month that Gemini, which is still in development, is exhibiting multimodal capabilities not seen in any other model, though he didn't elaborate.

An anonymous reader quotes a report from SFGATE: A strange letter showed up on Kay Dean's doorstep. It was 2017, and the San Jose resident had left a one-star review on the Yelp page of a psychiatry office in Los Altos. Then the letter arrived: It seemed the clinic had hired a local lawyer to demand that Dean remove her negative review or face a lawsuit. The envelope included a $50 check. Dean, who once worked as a criminal investigator in the U.S. Department of Education's Office of Inspector General, smelled something fishy. She decided to look into the clinic, part of a small California chain called SavantCare. By the time her work was done, she'd found a higher calling -- and SavantCare's ex-CEO was fighting felony charges.

Since then, Dean, 60, has mounted a yearslong crusade against Yelp and the broader online review ecosystem from a home office in San Jose. Yelp, founded in San Francisco in 2004, is deeply entrenched in American consumer habits, and has burrowed itself into the larger consciousness through partnerships with the likes of Apple Maps. The company's crowdsourced reviews undergird the internet's web of recommendations and can send businesses droves of customers -- or act as an insurmountable black mark. Dean follows fake reviews from their origins in social media groups to when they hit the review sites, methodically documenting hours of research in spreadsheets and little-watched YouTube videos. Targets accuse her of an unreasonable fixation. Yelp claims it aggressively and effectively weeds out fakes. But Dean disagrees, and she's out to convince America that Yelp, Google and other purveyors of reviews cannot be trusted.

"This is an issue that affects millions of consumers, and thousands of honest businesses," she said in her YouTube page's introductory post on April 30, 2020, facing the camera dead-on. "I'm creating these videos to expose this massive fraud against the American public and shine a light on Big Tech's culpability." "I don't do it lightly. If I put a video up, it's serious," she told SFGATE in May. "I'm putting myself out there." Dean is particularly motivated by the types of small businesses that she's found gaming Yelp's recommendation algorithm. She has spotted seemingly paid-for reviews on the pages of lawyers, home contractors, and doctors' offices -- high-ticket companies for which she says she'd "rather have no information than fake information."

Alphabet's Google may have to sell part of its lucrative adtech business to address concerns about anti-competitive practices, EU regulators said on Wednesday, threatening the company with its harshest regulatory penalty to date. From a report: The European Commission set out its charges in a statement of objections to Google two years after opening an investigation into behaviours such as favouring its own advertising services, which could also lead to a fine of as much as 10% of Google's annual global turnover. The stakes are higher for Google in this latest clash with regulators as it concerns the company's biggest money maker, with the adtech business accounting for 79% of total revenue last year.

Its 2022 advertising revenue, including from search services, Gmail, Google Play, Google Maps, YouTube adverts, Google Ad Manager, AdMob and AdSense, amounted to $224.5 billion. EU antitrust chief Margrethe Vestager said Google may have to sell part of its adtech business because a behavioural remedy is unlikely to be effective at stopping the anti-competitive practices.

An anonymous reader quotes a report from Ars Technica: Researchers have devised a novel attack that recovers the secret encryption keys stored in smart cards and smartphones by using cameras in iPhones or commercial surveillance systems to video record power LEDs that show when the card reader or smartphone is turned on. The attacks enable a new way to exploit two previously disclosed side channels, a class of attack that measures physical effects that leak from a device as it performs a cryptographic operation. By carefully monitoring characteristics such as power consumption, sound, electromagnetic emissions, or the amount of time it takes for an operation to occur, attackers can assemble enough information to recover secret keys that underpin the security and confidentiality of a cryptographic algorithm. [...]

On Tuesday, academic researchers unveiled new research demonstrating attacks that provide a novel way to exploit these types of side channels. The first attack uses an Internet-connected surveillance camera to take a high-speed video of the power LED on a smart card reader -- or of an attached peripheral device -- during cryptographic operations. This technique allowed the researchers to pull a 256-bit ECDSA key off the same government-approved smart card used in Minerva. The other allowed the researchers to recover the private SIKE key of a Samsung Galaxy S8 phone by training the camera of an iPhone 13 on the power LED of a USB speaker connected to the handset, in a similar way to how Hertzbleed pulled SIKE keys off Intel and AMD CPUs. Power LEDs are designed to indicate when a device is turned on. They typically cast a blue or violet light that varies in brightness and color depending on the power consumption of the device they are connected to.

There are limitations to both attacks that make them unfeasible in many (but not all) real-world scenarios (more on that later). Despite this, the published research is groundbreaking because it provides an entirely new way to facilitate side-channel attacks. Not only that, but the new method removes the biggest barrier holding back previously existing methods from exploiting side channels: the need to have instruments such as an oscilloscope, electric probes, or other objects touching or being in proximity to the device being attacked. In Minerva's case, the device hosting the smart card reader had to be compromised for researchers to collect precise-enough measurements. Hertzbleed, by contrast, didn't rely on a compromised device but instead took 18 days of constant interaction with the vulnerable device to recover the private SIKE key. To attack many other side channels, such as the one in the World War II encrypted teletype terminal, attackers must have specialized and often expensive instruments attached or near the targeted device. The video-based attacks presented on Tuesday reduce or completely eliminate such requirements. All that's required to steal the private key stored on the smart card is an Internet-connected surveillance camera that can be as far as 62 feet away from the targeted reader. The side-channel attack on the Samsung Galaxy handset can be performed by an iPhone 13 camera that's already present in the same room. Videos here and here show the video-capture process of a smart card reader and a Samsung Galaxy phone, respectively, as they perform cryptographic operations. "To the naked eye, the captured video looks unremarkable," adds Ars.

"But by analyzing the video frames for different RGB values in the green channel, an attacker can identify the start and finish of a cryptographic operation."

Influencers in the video-game industry are evolving from playing games to making them. From a report: Over the weekend, One True King, a media company focused on gaming content, launched Mad Mushroom, a new publishing division. "We have a unique competitive advantage in this space," said OTK co-founder Asmongold, a top streamer on Twitch, Amazon's live-streaming platform. "We can give games the push they need to actually go out to market, get eyes on the game and give [developers] insight." Moving forward, OTK's stable of gaming influencers will collaborate with lead adviser Mike Silbowitz, a gaming industry veteran who has previously worked at Square Enix, to publish, distribute, test and market games.

Currently, publishers pay top influencers tens of thousands of dollars to demo new games in front of their sizable audiences of live viewers on social media platforms, particularly Twitch and Google's YouTube. According to company executives, by reducing such marketing and user-acquisition costs, the organization can take a reduced cut of sales, say, 30% rather than the regular 40% or 50%, potentially benefiting the makers of independent games. "Twitch streamers have a large tool that is effectively a non-cost, which is their time and their audience," Asmongold said.

Influencers are increasingly diversifying their income streams beyond social media networks, which can be culturally and financially volatile. Popular gamers have said they anticipate that selling products directly to their audience will eventually form a larger fraction of their revenue. Top streamers, particularly those who have carved out a niche within a specific genre, are looking to publish and advise on both top tier and indie games that might appeal to the specific tastes of their fans.

An anonymous reader quotes a report from Ars Technica: When should you be concerned about a NAS hard drive failing? Multiple factors are at play, so many might turn to various SMART (self-monitoring, analysis, and reporting technology) data. When it comes to how long the drive has been active, there are backup companies like Backblaze using hard drives that are nearly 8 years old. That may be why some customers have been panicked, confused, and/or angered to see their Western Digital NAS hard drive automatically given a warning label in Synology's DiskStation Manager (DSM) after they were powered on for three years. With no other factors considered for these automatic flags, Western Digital is accused of age-shaming drives to push people to buy new HDDs prematurely. The practice's revelation is the last straw for some users. Western Digital already had a steep climb to win back NAS customers' trust after shipping NAS drives with SMR (shingled magnetic recording) instead of CMR (conventional magnetic recording). Now, some are saying they won't use or recommend the company's hard drives anymore.

As users have reported online, including on Synology-focused and Synology's own forums, as well as on Reddit and YouTube, Western Digital drives using Western Device Digital Analytics (WDDA) are getting a "warning" stamp in Synology DSM once their power-on hours count hits the three-year mark. WDDA is similar to SMART monitoring and rival offerings, like Seagate's IronWolf, and is supposed to provide analytics and actionable items. The recommended action says: "The drive has accumulated a large number of power on hours [throughout] the entire life of the drive. Please consider to replace the drive soon." There seem to be no discernible problems with the hard drives otherwise.

Synology confirmed this to Ars Technica and noted that the labels come from Western Digital, not Synology. A spokesperson said the "WDDA monitoring and testing subsystem is developed by Western Digital, including the warning after they reach a certain number of power-on-hours." The practice has caused some, like YouTuber SpaceRex, to stop recommending Western Digital drives for the foreseeable future. In May, the YouTuber and tech consultant described his outrage, saying three years is "absolutely nothing" for a NAS drive and lamenting the flags having nothing to do with anything besides whether or not a drive has been in use for three years. A user on SynoForum discussed their "panic" upon seeing the label. And SpaceRex said one of its clients also panicked and quickly replaced the "warning" drives out of fear of losing business-critical data. "It is clearly predatory tactics by Western Digital trying to sell more hard drives," SpaceRex said in a June 10 video. "Users are also concerned that this could prevent people from noticing serious problems with their drive," adds Ars. "Further, you can't repair a pool with a drive marked with a warning label."

Some of the affected products with WDDA include the WD Red Pro, WD Red Plus, and WD Purple. A discussion post about how to disable WDDA via SSH can be found here.

Long-time Slashdot reader destinyland writes: CBS News interviewed 71-year-old Mark Hamill, who remembers that in his first audition for Star Wars, they didn't give him the whole script. So "I couldn't figure out, is this like a send-up of Flash Gordon or whatever? You couldn't tell. Because nobody talks like this!"

Hamill also does impressions of the other actors he worked with. "I was asking Harrison, because he had been in American Graffiti. I said, 'You know George. Is this like a joke, or — should we send it up, make fun of it?'" And then he mimics Harrison Ford as saying "Yeah, Whatever. Get it done." ("So he was no help.") Later Hamill also describes meeting Alec Guinness, who eventually had to remind Hamill to stop calling him "Sir Alec." ("I want to be known by my name, not my accolade...")

And after playing Mozart in the Broadway production of Amadeus, Hamill remembers the reaction when he'd suggested appearing in the movie adaptation. Director Milos Forman said, "Oh ho ho ho. No, no, no. The Luke Skywalker is not to be being the Mozart." (Hamill's reaction? "At least he's honest.")
There's a clip of Hamill doing voice-over work for the animated Batman series, and (about three minutes in) a quick clip from Mark Hamill's 1976 screen test with Harrison Ford. There's even a photo of Hamill's appearance in a 1971 episode of The Partridge Family. At the end of the interview, Hamill doesn't say whether or not he'll ever reappear in the role of Luke Skywalker again. "You never say never. I just don't see any reason to, let me put it that way. They have so many stories to tell, they don't need Luke any more."

But the interviewer points out that "if you find yourself in Ukraine during an air strike, you might hear Luke Skywalker's voice talking you down" -- since he also provides the voice for a warning app linked to Ukraine's air defense system.

An anonymous reader shared this report from the New York Times: Two senators sent a letter to TikTok's chief executive on Tuesday, accusing the company of making misleading claims to Congress around how it stores and handles American user data, and demanding answers to more than a dozen questions by the end of next week.

The letter, from Senators Richard Blumenthal, Democrat of Connecticut, and Marsha Blackburn, Republican of Tennessee, focused on how sensitive data about American users may be stored in China and how employees there may have access to it. The lawmakers said recent reports from The New York Times and Forbes raised questions about statements made during congressional testimony in March by Shou Chew, TikTok's chief executive, and in an October 2021 hearing involving Michael Beckerman, TikTok's head of public policy for the Americas. TikTok is owned by the Chinese company ByteDance.

"We are deeply troubled by TikTok's recurring pattern of providing misleading, inaccurate or false information to Congress and its users in the United States, including in response to us during oversight hearings and letters," the senators wrote...

Forbes reported last month that TikTok has stored the sensitive financial information of creators, including Social Security numbers and tax IDs, on servers in China, where employees there can have access to them... The Times reported earlier in the month that American user data, including driver's licenses and potentially illegal content such as child sexual abuse materials, was shared at TikTok and ByteDance through an internal messaging and collaboration tool called Lark. The information was often available in Lark "groups" — chat rooms of employees — with thousands of members, alarming some workers because ByteDance workers in China and elsewhere could easily see the material.

Isaac-Lew (Slashdot reader #623) writes: The Lego scene in "Spider-Man: Across The Spider-Verse" was animated by a 14-year-old high school student after the producers saw the trailer he made that was animated Lego-style.
The teenager had used his father's old computers to recreate the trailer "shot for shot to look as if it belonged in a Lego world," reports the New York Times: By that point, he had been honing his skills for several years making short computer-generated Lego videos. "My dad showed me this 3-D software called Blender and I instantly got hooked on it," he said. "I watched a lot of YouTube videos to teach myself certain stuff..."

[A]fter finding the movie's Toronto-based production designer, Patrick O'Keefe, on LinkedIn, and confirming that Sony Pictures Animation's offer was legitimate, Theodore Mutanga, a medical physicist, built his son a new computer and bought him a state-of-the-art graphics card so he could render his work much faster... Over several weeks, first during spring break and then after finishing his homework on school nights, Mutanga worked on the Lego sequence... Christophre Miller [a director of "The Lego Movie" and one of the writer-producers of "Spider-Verse."] saw Mutanga's contribution to "Across the Spider-Verse" not only as a testament to the democratization of filmmaking, but also to the artist's perseverance: he dedicated intensive time and effort to animation, which is "not ever fast or easy to make," Miller said.

'The Lego Movie' is inspired by people making films with Lego bricks at home," Lord said by video. "That's what made us want to make the movie. Then the idea in 'Spider Verse' is that a hero can come from anywhere. And here comes this heroic young person who's inspired by the movie that was inspired by people like him."

An anonymous reader quotes a report from Ars Technica: One of Alphabet's Waymo autonomous cars has killed a pet dog. TechCrunch spotted the public report of the incident, which says one of the Waymo Jaguar I-Pace cars ran over a dog in San Francisco while in autonomous mode with a safety driver behind the wheel.

Waymo's collision report says: "On May 21, 2023 at 10:56 AM PT a Waymo Autonomous Vehicle ("Waymo AV") operating in San Francisco, California was in a collision involving a small dog on Toland Street at Toland Place. The Waymo AV was traveling southwest on Toland Street when a small dog ran into the street in front of the Waymo AV. The Waymo AV then made contact with the dog, which did not survive. At the time of the impact, the Waymo AV's Level 4 ADS was engaged in autonomous mode, and a test driver was present (in the driver's seating position). The Waymo AV sustained damage."

The collision was a block from Waymo's Toland Depot, a 120,000-square-foot warehouse that houses at least 50 autonomous cars. The speed limit on Toland Street is 25 mph, according to posted signs viewable on Google Maps. From that Street View link, the road looks like a busy industrial area with many warehouses, truck delivery areas, and barbed-wire fences. The incident is Waymo's first reported fatality. Waymo sent along a statement: "On May 21 in San Francisco, a small dog ran in front of one of our vehicles with an autonomous specialist present in the driver's seat, and, unfortunately, contact was made. The investigation is ongoing, however the initial review confirmed that the system correctly identified the dog which ran out from behind a parked vehicle but was not able to avoid contact. We send our sincere condolences to the dog's owner. The trust and safety of the communities we are in is the most important thing to us and we're continuing to look into this on our end."

In early 2018, an autonomous Uber vehicle in Tempe, Arizona, hit and killed a woman. "According to Tempe PD, the car was in autonomous mode at the time of the incident, with a vehicle operator sitting behind the wheel," reported Gizmodo at the time. The company went on to suspend self-driving car tests in all North American cities after the fatal accident.

New York City became the latest city to file suit against Hyundai and Kia over a rash of vehicle thefts that went viral on TikTok and other social media platforms in recent years, according to The Wall Street Journal. From a report: In its lawsuit, the US attorney's office for the Southern District of New York claims the automakers were guilty of negligence by failing to include anti-theft devices in their cars that would have made them much harder to steal. The so-called "Kia Challenge" has led to hundreds of car thefts nationwide, including at least 14 reported crashes and eight fatalities, according to the National Highway Traffic Safety Administration. Thieves known as the "Kia Boys" would post instructional videos on YouTube and TikTok about how to bypass the vehicles' security systems using tools as simple as a USB cable. Other videos would feature joyrides in stolen vehicles and the resulting property destruction.

schwit1 shares a report from CBS News: When whistleblower Frances Haugen pulled back the curtain on Facebook in the fall of 2021, thousands of pages of internal documents showed troubling signs that the social media giant knew its platforms could be negatively impacting youth, and were doing little to effectively change it. With around 21 million American adolescents on social media, parents took note. Now, families are suing social media. Since we first reported this story last December, the number of families pursuing lawsuits has grown to over 2,000. More than 350 lawsuits are expected to move forward this year against TikTok, Snapchat, YouTube, Roblox and Meta -- the parent company to Instagram and Facebook.

Kathleen Spence: They're holding our children hostage and they're seeking and preying on them. Sharyn Alfonsi: Preying on them? Kathleen Spence: Yes. The Spence family is suing social media giant Meta. Kathleen and Jeff Spence say Instagram led their daughter Alexis into depression and to an eating disorder at the age of 12. [...] Attorney Matt Bergman represents the Spence family. He started the Social Media Victims Law Center after reading the Facebook papers and is now working with more than 1,800 families who are pursuing lawsuits against social media companies like Meta. Matt Bergman: Time and time again, when they have an opportunity to choose between safety of our kids and profits, they always choose profits.

This summer, Bergman and his team plan on starting the discovery process for the federal case against Meta and other social media companies, a multi-million dollar suit that he says is more about changing policy than financial compensation. This summer, Bergman and his team plan on starting the discovery process for the federal case against Meta and other social media companies, a multi-million dollar suit that he says is more about changing policy than financial compensation. Matt Bergman: They have intentionally designed a product that is addictive. They understand that if children stay online, they make more money. It doesn't matter how harmful the material is.

In a blog post today, YouTube said it will stop removing content that "advances false claims that widespread fraud, errors, or glitches occurred in the 2020 and other past US Presidential elections." The online video platform says that the "ability to openly debate political ideas, even those that are controversial or based on disproven assumptions, is core to a functioning democratic society -- especially in the midst of election season." The Verge reports: YouTube first introduced its election misinformation policy in December 2020, which barred users from posting content that spread false claims about the integrity of US elections. The platform says it has removed "thousands" of videos since implementing the policy. "In the current environment, we find that while removing this content does curb some misinformation, it could also have the unintended effect of curtailing political speech without meaningfully reducing the risk of violence or other real-world harm," YouTube states. "As with any update to our policies, we carefully deliberated this change."

Despite the policy reversal, YouTube says it will continue to enforce rules that prevent users from discouraging others from participating in an election. It will also take action against content that aims to mislead users about the time, place, or requirements for voting as well as content that disputes the validity of mail-in voting. Additionally, YouTube says it still prominently surfaces content from "authoritative sources" in search results and recommendations.

quonset writes: In what is considered to be a first, the European Space Agency (ESA) will, if everything goes to plan, stream live images of Mars from ESA's Mars Express orbiter on Friday, June 2nd. The event is celebrating the 20th anniversary of the launch of the agency's Mars Express -- a mission to take three-dimensional images of the planet's surface to see it in more complete detail.

You can watch the stream on ESA's YouTube channel for an hour starting at 6 p.m. Central European Time, or noon ET Friday. While it won't be truly live, there will be a new image about every 50 seconds of that hour, the agency said. "Normally, we see images from Mars and know that they were taken days before," said James Godfrey, spacecraft operations manager at ESA's mission control center in Darmstadt, Germany, in a statement. "I'm excited to see Mars as it is now -- as close to a martian 'now' as we can possibly get!"

A SpaceX capsule carrying a former NASA astronaut and three paying customers returned from the International Space Station, marking the conclusion of a historic weeklong mission for the crew. From a report: The Crew Dragon spacecraft departed the space station Tuesday morning and the crew spent nearly 12 hours in orbit as the capsule maneuvered back toward Earth. After a fiery reentry, the Crew Dragon and passengers made a safe splashdown off the coast of Panama City, Florida, in the Gulf of Mexico at 11:04 p.m. ET. This mission, dubbed Axiom Mission 2, or AX-2, launched from Florida on May 21. AX-2 was put together by the Houston-based company Axiom Space and marked the second all-private mission to the orbiting outpost, meaning solely commercial companies, rather than a government agency, have been leading the mission.

This mission was also a milestone in the history of spaceflight as stem cell researcher Rayyanah Barnawi became the first woman from Saudi Arabia to travel to space. The AX-2 mission is one in a lineup of commercial missions designed to spur private sector participation in spaceflight -- particularly in low-Earth orbit, where the International Space Station orbits. Former NASA astronaut Peggy Whitson, 63, led the AX-2 crew. Whitson, now an Axiom Space employee, also became the first woman to command a private spaceflight. One of the three paying customers joining Whitson was John Shoffner, an American who made his fortune in the international telecom business and founded the hardware company Dura-Line Corp. Saudi Arabia also paid to fly two of its citizens: Barnawi and Ali AlQarni, a fighter pilot in the Royal Saudi Air Force.

During the mission, Barnawi led stem cell research suited for the microgravity environment aboard the space station. The orbiting laboratory has long been a key venue for various scientific experiments, as the lack of gravity can give researchers a better fundamental understanding of the topic at hand. Barnawi and AlQarni also engaged in outreach projects, including testing out a kite in microgravity and capturing video for viewers back home. The AX-2 crew spent about eight days working alongside astronauts representing NASA, Russia's Roscomos space agency and the United Arab Emirates Space Agency aboard the space station, though they operated on different schedules. The AX-2 crew worked through a lineup of more than 20 investigations and science projects -- including stem cell and other biomedical research. "Late tonight, at 11:02 pm local time in California (06:02 UTC Wednesday), SpaceX has a chance to reach 200 successful launches [of the Falcon 9 rocket] with a Starlink mission lifting off from Vandenberg Space Force Base," reports Ars Technica. "Such a performance is in uncharted territory for any orbital rocket, ever. [...] SpaceX is setting itself up to double the record for the number of consecutive successes by an orbital rocket."

You can view a livestream of the launch here.

My Photo Stream, the free cloud-based photo syncing feature Apple launched in 2011, is shutting down on July 26th, according to an Apple Support page spotted by Bloomberg's Mark Gurman. The Verge reports: The end of My Photo Stream won't come as too much of a surprise. Although it was free, it came with a long list of restrictions on the amount of photos you could upload, and these were only saved on Apple's servers for 30 days. Photos saved in the cloud then had to be manually saved locally if you wanted to keep them on a secondary device and, perhaps worst of all, 9to5Mac notes that high-quality photos weren't synced in their original resolution.

iCloud's free storage may be relatively limited at just 5GB, but at least it acts like a modern cloud storage service with photos and videos stored in their full resolution. Apple's support page notes that new photo uploads to My Photo Stream will come to an end on June 26th, and that the feature will disappear entirely a month later. "The photos in My Photo Stream are already stored on at least one of your devices," Apple's page notes, "So as long as you have the device with your originals, you won't lose any photos as part of this process."

In 2021, YouTube made the controversial decision to hide dislike counts on its platform, citing the aim of protecting creators from harassment. While this removed a valuable metric for viewers, alternatives have emerged, such as the browser extension Return YouTube Dislike and the new site Favoree. The latter is being hailed as "the Rotten Tomatoes of YouTube," where users can rate and review YouTube channels. BGR reports: Earlier this week, one user disappointed with the removal of YouTube's dislike counts took to Reddit to promote their new site Favoree. Rather than simply giving a channel a thumbs up or thumbs down, you can give it a rating out of five stars and even write a review. That way, you can actually see why people like or dislike a given channel.

This is a new site, so only a small handful of YouTube channels are currently represented (much less have many ratings or reviews) [...]. For example, Summoning Salt is a stellar channel a friend turned me on to a few years ago, which features long-form documentary-style videos about the history of speedrunning video games. The channel page on Favoree features a short description, a list of relevant keywords, embedded videos, and several written reviews.

Obviously, this is only going to work if Favoree really picks up steam and thousands of users start writing reviews and submitting new channels. That said, it's an interesting project, and the creator is accepting feedback on Reddit and acting on many of those suggestions rather quickly. It will be interesting to track Favoree to see how it develops.