An anonymous reader quotes a report from TechCrunch: Apple is launching what it calls the Foundation Models framework, which the company says will let developers tap into its AI models in an offline, on-device fashion. Onstage at WWDC 2025 on Monday, Apple VP of software engineering Craig Federighi said that the Foundation Models framework will let apps use on-device AI models created by Apple to drive experiences. These models ship as a part of Apple Intelligence, Apple's family of models that power a number of iOS features and capabilities.

"For example, if you're getting ready for an exam, an app like Kahoot can create a personalized quiz from your notes to make studying more engaging," Federighi said. "And because it happens using on-device models, this happens without cloud API costs [] We couldn't be more excited about how developers can build on Apple intelligence to bring you new experiences that are smart, available when you're offline, and that protect your privacy."

In a blog post, Apple says that the Foundation Models framework has native support for Swift, Apple's programming language for building apps for its various platforms. The company claims developers can access Apple Intelligence models with as few as three lines of code. Guided generation, tool calling, and more are all built into the Foundation Models framework, according to Apple. Automattic is already using the framework in its Day One journaling app, Apple says, while mapping app AllTrails is tapping the framework to recommend different hiking routes.

An anonymous reader quotes a report from Ars Technica: YouTube videos may be getting a bit more pernicious soon. Google's dominant video platform has spent years removing discriminatory and conspiracy content from its platform in accordance with its usage guidelines, but the site is now reportedly adopting a lighter-touch approach to moderation. A higher bar for content removal will allow more potentially inflammatory content to remain up in the "public interest." [...]

Beginning late last year, YouTube began informing moderators they should err on the side of caution when removing videos that are in the public interest. That includes user uploads that discuss issues like elections, race, gender, sexuality, abortion, immigration, and censorship. Previously, YouTube's policy told moderators to remove videos if one-quarter or more of the content violated policies. Now, the exception cutoff has been increased to half. In addition, staff are now told to bring issues to managers if they are uncertain rather than removing the content themselves. "Recognizing that the definition of 'public interest' is always evolving, we update our guidance for these exceptions to reflect the new types of discussion we see on the platform today," YouTube's Nicole Bell told the New York Times. "Our goal remains the same: to protect free expression on YouTube while mitigating egregious harm."

Most of the videos hosted on YouTube won't be affected by this change, the company says. "These exceptions apply to a small fraction of the videos on YouTube, but are vital for ensuring important content remains available," a YouTube spokesperson tells Ars. "This practice allows us to prevent, for example, an hours-long news podcast from being removed for showing one short clip of violence."

AppleInsider reports: The engineer behind much of the Mac's early graphical user interfaces, QuickDraw, MacPaint, Hypercard and much more, William D. "Bill" Atkinson, died on June 5 of complications from pancreatic cancer...

Atkinson, who built a post-Apple career as a noted nature photographer, worked at Apple from 1978 to 1990. Among his lasting contributions to Apple's computers were the invention of the menubar, the selection lasso, the "marching ants" item selection animation, and the discovery of a midpoint circle algorithm that enabled the rapid drawing of circles on-screen.

He was Apple Employee No. 51, recruited by Steve Jobs. Atkinson was one of the 30 team members to develop the first Macintosh, but also was principle designer of the Lisa's graphical user interface (GUI), a novelty in computers at the time. He was fascinated by the concept of dithering, by which computers using dots could create nearly photographic images similar to the way newspapers printed photos. He is also credited (alongside Jobs) for the invention of RoundRects, the rounded rectangles still used in Apple's system messages, application windows, and other graphical elements on Apple products.

Hypercard was Atkinson's main claim to fame. He built the a hypermedia approach to building applications that he once described as a "software erector set." The Hypercard technology debuted in 1987, and greatly opened up Macintosh software development.
In 2012 some video clips of Atkinson appeared in some rediscovered archival footage. (Original Macintosh team developer Andy Hertzfeld uploaded "snippets from interviews with members of the original Macintosh design team, recorded in October 1983 for projected TV commercials that were never used.")

Blogger John Gruber calls Atkinson "One of the great heroes in not just Apple history, but computer history." If you want to cheer yourself up, go to Andy Hertzfeld's Folklore.org site and (re-)read all the entries about Atkinson. Here's just one, with Steve Jobs inspiring Atkinson to invent the roundrect. Here's another (surely near and dear to my friend Brent Simmons's heart) with this kicker of a closing line: "I'm not sure how the managers reacted to that, but I do know that after a couple more weeks, they stopped asking Bill to fill out the form, and he gladly complied."

Some of his code and algorithms are among the most efficient and elegant ever devised. The original Macintosh team was chock full of geniuses, but Atkinson might have been the most essential to making the impossible possible under the extraordinary technical limitations of that hardware... In addition to his low-level contributions like QuickDraw, Atkinson was also the creator of MacPaint (which to this day stands as the model for bitmap image editorsâ — âPhotoshop, I would argue, was conceptually derived directly from MacPaint) and HyperCard ("inspired by a mind-expanding LSD journey in 1985"), the influence of which cannot be overstated.

I say this with no hyperbole: Bill Atkinson may well have been the best computer programmer who ever lived. Without question, he's on the short list. What a man, what a mind, what gifts to the world he left us.

Mike Judge always seemed to have secret geek sympathies. He co-created the HBO series Silicon Valley, as well as the movie Office Space (reviewed in 1999 by Slashdot contributor Jon Katz).

Now comes the word that besides rebooting Buffy the Vampire Slayer — and an animated scifi/action/horror film called Predator: Killer of Killers — Hulu is also relaunching Judge's animated series King of the Hill on August 4th. And Cinemablend notes they took great pains to ensure the inclusion of internet-loving neighbor Dale Gribble despite the death of voice actor Johnny Hardwick: Co-creators Mike Judge and Greg Daniels joined the cast of returning voice actors for a revealing Q&A at ATX Fest while also revealing longtime cast member Toby Huss took over the role of Dale Gribble... Hardwick passed away in August 2023 at 64, with fans and co-stars paying tribute soon after. It was revealed at the time that he'd recorded some audio for the new season, but it was clear that another actor would be needed to fill those intimidating and conspiracy-obsessed shoes. Among other characters, Huss provided the voice of Cotton Hill and Kahn Sr. in the O.G. run, and feels to me like a natural fit to take over as Dale. And he sounds humbled to have been given the task, telling the ATX Fest crowd:

"Johnny was one-of-a-kind and a wonderful fellow. I'm not trying to copy Johnny...I guess I'm trying to be Johnny. He laid down a really wonderful goofball character...he had a lot of weird heart to him and that's a credit to Johnny. So all I'm trying to do is hold on to his Dale-ness. We love our guy Johnny and it's so sad that he's not here...."

I can already hear Dale himself questioning why he sounds different, and whether or not the government has replaced him with a lizard creature or some other sentient organism... In the immediate aftermath of Johnny Hardwick's death, the word was that the actor had filmed a couple of episodes' worth of material for the Hulu revival, but Mike Judge went on the record at ATX Fest to reveal that initial assessment undershot things entirely. From the voice of Hank Hill himself: "Johnny Hardwick is in six episodes. He's still going to be in the show."
Hulu uploaded the new opening credits to YouTube eight days ago — and it's already been viewed 2.1 million times, attracting 55,000 upvotes and 7,952 comments...

Long-time Slashdot reader theodp shared the official blurb describing the new show: After years working a propane job in Saudi Arabia to earn their retirement nest egg, Hank and Peggy Hill return to a changed Arlen, Texas to reconnect with old friends Dale, Boomhauer and Bill. Meanwhile, Bobby is living his dream as a chef in Dallas and enjoying his 20s with his former classmates Connie, Joseph and Chane.

Apple's Worldwide Developers Conference 25 (WWDC) kicks off next week, June 9th, showcasing the company's latest software and new technologies. That includes the next version of iOS, which is rumored to have the most significant design overhaul since the introduction of iOS 7. Here's an overview of what to expect: Major Software Redesigns
Apple plans to shift its operating system naming to reflect the release year, moving from sequential numbers to year-based identifiers. Consequently, the upcoming releases will be labeled as iOS 26, macOS 26, watchOS 26, etc., streamlining the versioning across platforms.

iOS 26 is anticipated to feature a glossy, glass-like interface inspired by visionOS, incorporating translucent elements and rounded buttons. This design language is expected to extend across iPadOS, macOS, watchOS, and tvOS, promoting a cohesive user experience across devices. Core applications like Phone, Safari, and Camera are slated for significant redesigns, too. For instance, Safari may introduce a translucent, "glassy" address bar, aligning with the new visual aesthetics.

While AI is not expected to be the main focus due to Siri's current readiness, some AI-related updates are rumored. The Shortcuts app may gain "Apple Intelligence," enabling users to create shortcuts using natural language. It's also possible that Gemini will be offered as an option for AI functionalities on the iPhone, similar to ChatGPT.

Other App and Feature Updates
The lock screen might display charging estimates, indicating how long it will take for the phone to fully charge. There's a rumor about bringing live translation features to AirPods. The Messages app could receive automatic translations and call support; the Music app might introduce full-screen animated lock screen art; and Apple Notes may get markdown support. Users may also only need to log into a captive Wi-Fi portal once, and all their devices will automatically be logged in.

Significant updates are expected for Apple Home. There's speculation about the potential announcement of a "HomePad" with a screen, Apple's competitor to devices like the Nest Hub Mini. A new dedicated Apple gaming app is also anticipated to replace Game Center. If you're expecting new hardware, don't hold your breath. The event is expected to focus primarily on software developments. It may even see discontinued support for several older Intel-based Macs in macOS 26, including models like the 2018 MacBook Pro and the 2019 iMac, as Apple continues its transition towards exclusive support for Apple Silicon devices.

Sources:
Apple WWDC 2025 Rumors and Predictions! (Waveform)
WWDC 2025 Overview (MacRumors)
WWDC 2025: What to expect from this year's conference (TechCrunch)
What to expect from Apple's Worldwide Developers Conference next week (Ars Technica)
Apple's WWDC 2025: How to Watch and What to Expect (Wired)

YouTube pulled a popular tutorial video from tech creator Jeff Geerling this week, claiming his guide to installing LibreELEC on a Raspberry Pi 5 violated policies against "harmful content." The video, which showed viewers how to set up their own home media servers, had been live for over a year and racked up more than 500,000 views. YouTube's automated systems flagged the content for allegedly teaching people "how to get unauthorized or free access to audio or audiovisual content."

Geerling says his tutorial covered only legal self-hosting of media people already own -- no piracy tools or copyright workarounds. He said he goes out of his way to avoid mentioning popular piracy software in his videos. It's the second time YouTube has pulled a self-hosting content video from Geerling. Last October, YouTube removed his Jellyfin tutorial, though that decision was quickly reversed after appeal. This time, his appeal was denied.

"How does it feel to be replaced by a bot?" asks the Guardian — interviewing several creative workers who know:

• Gardening copywriter Annabel Beales "One day, I overheard my boss saying to a colleague, 'Just put it in ChatGPT....' [My manager] stressed that my job was safe. Six weeks later, I was called to a meeting with HR. They told me they were letting me go immediately. It was just before Christmas...
  
  "The company's website is sad to see now. It's all AI-generated and factual — there's no substance, or sense of actually enjoying gardening."

• Voice actor Richie Tavake "[My producer] told me he had input my voice into AI software to say the extra line. But he hadn't asked my permission. I later found out he had uploaded my voice to a platform, allowing other producers to access it. I requested its removal, but it took me a week, and I had to speak to five people to get it done... Actors don't get paid for any of the extra AI-generated stuff, and they lose their jobs. I've seen it happen."

• Graphic designer Jadun Sykes "One day, HR told me my role was no longer required as much of my work was being replaced by AI. I made a YouTube video about my experience. It went viral and I received hundreds of responses from graphic designers in the same boat, which made me realise I'm not the only victim — it's happening globally..."

Labor economist Aaron Sojourner recently reminded CNN that even in the 1980s and 90s, the arrival of cheap personal computers only ultimately boosted labor productivity by about 3%. That seems to argue against a massive displacement of human jobs — but these anecdotes suggest some jobs already are being lost...

Thanks to long-time Slashdot readers Paul Fernhout and Bruce66423 for sharing the article.

"More than 200 climate and weather scientists from across the U.S. are taking part in a marathon livestream on YouTube," according to this report from Space.com. For 100 hours (that started Wednesday) they're sharing their scientific work and answering questions from viewers, "to prove the value of climate science," according to the article.

The event is being stated in protest of recent government funding cuts at NASA, the National Oceanic and Atmospheric Administration, the United States Geological Survey, and the National Science Foundation. (The event began with "scientists documenting their last few hours at NASA's Goddard Institute for Space Studies as the office was shuttered.") The marathon stream features mini-lectures, panels and question-and-answer sessions with hundreds of scientists, each speaking in their capacity as private citizens rather than on behalf of any institution. These include talks from former National Weather Service directors, Britney Schmidt, a groundbreaking glacier researcher, and legendary meteorologist John Morales.

In its first 30 hours, the stream got over 77,000 views.

Ultimately, the goal of the event is to give members of the public the chance to learn more about meteorology and climate science in an informal setting — and for free. "We really felt like the American public deserves to know what we do," Duffy said. However, many of the speakers and organizers also hope the transference of this knowledge will spur people to take action. The event's website features a link to 5 Calls, an organization that makes it easy for folks to contact their representatives in Congress about the importance of funding climate and weather research.

A five-year study by Wageningen University and the German Primate Research Center found that wild chimpanzees in Guinea-Bissau repeatedly strike stones against trees, presumably as a form of communication. Phys.Org reports: Over the course of a five-year field study, the research team collected video footage at five distinct locations within a nature reserve in Guinea-Bissau. This was made possible through the use of camera traps and with essential support from local field guides. In specific areas, a striking behavioral pattern was observed: adult male chimpanzees repeatedly struck stones against tree trunks, resulting in characteristic piles of stones at the base of these trees. [...]

The observations point to cultural transmission. Young chimpanzees adopt the behavior from older group members, indicating that it is learned socially rather than genetically inherited. Marc Naguib, Professor of Behavioral Ecology, underscores the broader significance of the discovery: "It illustrates that culture is not unique to humans and that such behaviors need to be considered also in nature conservation." The study is published in the journal Biology Letters.

An anonymous reader quotes a report from 404 Media: If you've left a comment on a YouTube video, a new website claims it might be able to find every comment you've ever left on any video you've ever watched. Then an AI can build a profile of the commenter and guess where you live, what languages you speak, and what your politics might be. The service is called YouTube-Tools and is just the latest in a suite of web-based tools that started life as a site to investigate League of Legends usernames. Now it uses a modified large language model created by the company Mistral to generate a background report on YouTube commenters based on their conversations. Its developer claims it's meant to be used by the cops, but anyone can sign up. It costs about $20 a month to use and all you need to get started is a credit card and an email address.

The tool presents a significant privacy risk, and shows that people may not be as anonymous in the YouTube comments sections as they may think. The site's report is ready in seconds and provides enough data for an AI to flag identifying details about a commenter. The tool could be a boon for harassers attempting to build profiles of their targets, and 404 Media has seen evidence that harassment-focused communities have used the developers' other tools. YouTube-Tools also appears to be a violation of YouTube's privacy policies, and raises questions about what YouTube is doing to stop the scraping and repurposing of peoples' data like this. "Public search engines may scrape data only in accordance with YouTube's robots.txt file or with YouTube's prior written permission," it says.

SpaceX's Starship Flight 9 successfully launched and reached space -- marking the first reuse of a Super Heavy booster -- but both rocket stages were ultimately lost mid-mission due to a "rapid unscheduled disassembly." SpaceX CEO Elon Musk said in a statement: "Starship made it to the scheduled ship engine cutoff, so big improvement over last flight! Leaks caused loss of main tank pressure during the coast and re-entry phase. Lot of good data to review." Musk said the next three Starship test launches could lift off every three to four weeks in the days ahead. Space.com reports: The mission lifted off from Starbase today at 7:37 p.m. EDT (2337 GMT; 6:37 p.m. local Texas time), sending the 40-story-tall rocket into the Texas sky atop a pillar of flame. It was a milestone launch, marking the first-ever reuse of a Super Heavy booster; this one earned its wings on Flight 7 in January. (SpaceX swapped out just four of its Raptors after that mission, meaning that 29 of the engines that flew today were flight-proven.) "Lessons learned from the first booster refurbishment and subsequent performance in flight will enable faster turnarounds of future reflights as progress is made towards vehicles requiring no hands-on maintenance between launches," the company wrote in a Flight 9 mission preview.

The Super Heavy had a somewhat different job to do today; it conducted a variety of experiments on its way back down to Earth. For example, the booster performed a controlled rather than randomized return flip and hit the atmosphere at a different angle. "By increasing the amount of atmospheric drag on the vehicle, a higher angle of attack can result in a lower descent speed, which in turn requires less propellant for the initial landing burn," SpaceX wrote in the mission preview. "Getting real-world data on how the booster is able to control its flight at this higher angle of attack will contribute to improved performance on future vehicles, including the next generation of Super Heavy." These experiments complicated Super Heavy's flight profile compared to previous missions, making another "chopsticks" catch at Starbase a tougher proposition. So, rather than risk damaging the launch tower and other infrastructure, SpaceX decided to bring the booster back for a "hard splashdown" in the Gulf of Mexico on Flight 9. That was the plan, anyway; Super Heavy didn't quite make it that far. The booster broke apart about 6 minutes and 20 seconds into today's flight, just after beginning its landing burn. "Confirmation that the booster did demise," [Dan Huot, of SpaceX's communications team] said during the Flight 9 webcast. Super Heavy's flight ended "before it was able to get through landing burn," he added.

Ship, by contrast, improved its performance a bit this time around. It reached space today on a suborbital trajectory that took it eastward over the Atlantic Ocean -- the same basic path the vehicle took on the truncated Flight 7 and Flight 8. But Flight 9 got choppy for Ship after that. The vehicle was supposed to deploy eight dummy versions of SpaceX's Starlink satellites about 18.5 minutes after liftoff, which would have been a landmark first for the Starship program. That didn't happen, however; the payload door couldn't open fully, so SpaceX abandoned the deployment try. Then, about 30 minutes after launch, Ship started to tumble, which was the result of a leak in Ship's fuel-tank systems, according to Huot. "A lot of those [tanks] are used for your attitude control," he said. "And so, at this point, we've essentially lost our attitude control with Starship." As a result, SpaceX nixed a plan to relight one of Ship's Raptor engines in space, a test that was supposed to happen about 38 minutes after launch. And the company gave up hope of a soft splashdown for the vehicle, instead becoming resigned to a breakup over the Indian Ocean during Ship's reentry.

The company therefore will not get all the data it wanted about Flight 9. And there was quite a bit to get; for example, SpaceX removed some of Ship's heat-shield tiles to stress-test vulnerable areas, and it also tried out several different tile materials, including one with an active cooling system. But the company plans to bounce back and try again soon, just as it did after Flight 7 and Flight 8. You can watch a recording of the launch on YouTube.

An anonymous reader quotes a report from Ars Technica: For millions of music fans, the most controversial app ban of the past year was not the brief TikTok outage but the ongoing delisting of Musi from Apple's App Store. Those users are holding out hope that Musi can defeat Apple in court and soon be reinstated. However, rather than coming to any sort of resolution, that court fight has intensified over the past month, with both sides now seeking sanctions, TorrentFreak reported. [...] For Musi, the App Store removal came as an existential threat, prompting a lawsuit after Musi's attempts to work out the dispute with Apple outside of court failed. The music-streaming app has alleged that the Apple ban did not come at YouTube's request but at the request of Apple's apparent music industry friends who allegedly asked Apple to find a way to get the app removed -- prompting Apple to push YouTube to re-open a supposedly resolved complaint.

In a court filing, Apple claimed that this "conspiracy theory," as well as other "baseless" claims, were "false and misleading allegations" warranting sanctions. "Discovery thoroughly disproved Musi's baseless conspiracy theory that Apple schemed to eliminate the Musi app from the App Store to benefit 'friends' in the music industry," Apple argued. But Musi fired back over the weekend, calling (PDF) Apple's motion for sanctions "frivolous" and demanding sanctions be ordered instead against Apple for allegedly abusing the sanctions rule as a "tactic of intimidation and harassment." Musi noted that Apple's requested sanctions against Musi "are not appropriate if there is even 'some credible evidence,'" then included internal emails and references to testimony from Apple's own employees that seemingly met this low bar.

Most likely, this part of the dispute will not be settled until July 30, when a hearing is scheduled on the motions for sanctions. Apple is seemingly hoping that the court will agree that Musi's complaint misrepresents the facts and is so misleading that the complaint must be struck entirely, perhaps cutting out the heart of Musi's argument. However, Musi pointed out that Apple previously sought sanctions and withdrew that fight, allegedly recognizing that its bid for sanctions was "baseless." To convince the court that this second bid is "equally frivolous," Musi shared receipts, attaching internal communications from Apple employees that Apple allegedly worked hard to keep out of the courtroom.

31 years ago FreeBSD was first released. But here in 2025, searches for the Unix-like FreeBSD OS keep increasing on Google, notes the official FreeBSD blog — and it's at least a two-year trend. Yet after talking to some businesses using (or interested in using) FreeBSD, they sometimes found that because FreeBSD isn't talked about as much, "people think it's dying. This is a clear example of the availability heuristic. The availability heuristic is a fascinating mental shortcut. It's how product names become verbs and household names. To 'Google' [search], to 'Hoover' [vacuum], to 'Zoom' [video meeting]. They reached a certain tipping point that there was no need to do any more thinking. One just googles , or zooms .

These days, building internet services doesn't require much thought about the underlying systems. With containers and cloud platforms, development has moved far from the hardware. Operating systems aren't top of mind — so people default to what's familiar. And when they do think about the OS, it's usually Linux. But sitting there, quietly powering masses of the internet, without saying boo to a goose, is FreeBSD. And the companies using it? They're not talking about it. Why? Because they don't have to. The simple fact that dawned on me is FreeBSD's gift to us all, yet Achilles heel to itself, is its license.

Unlike the GPL, which requires you to share derivative works, the BSD license doesn't. You can take FreeBSD code, build on it, and never give anything back. This makes it a great foundation for products — but it also means there's little reason for companies to return their contributions... [W]e'd like to appeal to companies using FreeBSD. Talk to us about your use case... We, the FreeBSD Foundation, can be the glue between industry and software and hardware vendors alike.

In the meantime, stay tuned to this blog and the YouTube channel. We have some fantastic content coming up, featuring solutions built on top of FreeBSD and showcasing modern laptops for daily use.

Google's new AI video tool, Veo 3, is being used to create hyperrealistic videos that are now flooding the internet, terrifying viewers "with a sense that real and fake have become hopelessly blurred," reports Axios. From the report: Unlike OpenAI's video generator Sora, released more widely last December, Google DeepMind's Veo 3 can include dialogue, soundtracks and sound effects. The model excels at following complex prompts and translating detailed descriptions into realistic videos. The AI engine abides by real-world physics, offers accurate lip-syncing, rarely breaks continuity and generates people with lifelike human features, including five fingers per hand. According to examples shared by Google and from users online, the telltale signs of synthetic content are mostly absent.

In one viral example posted on X, filmmaker and molecular biologist Hashem Al-Ghaili shows a series of short films of AI-generated actors railing against their AI creators and prompts. Special effects technology, video-editing apps and camera tech advances have been changing Hollywood for many decades, but artificially generated films pose a novel challenge to human creators. In a promo video for Flow, Google's new video tool that includes Veo 3, filmmakers say the AI engine gives them a new sense of freedom with a hint of eerie autonomy. "It feels like it's almost building upon itself," filmmaker Dave Clark says.

The Internet Archive has begun livestreaming its microfiche digitization center on YouTube, showcasing the real-time preservation of fragile film cards into searchable public documents. The work is part of Democracy's Library, a global initiative to digitize and share millions of government records. 9to5Mac reports: The livestream was brought to life by Sophia Tung, who previously gained attention for her viral robotaxi depot stream. Her new video explains how and why this new livestream project came together [...].

The livestream features five scanning stations at work, with one shown in close-up as operators digitize microfiche cards in real time. Each card holds up to 100 pages of public records. High-resolution cameras capture the images, software stitches and crops the pages, and the results are made text-searchable and freely accessible through Democracy's Library. Live scanning takes place Monday through Friday, 7:30 a.m. to 3:30 p.m. PT, excluding U.S. holidays, with a second shift expected to begin soon.

Nvidia is facing backlash for allegedly manipulating the review process of its GeForce RTX 5060 GPU by withholding drivers, selectively granting early access to favorable reviewers, and pressuring media to present the card in a positive light. As The Verge's Sean Hollister writes, the debacle "should be a wake-up call for gamers and reviewers." Here's an excerpt from the report: Nvidia has gone too far. This week, the company reportedly attempted to delay, derail, and manipulate reviews of its $299 GeForce RTX 5060 graphics card, which would normally be its bestselling GPU of the generation. Nvidia has repeatedly and publicly said the budget 60-series cards are its most popular, and this year it reportedly tried to ensure it by withholding access and pressuring reviewers to paint them in the best light possible.

Nvidia might have wanted to prevent a repeat of 2022, when it launched this card's predecessor. Those reviews were harsh. The 4060 was called a "slap in the face to gamers" and a "wet fart of a GPU." I had guessed the 5060 was headed for the same fate after seeing how reviewers handled the 5080, which similarly showcased how little Nvidia's hardware has improved year over year and relies on software to make up the gaps. But Nvidia had other plans. Here are the tactics that Nvidia reportedly just used to throw us off the 5060's true scent, as individually described by GamersNexus, VideoCardz, Hardware Unboxed, GameStar.de, Digital Foundry, and more:

- Nvidia decided to launch its RTX 5060 on May 19th, when most reviewers would be at Computex in Taipei, Taiwan, rather than at their test beds at home.
- Even if reviewers already had a GPU in hand before then, Nvidia cut off most reviewers' ability to test the RTX 5060 before May 19th by refusing to provide drivers until the card went on sale. (Gaming GPUs don't really work without them.)
- And yet Nvidia allowed specific, cherry-picked reviewers to have early drivers anyhow if they agreed to a borderline unethical deal: they could only test five specific games, at 1080p resolution, with fixed graphics settings, against two weaker GPUs (the 3060 and 2060 Super) where the new card would be sure to win.
- In some cases, Nvidia threatened to withhold future access unless reviewers published apples-to-oranges benchmark charts showing how the RTX 5060's "fake frames" MFG tech can produce more frames than earlier GPUs without it.

Some reviewers apparently took Nvidia up on that proposition, leading to day-one "previews" where the charts looked positively stacked in the 5060's favor [...]. But the reality, according to reviews that have since hit the web, is that the RTX 5060 often fails to beat a four-year-old RTX 3060 Ti, frequently fails to beat a four-year-old 3070, and can sometimes get upstaged by Intel's cheaper $250 B580. And yet, the 5060's lackluster improvements are overshadowed by a juicier story: inexplicably, Nvidia decided to threaten GamersNexus' future access over its GPU coverage. Yes, the same GamersNexus that's developed a staunch reputation for defending consumers from predatory behavior, and just last month published a report on "GPU shrinkflation" that accused Nvidia of misleading marketing. Bad move! [...]

Nvidia is within its rights to withhold access, of course. Nvidia doesn't have to send out graphics cards or grant interviews. It'll only do it if it's good for business. But the unspoken covenant of product reviews is that the press, as a whole, gets a chance to warn the public if a movie, video game, or GPU is not worth their money. It works both ways: the media also gets the chance to warn that a product is so good you might want to line up in advance. That unspoken rule is what Nvidia is trampling here.

Google has launched the NotebookLM app for Android and iOS, offering a native mobile experience with offline support, audio overviews, and integration into the system share sheet for adding sources like PDFs and YouTube videos. 9to5Google reports: This native experience starts on a homepage of your notebooks with filters at the top for Recent, Shared, Title, and Downloaded. The app features a light and dark mode based on your device's system theme with no manual toggle. Each colorful card features the notebook name, emoji, number of sources, and date, as well as a play button for Audio Overviews. There's background playback and offline support for the podcast-style experience (the fullscreen player has a nice glow), while you can "Join" the AI hosts (in beta) to ask follow-up questions.

You get a "Create new" button at the bottom of the list to add PDFs, websites, YouTube videos, and text. Notably, the NotebookLM app will appear in the Android and iOS share sheet to quickly add sources. When you open a notebook, there's a bottom bar for the list of Sources, Chat Q&A, and Studio. It's similar to the current mobile website, with the native client letting users ditch the Progressive Web App. Out of the gate, there are phone and (straightforward) tablet interfaces. You can download the app for iOS and Android using their respective links.

A new YouTube tool will let advertisers use Google's Gemini AI model to target ads to viewers when they're most engaged, reports CNBC: Peak Points has the potential to enable more impressions and a higher click-through rate on YouTube, a primary metric that determines how creators earn money on the video platform... Peak Points is currently in a pilot program and will be rolling out over the rest of the year.
The product "aims to benefit advertisers by using a tactic that aims to grab users' attention right when they're most invested in the content," reports TechCrunch: This approach appears to be similar to a strategy called emotion-based targeting, where advertisers place ads that align with the emotions evoked by the video. It's believed that when viewers experience heightened emotional states, it leads to better recall of the ads. However, viewers may find these interruptions frustrating, especially when they're deeply engaged in the emotional arc of a video and want the ad to be over quickly to resume watching.

In related news, YouTube announced another ad format that may be more appealing to users. The platform debuted a shoppable product feed where users can browse and purchase items during an ad.

An anonymous reader quotes a report from Gizmodo: Apple's next step for CarPlay is a version you'll only get to try if you're a fan of luxury cruisers or a popular spy film franchise. CarPlay Ultra, with its new suite of exclusive features like custom gauges, is coming first to Aston Martin vehicles with the largest, most blaring dash screens. The more advanced version of CarPlay won't necessarily fix the lingering issues the software has with some modern vehicles. Segmenting CarPlay into newer and older systems may make things worse for those with aging cars. Apple's CarPlay Ultra includes a new kind of dashboard alongside real-time information that can include car diagnostics -- like tire pressure -- or dashboard gauges. You should be able to control temperature and other car-based features as well. The new version of the software includes options for dashboards or console screens, and it will work with on-screen controls, Siri, and "physical buttons."

CarPlay Ultra was supposed to launch in 2024, but Apple missed its release date by close to half a year. The new feature suite was first revealed at WWDC in 2022, where Apple promised a "unified and consistent" suite of informational dashboards offering more control over radio and AC "without ever leaving the CarPlay experience." Last year, Apple showed off "the next generation" of its car-focused app that included custom gauges and other layouts made for a variety of automakers. It lacked much of the full-width, busy design of the initial iteration from two years prior. [...]

To entice more manufacturers, CarPlay Ultra is supposed to adapt to multiple screen sizes thanks to a modular layout system with more options for companies to adhere to their own brand identity. Apple promised carmakers they could resize and reorient gauges on a dashboard like you do widgets on your iPhone. Users can change up various gauges on the dash and bring up apps like Apple Music or Maps in between your temperature gauge and speedometer. Aston Martin showed off these features on an Aston Martin DBX, a luxury SUV that costs more than $250,000. Apple said these features should be coming to the U.S. and Canada first, with more Aston Martins getting these features through software updates from local dealerships. Apple said its still trying to bring these features to brands like Hyundai, Kia, and Genesis. Maybe we'll see Ultra on a vehicle regular folk can afford. "The customizable dashboards are a way for Apple to let each carmaker have their say in how their vehicles look, but they won't help all those who are stuck with regular CarPlay on their aging beaters," concludes Gizmodo's Kyle Barr. "The new version will inevitably create a distinction between those with new software and others with legacy software..."

China launched 12 satellites on Wednesday as part of the âoeThree-Body Computing Constellation,â the worldâ(TM)s first dedicated orbital computing network led by ADA Space and Zhejiang Lab. SpaceNews reports: A Long March 2D rocket lifted off at 12:12 a.m. Eastern (0412 UTC) May 14 from Jiuquan Satellite Launch Center in northwest China. Insulation tiles fell away from the payload fairing as the rocket climbed into a clear blue sky above the spaceport. The China Aerospace Science and Technology Corporation (CASC) announced a fully successful launch, revealing the mission to have sent 12 satellites for a space computing constellation into orbit. Commercial company ADA Space released further details, stating that the 12 satellites form the "Three-Body Computing Constellation," which will directly process data in space, rather than on the ground, reducing reliance on ground-based computing infrastructure. The constellation will be capable of a combined 5 peta operations per second (POPS) with 30 terabytes of onboard storage.

The satellites feature advanced AI capabilities, up to 100 Gbps laser inter-satellite links and remote sensing payloads -- data from which will be processed onboard, reducing data transmission requirements. One satellite also carries a cosmic X-ray polarimeter developed by Guangxi University and the National Astronomical Observatories of the Chinese Academy of Sciences (NAOC), which will detect, identify and classify transient events such as gamma-ray bursts, while also triggering messages to enable followup observations by other missions. [...] The company says the constellation can meet the growing demand for real-time computing in space, as well as help China take the lead globally in building space computing infrastructure, seize the commanding heights of this future industry. The development could mark the beginning of space-based cloud computing as a new capability, as well as open a new arena for strategic competition with the U.S. You can watch a recording of the launch here.