Tesla has launched Steam integration inside its Model S and Model X electric cars with thousands of games now playable. Electrek reports: Today, Tesla launched Steam Beta for Model S and Model X as part of its "holiday update." We reported all the details of Tesla's holiday update earlier today for most Tesla vehicles, but the Steam integration is only for the refreshed Model S and Model X produced over the last two years. That's because Tesla's two flagship vehicles are equipped with a more powerful entertainment computer designed for video games.

With the unveiling of the new Model S and Model X, Tesla announced the new gaming computer: "Up to 10 teraflops of processing power enables in-car gaming on-par with today's newest consoles via Tesla Arcade. Wireless controller compatibility allows gaming from any seat." A known chip leaker, Patrick Schur, posted a diagram of Tesla's new gaming computer powered by the AMD Navi 23 GPU. The system is integrated and connects directly to two touchscreens inside the Model S and Model X to play games, watch entertainment, and perform other functions. Musk also revealed that the new computer has more storage space to be able to handle more games on the platform at the same time, which is going to be useful to handle your Steam library. The holiday update also brings support for Apple Music, an update to Dog Mode, improvements to Tesla's "Light Show" feature, and a bunch of smaller features/updates.

It's a coffee shop and and robotics startup. Founded in 2020, Seattle-based Artly has seven locations in Washington, Oregon and California, reports the Seattle Times, noting that each location has a mechanically dexterous robotic arm that they're calling a "barista bot" that "makes the espresso, pours the milk, steams the foam and puts it all together, topping it off with a carefully drawn foam leaf." [P]ressing market needs were behind the innovation. Cost concerns and high employee turnover in food services have led Artly and others to provide automated solutions to restaurants and businesses, even before the pandemic hit and brought additional challenges. Just a couple of years into operation, Artly CEO Meng Wang said the company has maintained healthy operating margins — the profit a company makes after paying for costs of production — by eliminating the biggest expense in food business: labor. For a coffee shop that would need two or three baristas, Artly needs one staffer, in addition to a barista bot like Jarvis. Artly reinvests the money it saves from labor into sourcing more quality coffee, Wang said.

Artly isn't alone in introducing robot help in food preparation. Another Seattle-based startup, Picnic, offers automation solutions for a staple of the American diet: pizza. Its food prep station can produce up to 100 pizzas in one hour using metered toppings. Since Picnic was founded in 2016, its robots have assembled pizzas in many places, including Seattle's T-Mobile Park and the Las Vegas Convention Center. The company has seen a growing interest in its robots. This summer, Picnic announced partnerships with pizzeria Moto's West Seattle location and a Domino's store in Berlin.... With a robotics-as-a-service business model, the standard full offering for operators is $4,500 a month on a 36-month contract.
But the founder also told the newspaper how their customers reacted to their barista bots: [C]ustomers were initially intrigued and excited about the robot barista, but the service was slower than with a human barista. He said customers craved the connection with the person making their coffee. "When [customers] go to the coffee shop, their expectation is to be served by a human," Yang said.

With that, Artly has focused on opening locations in shopping malls and business office buildings rather than standard coffee shops.

It was 29 years ago today that DOOM was first released — and we're still using it! Here in 2022, the latest mod reportedly converts its demons into the zombies and creepers from Minecraft. This week Hackaday wrote about a simple emulated RISC-V processor that runs DOOM. Last month someone even got DOOM running in Notepad. And recently WebTV enthusiasts not only jerry-rigged a contemporary TV to a WebTV unit, but then actually got it to play a 1990s-era WebTV version of DOOM on their TV screen.

The last 29 years have been a long, strange trip. A hidden Doom level appeared in Microsoft Excel. A Doom video was also used to promote Windows 95. And then there was that weird Doom movie starring The Rock and Karl Urban... By 2015 Doom was inducted into the World Video Game Hall of Fame. In 2016 John Romero created a new level. Later that year a new release of Doom even featured a mod with one of the the original Doom II levels from 1994.

In 2016 we'd asked Slashdot readers to share their own favorite stories about Doom — and the best thing about that post is those 351 comments. ("I went to the door, confused why the police were banging on my door.... They said they had reports of shots being fired." )

Is anyone still playing Doom today? Share your own thoughts and memories in the comments.

And what's your own favorite story about Doom?

A Japanese billionaire picked his crewmates for the first-ever artist-centered mission. Space.com reports: Yusaku Maezawa, who made his fortune as an online fashion retailer, announced the eight people who would be flying with him on the dearMoon mission, which aims to use a SpaceX Starship to fly around the moon as soon as next year. "I hope each and every one will recognize the responsibility that comes with leaving the Earth, travelling to the moon and back," Maezawa says in the video in Japanese, with a translation provided in-video.

Riding along with Maezawa will be:
- Steve Aoki, D.J., producer and electronic dance music artist with several Billboard-charting studio albums;
- Tim Dodd, YouTube creator of the "Everyday Astronaut" channel (Dodd has interviewed SpaceX founder Elon Musk multiple times on camera);
- Yemi A.D., artist and choreographer known for his work with JAD Dance Company and with Ye (formerly Kanye West);
- Karim Iliya, photographer whose publications include National Geographic Magazine;
- Rhiannon Adam, a photographer who has been supported by the BBC/Royal Geographical Society and won multiple awards, according to their website;
- Brendan Hall, filmmaker on projects such as the two-hour documentary "Blood Sugar Rising" about diabetes in the United States, according to the Internet Movie Database;
- Dev Joshi, an "Indian television actor known for portraying the role of Baal Veer in Sony Sab's Baal Veer and Baalveer Returns," according to the Internet Movie Database;
- T.O.P., a South Korean rapper known as the lead for the boy band Big Bang;
- Two backup members: dancer Miyu, and snowboarder Kaitlyn Farrington.

Each member of the dearMoon crew was briefly quoted in a video from the dearMoon YouTube channel, and the announcement was confirmed on Dodd's and Maezawa's Twitter feeds.

CoinDesk's Daniel Kuhn writes in an opinion piece: Despite the focus on FTX following its catastrophic collapse, it's remarkable how little we know about how the crypto exchange and its in-house trading firm Alameda Research actually operated. New CEO John Jay Ray III has called Sam Bankman-Fried's crypto trading empire the "greatest failure of corporate controls" he's seen. Wednesday, Coffeezilla, a YouTuber with a rising star who has made a career of shining a light on sketchy projects in and out of crypto, pressed Bankman-Fried for information related to how different customer accounts were treated at the exchange. It turns out, there wasn't much differentiation -- at the very least during the final days the exchange was in business, Bankman-Fried admitted. "At the time, we wanted to treat customers equally," SBF said during a Twitter Spaces event. "That effectively meant that there was, you know, if you want to put it this way, like fungibility created" between the exchange's spot and derivatives business lines. For Coffeezilla, this looks like a smoking gun that fraud was committed.

At the very least, this is a contradiction of what Bankman-Fried had said just minutes before when first asked about the exchange's terms of service (ToS). "I do think we're treating them differently," Bankman-Fried said, referring to customer assets used for "margin versus staking versus spot versus futures collateral." All of those services come with different levels of risk, different promises made to customers and different responsibilities for the exchange. According to FTX's ToS, everyday users just looking to buy or store their cryptocurrencies on the centralized exchange could trust they were doing just that, buying and storing cryptographically unique digital assets. But now, thanks to skillful questioning by Coffeezilla, we know there were instead "omnibus" wallets and that spot and derivatives traders were essentially assuming the same level of risk.

We can also assume this was a longstanding practice at FTX. Bankman-Fried noted that during the "run on the exchange" (pardon the language), when people were attempting to get their assets off before withdrawals were shut down, FTX allowed "generalized withdrawals" from these omnibus wallets. But he also deflected, saying what, you wanted us to code up an entirely new process during a liquidity crisis? Before now, Bankman-Fried had been asked multiple times about the exchange's ToS and often managed to derail the conversation. He would often point to other sections of the document that stated clients using margin (taking out debt from FTX) could have their funds used by the exchange. Or he would bring up a vestigial wire process in place before FTX had banking relationships. Apparently, according to SBF, customers had sent money to Alameda to fund accounts on FTX and somewhere along the lines this capital ended up in a rarely seen subaccount. This also had the benefit of inflating Alameda's books, another dark corner of the empire. Further reading: FTX Founder Sam Bankman-Fried Is Said To Face Market Manipulation Inquiry

Competitive Excel clearly is not the NFL, but it does have the beginnings of a fan base. From a report: This was just the second year of the World Championship, but it's already streaming on ESPN3. This year's edition has 30,000 views on YouTube. Supporters of Michael Jarman, the No. 3 seed in this year's competition, call themselves the "Jarmy Army." A few months ago, an all-star game of sorts aired on ESPN2, and this month, ESPNU will televise the collegiate championship. The tournament begins with a 128-player field and proceeds March Madness -- style, in one-on-one, single-elimination contests. The format lends itself to frequent upsets: This year, the No. 2 seed was eliminated in the third round. In each match, players work as fast as possible -- they're generally given about 30 minutes -- to answer a series of progressively more difficult questions testing both their puzzle-solving skills and their fluency with Excel.

The questions all revolve around the same scenario. In the quarterfinal, for example, the questions all had to do with a fictional country transitioning from dictatorship to democracy. The first and easiest question asked players to calculate how many votes were cast for the purple party. The championship case, which was far more difficult, centered on a 100x100 chessboard. This year's total prize money was $10,000. Naturally, a large proportion of Excel competitors work in Excel-heavy jobs; the field included plenty of finance bros, data analysts, mathematicians, actuaries, and engineers. All but one of the eight finalists had over the course of their lives spent thousands of hours working in Excel (the other is a Google Sheets guy), and half of them had spent more than 10,000. The tournament is not particularly diverse. Of the eight finalists, Deaton was the only woman. In the field of 128, she told me, she counted no more than a dozen, which didn't surprise her, given how heavily male the relevant occupations skew.

An anonymous reader quotes a report from TorrentFreak: The Blender Institute develops Blender, a free and open source 3D graphics tool used to create animated films. Sintel and Big Buck Bunny are among Blender's most recognizable titles and due to Creative Commons licensing (CC BY), they are widely shared, used, remixed and reshared. According to original Blender creator Ton Roosendaal, "Open licenses are essential for sharing our films and their source material." Right now, a company is claiming that Blender's free content is actually their content and as a result, must be immediately removed from the internet. We're talking about content that was created with Blender's explicit blessing but even after multiple appeals, not even YouTube will see reason.

Bruno Fernandez-Ruiz is the co-founder and CTO at AI-focused driver safety company, Nexar. On Sunday he informed TorrentFreak that he's also an independent film composer and producer, working with music production libraries, and distributing to the main music platforms. TorrentFreak contacted Bruno after noticing a post he made on a music production forum. He wrote that after uploading a video containing a clip from the Blender movie Caminandes 3 -- Llamigos, YouTube notified him that a rightsholder had filed a copyright complaint, his video had been taken down, and a copyright strike had been issued to his account. The complaint, sent by Uzbekistan-based media/news company ZO'R TV, was not the result of automatic matching under Content ID. It was filed as a formal DMCA notice, meaning that someone probably reviewed the details before sending the complaint. The notice claimed that Bruno had infringed ZO'R TV's copyrights by reproducing content (6:21 to 8:26) from this YouTube video published in 2018.

Since the content in question is obviously from Blender's film Caminandes 3, ZO'R TV was in no position to issue a DMCA notice. On that basis, Bruno followed the recognized procedure by sending a DMCA counternotice to YouTube. It didn't go well. After filing his counternotice with YouTube, Bruno was informed that since he'd provided insufficient information, YouTube could not process it. However, YouTube did inform Bruno of the risks of filing a counternotice, including that his name could be sent to the claimant, ZO'R TV in this case. Determined to have his video restored, Bruno accepted the risks and sent another counternotice to YouTube. This time there was no indication that the counternotice was deficient. YouTube thanked him for filing it -- but still declined to process it. YouTube's email advised Bruno that counternotices should only be filed in case of a mistake or misidentification. Consulting with a lawyer first might be helpful, YouTube added. After three attempts to restore the video and have the copyright strike removed, YouTube responded once again. The message contained yet more disappointment for Bruno. "Based on the information that you have provided, it appears that you do not have the necessary rights to post the content on YouTube. Therefore, we regretfully cannot honor your request," it advised. This signaled the end of the debate as far as YouTube was concerned and by rejecting Bruno's right to send a counternotice, the platform denied him an opportunity to have the video restored, stand up for Blender's rights, and get the strike removed. After notifying Blender of the situation, Blender developed Ton Roosendaal replied, saying the company has "no staff here available to go after situations like this" but suggested they could "escalate it to the Creative Commons organization."

"After all, it's their mission," he added.

Around 2009 Slashdot was abuzz about how over-the-air broadcasting in North America was switching to a new standard called DTV. (Fun fact: North America and South America have two entirely different broadcast TV standards — both of which are different from the DVB-T standard used in Europe/Africa/Australia.) But 2022 ends with us already talking about DTV's successor in North America: the new broadcast standard NextGen TV.

This time the new standard isn't mandatory for TV stations, CNET points out — and it won't affect cable, satellite or streaming TV. But now even if you're not paying for a streaming TV service, another article points out, in most major American cities "an inexpensive antenna is all you'll need to get get ABC, CBS, Fox, NBC and PBS stations" — and often with a better picture quality: NextGen TV, formerly known as ATSC 3.0, is continuing to roll out across the U.S. It's already widely available, with stations throughout the country broadcasting in the new standard. There are many new TVs with compatible tuners plus several stand-alone tuners to add NextGen to just about any TV. As the name suggests, NextGen TV is the next generation of over-the-air broadcasts, replacing or supplementing the free HD broadcasts we've had for over two decades. NextGen not only improves on HDTV, but adds the potential for new features like free over-the-air 4K and HDR, though those aren't yet widely available.

Even so, the image quality with NextGen is likely better than what you're used to from streaming or even cable/satellite. If you already have an antenna and watch HD broadcasts, the reception you get with NextGen might be better, too.... Because of how it works, you'll likely get better reception if you're far from the TV tower.

The short version is: NextGen is free over-the-air television with potentially more channels and better image quality than older over-the-air broadcasts.
U.S. broadcast companies have also created a site at WatchNextGenTV.com showing options for purchasing a compatible new TV. That site also features a video touting NextGen TV's "brilliant colors and a sharper picture with a wider range of contrast" and its Dolby audio system (with "immersive, movie theatre-quality sound" with enhancements for voice and dialogue "so you get all of the story.") And in the video there's also examples of upcoming interactive features like on-screen quizzes, voting, and shopping, as well as the ability to select multiple camera angles or different audio tracks.

"One potential downside? ATSC 3.0 will also let broadcasters track your viewing habits," CNet reported earlier this year, calling the data "information that can be used for targeted advertising, just like companies such as Facebook and Google use today...

"Ads specific to your viewing habits, income level and even ethnicity (presumed by your neighborhood, for example) could get slotted in by your local station.... but here's the thing: If your TV is connected to the internet, it's already tracking you. Pretty much every app, streaming service, smart TV and cable or satellite box all track your usage to a greater or lesser extent."

But on the plus side... NextGen TV is IP-based, so in practice it can be moved around your home just like any internet content can right now. For example, you connect an antenna to a tuner box inside your home, but that box is not connected to your TV at all. Instead, it's connected to your router. This means anything with access to your network can have access to over-the-air TV, be it your TV, your phone, your tablet or even a streaming device like Apple TV....

This also means it's possible we'll see mobile devices with built-in tuners, so you can watch live TV while you're out and about, like you can with Netflix and YouTube now. How willing phone companies will be to put tuners in their phones remains to be seen, however. You don't see a lot of phones that can get radio broadcasts now, even though such a thing is easy to implement.
But whatever you think — it's already here. By August NextGen TV was already reaching half of America's population, according to a press release from a U.S. broadcaster's coalition. That press release also bragged that 40% of consumers had actually heard of NextGen TV — "up 25% from last year among those in markets where it is available."

When it comes to the official requirements for graduating from a U.S. high school, there's a push for changes.

Long-time Slashdot reader theodp looks at 2014: Making computer science courses 'count' would not require schools to offer computer science or students to study it," Code.org CEO Hadi Partovi emphasized to lawmakers in his 2014 Congressional testimony following the nation's first Hour of Code, an event organized and run by the tech-backed nonprofit. "It would simply allow existing computer science courses to satisfy a requirement that already exists."

But as the nation's 10th annual Hour of Code kicks off on Monday, Code.org has reversed course on that no-required-CS stance. Speaking at last month's 2022 National Summit on Education, Partovi said, "I want to close with one quick request, which is to talk about "the idea of computer science as a high school graduation requirement for every student (PDF slides). Which may sound controversial, but my goal for the end of this decade is to make that possible in all 50 states" (YouTube).

The announcement comes just months after a who's who of the nation's tech leaders — organized as CEOs for CS by Code.org — joined in a PR campaign that publicly pressed 'the Governors of the United States' to sign a Compact To Expand K-12 Computer Science Education.

You can read the news in Military Times magazine. "Coming just after the 25th anniversary of the release of the cult classic Starship Troopers (November 1997), Offworld Industries and Sony Pictures Consumer Projects are bringing the fight against the Arachnids to a computer near you."

An official announcement and gameplay teaser were released for the upcoming game this week. "Starship Troopers: Extermination is a co-op FPS that puts you on the far-off front lines of an all-out battle against the Bugs!" explains its page on Steam. "Squad up, grab your rifle, and do your part as an elite Deep Space Vanguard Trooper set to take back planets claimed by the Arachnid threat!"

The page says an "Early Access" launch is planned for 2023: In Starship Troopers: Extermination, our vision is to show a galactic war between the Federation and the Arachnid Empire. After our initial launch and throughout the course of Early Access development, players will get to engage with exciting new updates that expand upon the in-game universe, and provide feedback through the Steam Community Hub that our developers can take into consideration.... [W]e will be sharing an exciting and robust roadmap with content already planned for 2023. Throughout Early Access we will provide players with more weapons, an updated class leveling system as well as progression achievements and unlockable skins for both weapons and armor. Additionally we will be adding vehicles special call in attacks including massive Orbital Strikes to help during missions. On the enemy side we will be adding more bugs, flying enemies, and boss battles that require complex player coordination to accomplish.

As we progress in development, our goal is to then begin ongoing planetary battles where the player can explore new items and enemies introduced in previous updates as an epic war breaks out. This transition adds a new world as we head to the completion of Early Access. The intent throughout Early Access is to convey that this part of our development cycle is the beginning of the war and the battle will only increase in complexity and ferocity as we move to full release.

Starship Troopers: Extermination is expected to be in Early Access for approximately 1 year. The full version of Starship Troopers: Extermination will span multiple worlds to liberate them from the Arachnid Threat. This will include additional weapons, enemies types, class progression upgrades, community events, and encounters. The player will have a more diverse roster of customization options allowing them to tailor their Troopers to fit their playstyle and experience." Starship Troopers: Extermination will launch with a massive map on Planet Valaka. Up to twelve players can team up to complete side and main missions before escaping to the extraction zone. We'll have more to share closer to the Early Access launch in 2023!

We plan to work closely with the community on Steam's Community Hub and in the official Starship Troopers: Extermination Discord as we add features, tune gameplay, and develop new content.
"Starship Troopers is in a league of its own when it comes to 90s science fiction films," writes Boing Boing's Devin Nealy. "Despite serving as an adaptation of the Robert A. Heinlein book, Starship Troopers forges a unique identity through its striking visuals and deft use of satire."

Noting the two "pretty weak" straight-to-video sequels (and two more CGI-animated films), Nealy argues that "Until the franchise finds a creative team that can properly capture the essence of the first film, a video game might be the best option for the series."

Huawei has confirmed the existence of a smartwatch it's working on featuring a pair of built-in wireless earbuds. "Huawei's account on Chinese Twitter-like site Weibo announced the existence of the device on Wednesday and promised all would be revealed on December 2," reports The Register. "But Huawei has since postponed its Winter 2022 consumer kit launch for unexplained reasons." You can view a teaser video on YouTube. The Verge adds: As the name suggests, the Huawei Watch Buds are a pair of earbuds concealed within a smartwatch that looks similar to the Huawei Watch 3. Details are a little sparse so there's no word yet on what kind of performance or battery life you can expect from either of the products, but the watch itself does appear to be running HarmonyOS.

The earbuds don't seem to resemble any previous Huawei products, sporting a bare-bones black and silver design. While the concept feels more than a little gimmicky, it could be a neat solution for runners and other sporty folks who don't want to carry a separate earbud case during a workout. (If they don't mind the extra bulk on their wrists.) [...] Addressing the elephant in the room, it's unlikely that you'll be able to buy this wacky gadget in the US anyway, regardless of its legitimacy. Huawei products have been effectively banned in the country since the company was placed on the Commerce Department's Bureau of Industry and Security Entity list in 2019.

An anonymous reader quotes a report from Motherboard: Motility -- the scientific term for being able to move independently -- is one of the most important features for living organisms on Earth. But where cells' ability to move came from has been a mystery for many scientists. However, new research in which scientists created the world's smallest moving organism provides one idea of how cell motility came to be. As the authors write in their paper, "motility is observed in various phyla and arguably one of the major determinants of survival." According to the paper, cell motility is believed to originate from small movements of housekeeping proteins that are transmitted to a cell, but the proposed process hasn't been experimentally demonstrated. Their study is thus a way to test out this theory.

In this experiment, the researchers genetically engineered a synthetic bacterium named JCVI-syn-3b, or syn-3, which is non-motile. To reconstitute syn-3, the group introduced seven genes that code for proteins that are likely involved in the swimming motion of Spiroplasma bacteria. Spiroplasma is a small bacteria known to "swim" by essentially switching around its cytoskeleton. The proteins introduced evolved from the bacterial actin protein MreB. Actin are multi-functional proteins that are often responsible for motility in cells. In an email to Motherboard, Miyata confirmed that prior to this experiment, nobody had succeeded in making a motile minimal synthetic bacterium. By introducing the proteins responsible for motility in Spiroplasma into syn-3, the researchers were able to make the previously non-motile bacteria swim, as evident in a video published on the University's YouTube account.

The researchers also wanted to see how the expression of different combinations of the motility genes would affect the genetically engineered bacteria to swim. In doing so, they found that the expression of only two proteins was necessary for promoting motility in syn-3, likely indicating that many of the proteins were redundant and demonstrating a minimal system for motility. "To the best of our knowledge, the motility system comprising only two actin superfamily proteins is the smallest system established till date," the authors write. "Therefore, we may call this a 'minimal motile cell.'" Although this study is primarily a proof of concept, it gives scientists a better understanding of how cell motility could have potentially originated and evolved. "In addition to the sheer novelty of creating such a smol swimmer, the new study sheds light on the origin of movement in the first mobile lifeforms that arose on Earth," adds Motherboard. "For instance, Miyata said that the actin protein MreB is not involved in the motility of many other bacterial species, which confirms that there are multiple different evolutionary pathways that led to microbial movement."

The study has been published in the journal Science Advances.

An anonymous reader quotes a report from Techdirt: The "cord cutting" phenomenon the cable and broadcast sector long denied or downplayed simply shows no sign of slowing down. According to the latest data by Leichtman Research, the top U.S. pay TV companies lost another 785,000 subscribers last quarter as younger Americans continue to shift to streaming video, over the air antennas, or free services like TikTok and YouTube. While alternative pay TV services (streaming on demand and live streaming) services saw a 701,000 subscriber jump during the third quarter, traditional cable companies lost an estimated 981,674 subscribers depart for greener pastures. Phone companies (AT&T, Verizon) and traditional satellite TV companies (DirecTV, Dish) lost 701,000 paying subscribers during the quarter.

Leichtman's analysis never really answers why consumers continue to flee traditional cable (high prices, bloated channel bundles, bullshit fees, comically terrible customer service), instead only focusing on the fact that this was the third best quarter for streaming services in history: "Spurred by a strong quarter from Internet-delivered vMVPD services, pay-TV net losses of about 785,000 in 3Q 2022 were more modest than in the first two quarters of the year," said Bruce Leichtman, president and principal analyst for Leichtman Research Group, Inc. "Not including YouTube TV, which does not regularly report subscriber totals, vMVPDs had nearly 900,000 net additions in the quarter. This was the third most quarterly net adds ever for the top publicly reporting vMVPD services."

An anonymous reader quotes a report from Motherboard: Bohemia Interactive, the Czech Republic based developer of the military simulator game Arma 3, has published a blog and a video it hopes will help it with a unique problem. Footage from the video game known for its realism has gone viral several times since the game's release in 2013 as people have tried to pass off clips of the military simulation as footage of real war. This happens a lot, so often that there are multiple debunking stories on Reuters and the Associated Press specifically about debunking viral clips of war footage. Since Russia's invasion of Ukraine in February, the problem has gotten much worse. The invasion is the largest ground war in Europe in a generation and people around the world gobble up every scrap of information they can. Pranksters and fraudsters have taken to uploading clips from Arma 3 to capitalize on that need for information.

Arma 3 is a hyper realistic military simulation and sandbox. It's meant to be a realistic modeling of real world conflict. It's even teamed up with the International Committee of the Red Cross to release DLC that details the after effects of armed conflict. A sister studio, Bohemia Interactive Simulations, broke from the company in 2013 and makes simulations for the Pentagon using similar technology. The game is also a sandbox with a vibrant modding scene (PlayerUnknown's Battlegrounds began its life as an Arma 3 mod) that allows players to customize the game however they want. That devotion to realism and open platform has made Arma 3 the perfect platform to use to create fake war footage. "While it's flattering that Arma 3 simulates modern war conflicts in such a realistic way, we are certainly not pleased that it can be mistaken for real-life combat footage and used as war propaganda," Pavel Krizka, PR Manager of Bohemia Interactive, said in a November 28 press release. "It has happened in the past (Arma 3 videos allegedly depicted conflicts in Afghanistan, Syria, Palestine, and even between India and Pakistan), but nowadays this content has gained traction in regard to the current conflict in Ukraine."

The life cycle is almost always the same. An Arma 3 nerd uploads something to YouTube and other people pull the video, edit it to make it look more realistic, then pass it off as actual footage of the conflict. The footage goes viral then the fact-checkers come in and tell everyone it's a video game. Bohemia Interactive issues a statement and then everyone waits for the next fake to come along. "We've been trying to fight against such content by flagging these videos to platform providers (FB, YT, TW, IG etc.), but it's very ineffective," Krizka said in the press release. "With every video taken down, ten more are uploaded each day. We found the best way to tackle this is to actively cooperate with leading media outlets and fact-checkers (such as AFP, Reuters, and others), who have better reach and the capacity to fight the spreading of fake news footage effectively." Some of the tells of fake footage include a low resolution, a shaky camera, and/or a night setting. "They're often without sound, don't feature people in motion, and sometimes still include the HUD elements from the video game," adds Motherboard. "There's typically unnatural particle effects, unrealistic vehicles, uniforms, and equipment."

"We have seen many Arma players pointing out mistakenly identified footage, which helps viewers understand what they're seeing," said Bohemia Interactive. "Thank you for helping!"

Former FTX head Sam Bankman-Fried (SBF) selected cryptocurrency vlogger Tiffany Fong for a series of lengthy and candid telephone interviews. In the two interviews that had been released on YouTube at press time, SBF speaks about many of the major questions connected with the collapse of FTX. CoinTelegraph reports: The first interview was conducted Nov. 6 and released Nov. 29 on YouTube. [...] The recording began with SBF saying, "You don't get into the situation we got in if you, like, make all the right decisions." Taking her cue from that, Fong started her interview by asking about the "backdoor" that allowed SBF "to execute commands that could alter the [FTX] company's financial records without alerting others." SBF expressed surprise at the very idea. "And this is something I would be doing?" he asked. "That I can tell you is definitely not true. I don't even know how to code. [...] I literally never even opened the code for any of FTX." This set the tone for the rest of the conversation, in which Fong politely asked hardball questions and SBF answered with seeming openness.

SBF went on to comment on FTX's FTT coin. "I think it had real value. That being said, there are a few problems. [...] This was f*****g embarrassing given my background. [...] I think it was basically more legit than a lot of tokens in some ways. Its was more economically underpinned than the average token was," he said. "Illiquidity didn't cause the crash," SBF continued. Rather, it was "the massive correlation of things during market moves, especially when they are triggered by fear over the position itself." SBF agreed with Fong that "the recovery looks pretty slim" for international customers, while "U.S. is a hundred percent. If its Amazon account had not been turned off, "they could already be withdrawing." Speaking about his political activities, SBF said, "I donated about the same to both parties. [...] All of my Republican donations were dark." [...]

In the second, undated, phone interview, SBF addressed the use of FTX customer funds by Alameda Research. Struggling for words, SBF said that he should have thought more about "what a hyper-correlated cross-scenario looks like. It's the oldest game in the book in finance. [...] There was no one person in charge of monitoring risk positions at FTX." Fong pressed for specifics from the situation, with little success. SBF took a moderate position on the role of Binance CEO Changpeng Zhao (CZ) in the FTX downfall. "Things would certainly be a lot more stable and there would be a lot more ability to generate liquidity [...] and I don't know for sure." Asked about the impact of the collapse of FTX and surrounding scandal on him, SBF said, "I wake up each day and think about what happened, and I have hours per day to ruminate on it. [...] It's different than what it seems to other people."

Anker's popular Eufy-branded security cameras appear to be sending some data to the cloud, even when cloud storage is disabled and local only storage settings are turned on. MacRumors reports: The information comes from security consultant Paul Moore, who last week published a video outlining the issue. According to Moore, he purchased a Eufy Doorbell Dual, which was meant to be a device that stored video recording on device. He found that Eufy is uploading thumbnail images of faces and user information to its cloud service when cloud functionality is not enabled. Moore demonstrates the unauthorized cloud uploading by allowing his camera to capture his image and turning off the Eufy HomeBase. The website is still able to access the content through cloud integration, though he had not signed up for cloud service, and it remains accessible even when the footage is removed from the Eufy app. It's important to note that Eufy does not appear to be automatically uploading full streaming video to the cloud, but rather taking captures of the video as thumbnails.

The thumbnails are used in the Eufy app to activate streaming video from the Eufy base station, allowing Eufy users to watch their videos when away from home, as well as for sending rich notifications. The problem is the thumbnails are uploaded to the cloud automatically even when the cloud functionality is not active, and Eufy also seems to be using facial recognition on the uploads. Some users have taken issue with the unauthorized cloud uploads because Eufy advertises local-only service and has been popular among those who want a more private camera solution. "No Clouds or Costs," reads the Eufy website. Moore suggests that Eufy is also able to link facial recognition data collected from two separate cameras and two separate apps to users, all without camera owners being aware.

Moore received a response from Eufy in which Eufy confirmed that it is uploading event lists and thumbnails to AWS, but said the data is not able to "leak to the public" because the URL is restricted, time limited, and requires account login. There is also another issue that Moore has highlighted, suggesting Eufy camera streams can be watched live using an app like VLC, but little information on the exploit is available at this time. Moore said that unencrypted Eufy camera content can be accessed without authentication, which is alarming for Eufy users. There's a dedicated Reddit thread where other Eufy users are reporting the same thing happening.

A paper describing MineDojo, Nvidia's generalist AI agent that can perform actions from written prompts in Minecraft, won an Outstanding Datasets and Benchmarks Paper Award at the 2022 NeurIPS (Neural Information Processing Systems) conference, Nvidia revealed on Monday. Ars Technica reports: To train the MineDojo framework to play Minecraft, researchers fed it 730,000 Minecraft YouTube videos (with more than 2.2 billion words transcribed), 7,000 scraped webpages from the Minecraft wiki, and 340,000 Reddit posts and 6.6 million Reddit comments describing Minecraft gameplay. From this data, the researchers created a custom transformer model called MineCLIP that associates video clips with specific in-game Minecraft activities. As a result, someone can tell a MineDojo agent what to do in the game using high-level natural language, such as "find a desert pyramid" or "build a nether portal and enter it," and MineDojo will execute the series of steps necessary to make it happen in the game.

MineDojo aims to create a flexible agent that can generalize learned actions and apply them to different behaviors in the game. As Nvidia writes, "While researchers have long trained autonomous AI agents in video-game environments such as StarCraft, Dota, and Go, these agents are usually specialists in only a few tasks. So Nvidia researchers turned to Minecraft, the world's most popular game, to develop a scalable training framework for a generalist agent "one that can successfully execute a wide variety of open-ended tasks." The award-winning paper debuted in June.

You can see examples of MineDojo in action on its official website, and the code for MineDojo and MineCLIP is available on GitHub.

From the BBC: "Individuals associated with the U.S. military" are linked to an online propaganda campaign, Meta's latest adversarial-threat report says....

On Facebook, 39 accounts, 16 pages, and two groups were removed, as well as 26 accounts on Instagram, for violating the platforms' policy against "coordinated inauthentic behaviour". "This network originated in the United States," Meta wrote. It focused on countries including Afghanistan, Algeria, Iran, Iraq, Kazakhstan, Kyrgyzstan, Russia, Somalia, Syria, Tajikistan, Uzbekistan and Yemen — and mirrored tactics commonly used in propaganda campaigns against the West...

Some of those supporting the U.S. had posed as independent media outlets and some had tried to pass off content from legitimate outlets, such as BBC News Russian, as their own. The operation ran across many internet services, including Twitter, YouTube, Telegram, VKontakte and Odnoklassniki, according to Meta. "Although the people behind this operation attempted to conceal their identities and coordination, our investigation found links to individuals associated with the US military," its report says.
The article adds that experts believe the campaign "was largely ineffective."

Long-time Slashdot reader gordm shares an interesting video from the United Nations Climate Change Conference. "At COP27, Tobias Holle (activist with Youth Strike for Climate) debated Mark Nelson (founder of Radiant Energy Fund) as to whether nuclear power can help us tackle climate change."

The event took place at the International Atomic Energy Agency's "Atoms for Climate" pavillion, where the IAEA's climate advisor presented the debate's topic as "Nuclear Energy: Climate Friend or Foe?" (and introduced the two debaters as "enthusiastic young climate champions"). The Youth Strike for Climate activist objected to commiting humanity to 1 million years of maintaining nuclear waste. But he also argued that extreme weather was creating additional security risks, that the per-kilowatt hour cost was economically prohibitive, that nuclear plants were politically unpopular — and that anyways, they take too long to build given our current climate crisis. "We need fast solutions."

The Radiant Energy founder disagreed, arguing over specific statistics and insisting that nuclear energy should be considered a low-carbon energy solution, and also safe. (He pointed out that Chernobyl's nuclear plant actually continued operating for 14 years after its 1986 nuclear accident.) Interestingly he also argued that in the Netherlands there's a museum of nuclear waste — a science museum attached to their nuclear facility — "where they don't just have the high-level waste, they have the highest part of high-level waste, the most dangerous isotopes, separated from the nuclear fuel. The most radioactive stuff — very hot for 500 years — and they have a tour where you can walk over it, and you can feel the warmth from the floor from the radioactive isotopes....

"You can absolutely manage the safe, secure, and even educational storage of the most radioactive isotopes... We know very well how to manage it."

A new map of the universe displays for the first time the span of the entire known cosmos with pinpoint accuracy and sweeping beauty. Phys.Org reports: Created by Johns Hopkins University astronomers with data mined over two decades by the Sloan Digital Sky Survey, the map allows the public to experience data previously only accessible to scientists. The interactive map, which depicts the actual position and real colors of 200,000 galaxies, is available online, where it can also be downloaded for free.

The Sloan Digital Sky Survey is a pioneering effort to capture the night sky through a telescope based in New Mexico. Night after night for years, the telescope aimed at slightly different locations to capture this unusually broad perspective. The map, which [map creator Brice Manard] assembled with the help of former Johns Hopkins computer science student Nikita Shtarkman, visualizes a slice of the universe, or about 200,000 galaxies -- each dot on the map is a galaxy and each galaxy contains billions of stars and planets. The Milky Way is simply one of these dots, the one at the very bottom of the map.

The expansion of the universe contributes to make this map even more colorful. The farther an object, the redder it appears. The top of the map reveals the first flash of radiation emitted soon after the Big Bang, 13.7 billion years ago. "In this map, we are just a speck at the very bottom, just one pixel. And when I say we, I mean our galaxy, the Milky Way which has billions of stars and planets," Manard says. "We are used to seeing astronomical pictures showing one galaxy here, one galaxy there or perhaps a group of galaxies. But what this map shows is a very, very different scale." For those interested, Johns Hopkins University published a video about the map on YouTube.