Report from the ACM DRM Workshop 274
Anonymous Coward writes "There's open skepticism from researchers about the ability of DRM to solve Hollywood's copy protection problems. Read Edward Felten's review here... Papers from the workshop are available online as well."
Watermarking (Score:5, Insightful)
Re:Watermarking (Score:2, Insightful)
Pretty sad.
Re:Watermarking (Score:2)
Re:Watermarking (Score:3, Interesting)
As an alternative, if you pay with a credit card, you can claim that you were sold defective goods.
Thats not really a problem (Score:2)
Nevermind that this is exactly what the technology is supposed to prevent. It certanly dosn't
Re:Watermarking (Score:4, Insightful)
Re:Watermarking (Score:5, Informative)
Info on the bill [house.gov]
Re:Watermarking (Score:3, Informative)
Make sure you play the "partyline" and "supporting my views" somewhere in your letter. It also doesn't hurt to explain how copyright works (my old congresscriter actually didn't really have a firm grasp if I am to judge by his first reply to a mailing) and why it is important to protect the public domain or abolish copyright.
Partline arguments:
R=increased goverment rights given at the expense of the citizens inherent right to copy in an effort to protect a buisness model.
D=increased corperate control given at the expense of the consumer in an effort to save a failing buisness model.
It also helps not to use the words "failing buisness model" if you don't have the qualifications to make that statment. Just be honest and clear (at most 4 paragraphs, a strong thesis and a clear closing)
Encryption (Score:3, Interesting)
I wish people would give up on this encryption thing, it's only a matter of time when they come out with some type of code, that someone will come up with a way of defeating it. Meanwhile we suffer because we can't read each other's juicy e-mails.
</facetious>
Digital Video Outputs.... (Score:3, Informative)
Re:Digital Video Outputs.... (Score:2, Informative)
Just one of many links can be found here: http://www6.tomshardware.com/mobile/02q2/020419/j
Sure, you can use your old sound cards. Until they expire. By that time, all sound cards will have DRM in them. If you find a manufacturer that doesn't put DRM in, it will be illegal. So it goes.
Trust me, they have thought about a bunch of angles on this. Even all video cards are going to support DRM eventually.
Though my roommate (the capitalist) begs to differ, proclaiming that in a capitalist society, someone will find a way to sell non-DRM products.. but if nothing else works with them.. how effective will they really be?
cheers,
k.
Not quite that clear (Score:3, Insightful)
I do think that it's a long way from assuming this is dead. I don't think it's at all clear, yet, that they will get output-level protection - though they do want it.
Re:Digital Video Outputs.... (Score:2)
Re:Digital Video Outputs.... (Score:5, Insightful)
1. This stops working when all new components have DRM built into them.
But let's say you save your old equipment and can access the data, then:
2. Just because *you* may be able to come up with a solution, it doesn't mean that the problem goes away. The fact is, if this allows content providers to hinder the ability of law abiding citizens to exercise their fair use rights, then that's a Bad Thing.
Think of DRM circumvention as if it were spam blocking. Which would be better, a) you block your incoming spam, or b) there is no more spam. From your perspective, option a is fine, but spammers don't care. As long as option b doesn't happen, they are happy.
Content providers don't care if a few techies manage to watch their DVDs on Linux boxes or listen to protected music on unapproved devices. If most people are subjected to the imposed constraints, then they're happy. Just because you can avoid the problem doesn't mean the problem isn't there.
We shouldn't focus solely on avoiding the problems, we should be working on making the problems go away (e.g., supporting legislation that returns our fair use rights).
Re:Watermarking (Score:2)
They may look like CD's, but they are not. Return it and demand to get your money back. (Or an exchange for a real CD which is of course impossible because the title is not available on CD.)
Will they ever learn? (Score:3, Interesting)
The pirates and anyone interested in defeating DRM have one advantage over the RIAA/MPAA - We do it for free. They have development costs. We don't. We contrive functionality not merely due to a desire to pirate, but because it is fun.
I'm a geek. I get bored.
Re:Will they ever learn? (Score:2, Insightful)
Anyone can afford the Sharpie pen required to defeat today's protection scheme. But who will be able to afford the in-circuit emulator or logic analyzer needed to defeat tomorrow's scheme?
Re:Will they ever learn? (Score:2)
What makes circumvention for fair use encumbering devices feasible is having them ubiquitous, because then you can buy all the laws you like, but no-one can enforce them (short of a War on Drugs, stick everyone in jail for five years for being caught with a sound card with digital outputs kind of regime). When only a small number of people can produce unencumbered information, it is trivial to get those people.
Re:Will they ever learn? (Score:2)
Hopefully by then, he'll be able to e-mail me the circuit diagram and I'll be able toprint [zcorp.com] my own chip. It will happen!
Re:Will they ever learn? (Score:2)
You know, they should have arrested that football guy for possessing (and flaunting!) a circumvention device.
Yup, pretty much.. (Score:5, Interesting)
In May I attended a meeting on amending Canada's copyright laws to include DRM protection.. one of the guys there owns a company that does encryption research.. his statement basically said "the application of encryption technology to prevent copying is fundamentally flawed"
Indeed, someone who makes his living doing what the entertainment industry wants, and he says it can't be done.
I'm glad that researchers are finally speaking up about this.
Re:Yup, pretty much.. (Score:3, Insightful)
But its already too late for that. DRM is here now and being rolled out. Its also readily apparent that both Microsoft and Big Media have bet the farm on DRM.
I wouldn't bet on this changing anything, in fact with the current Orwellian government which we just elected, I wouldn't be surprised if such discussions become outlawed.
Re:Yup, pretty much.. (Score:2)
Cool. I guess we're all about to win farms.
Re:Yup, pretty much.. (Score:5, Insightful)
Both papers are very sceptical of DRM.
Microsoft may be playing the DRM game for now, but I'm sure it's just a temporary thing... if they convince Hollywood and the record studios that Windows Media Player is the "only secure" format, they will potentially gain a short term advantage over the competition. And in this industry, a short term advantage can be leveraged into a long term industry lead... Profit !
Yeah, in the long run all the schemes will be broken and Microsoft knows it, but they're happy to play the game for now.
Re:Yup, pretty much.. (Score:3, Funny)
And the DCMA allowed this? What loophole?
If DRM worked they wouldn't need laws to protect i (Score:3, Insightful)
Hollywood knows it doesn't work, that's why they need the laws.
Darwin O'Connor
Exactly! (Score:2)
What do you mean DRM isn't effective? (Score:5, Funny)
Bar, Qrpelcg QEZ cebgrpgrq zrqvn
Gjb, Dhrfgvba Znex, Dhrfgvba Znex, Dhrfgvba Znex
Guerr, Cebsvg Rkpynzngvba Znex, Rkpynzngvba Znex, Rkpynzngvba Znex
Re:What do you mean DRM isn't effective? (Score:2)
See how well it worked?
See? encrypted, encrypted, encrypted
all of you suck, suck, suck
--End output--
Re:What do you mean DRM isn't effective? (Score:2)
What DMCA polighuifhnsduik
NO CARRIER
Re:What do you mean DRM isn't effective? (Score:5, Funny)
Just a second I have to answer the door...
*Sounds of a soft heavy object being drug away, thrown in a trunk, and a car speeding off follow.*
Re:What do you mean DRM isn't effective? (Score:4, Funny)
Ash nazg durbatuluk, ash nazg gimbatul, ash nazg thrakatuluk, agh butzum-ishi krimpatul!
I think... (Score:3, Funny)
Oh wait...
DRM=No more memory dumps? (Score:5, Insightful)
Re:DRM=No more memory dumps? (Score:5, Insightful)
That's only the first step. You can hear and see. It's only a matter of time until you try to tell your friends about what you've seen and heard. I'm afraid that we need to restrict the output from your mouth (tongue removal), restrict the output of your hands (finger removal) and that last bastion of binary communication, your eyelids. (Eeeewww, gross). This will be required to protect our IP from you, you nasty pirate. Now, we want all of this done at birth, so no one will ever have the opportunity to pirate our IP. End of problem.
Re:DRM=No more memory dumps? (Score:2)
Wrong! DRM could be implemented in hardware in the soundcard. So the music never gets decripted by the CPU.
Or even the music could be decripted by digital speakers so the only way you'ld have to make a copy is with a microphone. That only until a system like Macrovision [macrovision.com] is made for sound.
I recommend reading this essay [discover.com]
Re:DRM=No more memory dumps? (Score:2)
Actually, the same case can be made for monitors: there's allways the termination point of the computing system to the actual display mechanism. Even if somehow the DRM is built into the monitor, there's always that connection point to 'listen in' on.
Re:DRM=No more memory dumps? (Score:2)
Re:DRM=No more memory dumps? (Score:2)
http://www.microsoft.com/technet/treeview/default
a pleasant side-effect, render the GPL useless
For some good commentary about why this statement borders between misleading and pure crap, see Seth Schoen's thoughts [loyalty.org] (near the bottom).
Re:DRM=No more memory dumps? (Score:2)
Re:DRM=No more memory dumps? (Score:2)
So how many didn't show up? (Score:3, Insightful)
The Folly of copy protection (Score:3, Insightful)
Not doomed, exactly... (Score:5, Insightful)
I had the opportunity to engage a luminary in the field in friendly discussion at a September DRM luncheon in Prague. He made it clear that despite the feelings of a vocal minority (us), copy protection will be accepted if not welcomed by the general population. Consumers in both Europe and Japan currently purchase such content with minimal complaint, and it seems even more likely in field testing that America will actually desire the copy protection if they are told it will lead to better sound and picture quality.
Granted, he was working within the industry, but the devastating piracy figures in a recent poll conducted among computer users made it clear that DRM will save the industry a lot of money. The poll, performed by blind surveying at three recent trade shows across the U.S., showed a staggering amount of pirated content; broken down by operating system of preference (to see what kind of effect DeCSS has had) apparently Windows users 'only' pirate about a quarter of their movie content, against Linux users' 67% and Macintosh 30%.
In the wake of this information, and the lackluster performance of the music industry in recent years, it is little wonder that they're adopting a 'Chicken Little' approach -- for them, the sky truly is falling. Hopefully, a reasonable compromise between our rights to do with our hardware as we will and the rights of copyright holders to be renumerated for their efforts will be struck; however, I am assured that if one will give, it will be the continuance of Open Source media decoders.
Re:Not doomed, exactly... (Score:4, Interesting)
What are you talking about? What copy protected content do European consumers purchase? DVDs maybe but I heard they were available in the US too.
America will actually desire the copy protection if they are told it will lead to better sound and picture quality
So everyone will believe what they are told? Clearly there is no technical relation between better sound and picture quality and DRM.
Granted, he was working within the industry
And you believed what you were told.
Re:Not doomed, exactly... (Score:2)
Re:Not doomed, exactly... (Score:2)
Re:Not doomed, exactly... (Score:2)
No such right exists. In the strictest sense, I only have a right to however much others are willing to give me for my goods or services. I do not have a right to be paid for what I'm doing irrespective of the willingness of others to pay for it. They have the right to attempt to encrypt what they make, but they do not have the right to criminal or civil action if I break said encryption.
Admittedly, the law grants them a temporary monopoly on the market for said product, but that is all the law grants, no more, no less. Not everything the law grants is a right, though. Social Security, welfare, and a number of other things that the current law grants for are not rights. Perhaps we should refer to them as copygrants instead of copyrights from now on to make the distinction.
BG
Re:Not doomed, exactly... (Score:2)
How is piracy even costing them money? Even the assumption that each pirated copy is lost revenue is a fallacy since it assumes that all the pirated copies would have been purchased if the pirate copy wasn't available.
The assumption that pirated copies of anything cause the seller to accrue costs is pure fantasy, unless you're disingenuous enough to include the cost of their antipiracy efforts.
The fact is that copying content doesn't cost the original issuer anything. I'd only grant them about 10% lost sales due to piracy -- many people who pirate just get it because they can, not because they want it.
One Time Degradation (Score:2)
If care is taken to get a quality analog capture, the degradation may not even be apparent. I believe acceptable rips can be made by filming LCD screens. Darken the room. Toy with the settings on a large quality monitor and quality camera until the result looks as good as you can get it. It wouldn't look that bad at all.
Even if the result is somewhat degraded, it will be traded anyway. Many of us use lame presets to make the best quality VBR mp3s possible while not wasting disk unecessarily. Most people aren't that careful. The most common type of file on the p2p networks are 128kb MP3s. The quality of those isn't much better than the songs I used to tape off the radio when I was a kid. And the RIAA gets excited about that? Sheesh!
The ??AAs are smoking crack again. Slight degradation from analog ripping isn't stopping anybody.
Re:The Folly of copy protection (Score:5, Interesting)
You misunderstand. RIAA doesn't need to make copying impossible--they just need to raise sufficient barriers so that an equal-copy version is harder to get than walking to the store and buying one.
They don't even have to worry about price right now--they just need to make the most convenient method of getting a copy of re-listenable (as opposed to broadcast) music to get it from them.
(Yeah, and online delivery would be the best way to get it--but that sorta requires DRM at the moment...)
Re:The Folly of copy protection (Score:2)
Re:The Folly of copy protection (Score:2)
No, it isn't. It's entirely different.
I don't bother to try and exchange tapes of anime--even the legal ones--beause it's more convenient to buy it at the store or watch it on TV.
I _do_ exchange song files, and I try to be legal and buy the CD--but it's so much more hassle to buy the CDs and record the MP3s so they're how I use them than to go out and get the files from someone who's allready done it.
If RIAA could make a delivery mechanism that was as convenient as Napster was and some P2P networks are, they'd win even if the other network was still cheaper. At least, they'd win this battle, and then they could start fighting the next one.
Re:The Folly of copy protection (Score:2)
You'll be able to listen to all the pirated Britney that you want, but your 2012 equipment won't be able to play the bands that you like. You'll have to pull out the old stuff from 2002 to play that music.
'Bout time... (Score:5, Insightful)
Having a million random geeks say "we can break anything you throw at us" carries little weight - the non-techies coming up with these crackpot schemes just assure themselves that *their* idea will make fools of the collected geeks of the world.
OTOH, having the very geeks PAID to design and implement these ideas say "uh, well, no, it really won't work all that well" means quite a lot more. Obviously, mr. clueless exec's first response would consist of firing any naysayers. After the 10th or 20th person to say "no, really, this won't work, it doesn't matter if you threaten to fire me", they *might* start to get the idea that they have at least a somewhat difficult goal.
This might mark a turning point. Not necessarily for the better, since I expect the next set of ideas to involve a lot of annoying-as-hell hardware-level DRM, but since even that will unavoidably fail, we have taken a step toward the road back to sanity.
I hope. The RIAA and MPAA could always try to get the death penalty for music pirates.
"Whad'ja do, man?"
"Downloaded an MP3 of Brandenberg Concerto #3"
"Uh, I thought that would have gone PD by now"
"Nah, when Disney discovered a 14th century precedent for Mickey, they had copyrights retroactively extended back for a full millenium."
"Bummer"
"Yeah. But at least I only *downloaded* a copy, I just get flogged plus the standard 20 year sentence. A buddy of mine made Mozart's 19th string quartet available on a file sharing network. Poor bastard, they dragged his wife and kids out into the street and shot them all, then at the actual hearing sentenced him to death by impalement in front of RIAA HQ."
the REAL reason why DRM will fail (Score:4, Insightful)
Re:the REAL reason why DRM will fail (Score:2)
Well said! Everyone, repeat after me:
The problem with DRM: unimaginative Hollywood. (Score:5, Interesting)
Instead of trying to wreck or cripple personal computers, why aren't they trying to build a new special-purpose media device with the decryption method in hardware and the case sealed? Doing this would let them implement DRM in any way they chose without interfering with anyone's work, it would give them a new product to sell, and it would probably leave everyone happy. Not just happy; probably delighted.
Some other benefits of such a product would be that they could control what connectors are installed, they could play with the way the screen is painted so it wouldn't appear well on videotape (remember how old CRTs wouldn't show up well on videotape because of how the scan lines were generated?) and they could build in a temporary storage function which would let you time-shift or do any other thing you wanted.
Think about it: this would give them everything they want. They could put A/V content on the web in a proprietary encrypted format, so they wouldn't have to worry about all us Linux guys downloading their precious files, people would have access to the content as part of their cable service, they'd get either a cheapo low-end model free or buy the premium system (the cell phone model)... And, everyone is happy. I can browse the non-DRM web with my Red Hat box, or turn on my content system when I want to do something requiring DRM. It's totally win-win.
Sometimes I think the MPAA and RIAA are asleep at the switch. None of these legal maneuverings are necessary! Build the little custom media system, stop producing videotapes, switch over to encrypted online streams and DVDs, and freakin' relax. Drop the idea that everything has to run on a PC, for Christ's sake.
Of course, this is just my opinion and they're not going to listen. But, wouldn't it be nice if they did?
Re:The problem with DRM: unimaginative Hollywood. (Score:2, Informative)
You mean like the Micro Music Clip Players [toysnjoys.com]? :-)
Re:The problem with DRM: unimaginative Hollywood. (Score:3, Insightful)
Until some Linux guy puts a proxy between the player and the internet, captures the files en route, and then cracks the proprietary encryption.
I agree the fundamental problem here is lack of imagination on the part of the **IA members, but I think the real solution will be in the form of making the content compelling enough, and cheap enough, that there'll be no motivation to steal it. Which ultimately means settling for big profits instead of obscene ones.
The point of the original article seems to be that any DRM, whether in hardware, software, purhased laws, or all three, is doomed to failure.
Re:The problem with DRM: unimaginative Hollywood. (Score:3, Insightful)
Ah, the reason that proprietary encryption systems have been cracked in the past has been that companies weren't trying very hard to encrypt the data. I see their attempts as token efforts, really. I think if they really, truly made an effort, they'd manage a system that would be very hard to crack. I'm not saying they should use RSA with really huge keys, but surely they can do better than they have in the past. I think you're a little too optimistic about the chances of the home user Vs. a properly funded research effort with an academic staff.
In my dream system, each system would be given a public and private key at the factory. When the system connected up to the provider, it would transmit its public key. The provider would encrypt for that key, and the viewer would decrypt ONLY within its own memory space.
You could make the case that some goober is going to strip the cable to the LCD, and try to capture the signal that way, but they can use a proprietary video system, limiting the usefulness of such a thing. And, of course, if it was me, I'd booby-trap the system so that it basically ate itself if a user tried to crack it open. A few dozen volts in a spike across the motherboard, for instance. But that's just me.
Quoth Larne: "I agree the fundamental problem here is lack of imagination on the part of the **IA members, but I think the real solution will be in the form of making the content compelling enough, and cheap enough, that there'll be no motivation to steal it. Which ultimately means settling for big profits instead of obscene ones."
Jeez, I keep hearing this, and man, you've got to give it up. Content companies don't want to hear it. They want the obscene profits, and they're willing to destroy YOUR PC to make that happen. My idea is to give them a more palatable, more profitable alternative, let them move away from PCs entirely, and allow all the little children to play nice together. Any solution which requires that content companies actually charge a fair price for their goods is doomed to failure. They're never going to agree to it. Think about it.
Quoth Larne: "The point of the original article seems to be that any DRM, whether in hardware, software, purhased laws, or all three, is doomed to failure."
Which I disagree with. DRM as it is currently being considered is of course doomed because it interferes with what people want to do and they're going to rebel. But, done more sensibly, it doesn't have to be that way. Look at the cable television market. I have premium cable, right? And, I have a digital cable box under my TV. Thus, I have access to like, fifty movie channels and so on and so forth, and my neighbor can't see them even if he taps my cable because he doesn't have the console. So it doesn't matter if he taps it or not.
Descramblers do exist, but cable companies regularly short them out with brief bursts over the line, and they have ways of detecting them and sending out an angry "cable guy".
Anyway, most people like the service as-is, and get the set-top box. It's cheap, it's no hassle, and it works great.
My point is, if the technology is as streamlined and unobtrusive as the cable set-top box, everyone will have one and no one will bother trying to defeat the DRM in it. It just won't be worth it. The system itself will be cheap enough that everyone will have a copy, and that'll be that. You'll be able to get content subscriptions of some sort, and there'll be pay per view and other special purchases -- kinda like cable.
I just think everyone's looking at this situation in the wrong way.
Re:The problem with DRM: unimaginative Hollywood. (Score:2)
Damn smart, im impressed!
Re:The problem with DRM: unimaginative Hollywood. (Score:4, Insightful)
You mean like DIVX? We all know how well that worked
How typical (Score:2, Insightful)
Notice that everyone else uses
two representatives of MS posted
as if they were accentuating the fact that they were from Microsoft and too
good for
The intention of DRM (Score:5, Informative)
I had to implement Windows DRM on Windows Audio files. The Windows DRM server is a mess. With no support, incomplete and documentation that flat out LIES. They LIE repeatedly through the documentation, or they simply make statements in one instance that directly conflict with others. FYI, the windows development community is outstanding. There are tons of free apps and sample code. This is the first time I've ever had to rely soley on MS for support as there is no community for DRM. It was a horrible experience.
With all of that aside, I did get it built. The record companies know how well DRM works, especially on
They don't care if DRM only partially works. That is all it needs to do. With the low costs of distribution, they can model the risk/reward, profit/loss easily. Volume is the key in the recording industry.
Many people WILL buy the albums/songs regardless if the technology can be circumvented. ANY technology on any platform has their open flaws, this is just another. As we all do, they play the %'s.
My $.02, it may not mean much, but I have seen it all in a new light.
In practice, it doesn't work (Score:2)
I don't think so. Look at Divx. It failed very quickly and it had all those "smart guys that know everything" looking at it.
I think if content is locked down so well that average people could never copy it, then it will be ignored. People will simply gravitate to some other form of entertainment.
Re:The intention of DRM (Score:3, Insightful)
What we really need are laws to make that sort of thing illegal, instead of the laws that actually legalize it. The whole thing is backwards.
Re:The intention of DRM (Score:2, Interesting)
Welcome ot the worlds of windows programming.
Re:The intention of DRM (Score:3, Interesting)
I hate to break you the bad news, because I like loving slashdotters, but you're part of the problem. I don't blame you, because the job market sucks right now, but nevertheless there we are. You see, ??AA only succeed because they can hire bright guys to code them stuff. The best way to kill them is to go after their braintrust. If this means refusing a job on moral grounds, so be it. Easy to say, hard to do, especially in this environment, but I personally have done it, and I'm not exactly swimming in cash. I have a mortgage payment due the first of every month, and I may have to sell my house soon to cover expenses. But I won't work for the MPAA or RIAA. I'd sooner put my college degree to good use flinging burgers at a local grease joint.
Is PKI the answer? (Score:3, Insightful)
Of course, all of the information will be able to be 'downgraded' to old formats by redigitizing the analog signal. But with legislation like SSSCA/CDPTPA (or whatever) anything that can do that is illegal. illegal doesn't mean inaccessible, but it's probably good enough for the RIAA/MPAA/Microsoft.
It won't be perfict, but you can't have perfectly secure communication either (what with keyboard sniffers and the like). That doesn't mean you can't get very, very close.
People with cameras (Score:2)
Given that having people distribute home made movies is legal, and in fact, something that should be encouraged.
Making said movie in a movie theater while a film is showing, THAT isn't legal, but I don't see a technological solution to where people point their cameras
The solution: produce ultra high bandwidth content (Score:5, Interesting)
analog recording of stereo audio output from a
CD player; video camera in the movie theater. So long as the capture device can reproduce good enough quality of the presentation, it's a moot
point trying to protect the source.
The solution is not to lock up the source, but to
produce new content with quality that far outpaces the ability of capture devices to reproduce/re-transmit it.
Come on! Bring out the HDTV, HD-DVD, SACD, and holographic video and change people's definition
of "good-enough". It's still gonna be years before
the bandwidth is there to mass re-distribute contents of such high quality. If people are accustomed to watching color TV, would they revert to swapping tapes of black and white? The music/movie industries need to invest in their next big thing, and give consumer a reason to spend their money on something of extra value. Their old chicken that lays golden eggs is dead.
Eventually, there will come a point where technology would outpace human's ability to perceive any increase in quality. (Who needs
128bit color depth, when 32bit is more than quite
sufficient?). But it'll be a long time before the average joe gets a holodeck it his livingroom.
Re:The solution: produce ultra high bandwidth cont (Score:2)
Re:The solution: produce ultra high bandwidth cont (Score:3, Interesting)
First off, the percieved quality has to have additional value. If this doesn't happen, then everything else is doomed. Case in point is audio: MP3 is "good enough" for most things, and offers benefits (physically small devices that can hold a catalog of music) beyond the traditional media. Better quality audio is nice, but the most ubiquitous use of music is background: people wouldn't pay 10x as much for things that they appreciate more 10% of the time.
The second, and possibly more important issue is that the content cartel wants new distribution means; they want to be able to rent movies to people over their internet connection. The problem is that this will never provide the level of security they feel is necessary.
The most important thing... (Score:3, Informative)
Microsoft's take on this (Score:5, Insightful)
I see three specific areas of work that are key adoption blockers today and ripe for further academic and commercial research. The lack of widely-available trustworthy computing devices, robust trust management engines and a general-purpose rights expression/authorization language all hamper industrial development and deployment of DRM systems for digital content.
Translation:
1: For DRM to work, everyone in the content must be running a secure OS (presumably Windows) on specially designed hardware AND
2: A system in place on the client (presumably the .NET CLR trust management engine) must authenticate every executable on the client before execution AND
3: All content providers must use a language (presumably MS's XRML - eXtensible Rights Management Language) to 'encode' documents and executables for number 2, above.
Basically, MS is saying: if you want DRM, OSS and 'general purpose' computing devices must go away. And of course, you must serve your media using Windows.NET Media Server.
Re:Microsoft's take on this (Score:4, Interesting)
1. Hollywood wants DRM and wants the US.gov to add some laws to make it mandatory.
2. MS is saying that for DRM to work, everyone needs to have the latest version of Windows.
3. DoJ (a subsidary of US.gov) has proved in a court of law that MS is a monopoly and that is a no-no.
Conclusion: The US.gov has said that MS is not allowed to be a monopoly, yet is being paid by Hollywood to make sure that it becomes even more of a monopoly.
I can see the
Skepticism at conferences is certainly not new (Score:3, Interesting)
One very prominent researcher asked the entire audience to consider whether or not they really believe that DRM marking will ever be a possibility, and to consider the consequences of publishing Yet Another Copyright Marking Scheme. A similar frank comment appears in the preface to the 3rd IHW proceedings, 3 years earlier, which had a lot of watermarking papers.
What is new is a sense of the conference being part of the overall policy machine. When people publish YACMS, vulnerable to the same collection of attacks, they contribute to this mass of research which Jack Valenti et al perceive as proof that maybe it is possible after all, despite the insistence from the tech sector that it is not.
Xcottt
DRM that supports fair-use (Score:3, Interesting)
Languages
" is the one I found most interesting. Mulligan and Burstein talk about how to implement the copyright act using a "Rights Expressions Language". They use XrML as a starting point, and go on to describe a whole bunch of issues.
I've often said the most complicated part of making a "fair" DRM (as opposed to one that just simply allows the copyright holder to do whatever they want) is to accomidate fair-use. After all, if the definition of fair-use requires lots of supplemental information and is hard to define even for a judge, what chance does a computer system have of making the right decision? This paper takes the bull by the horns, and starts trying to figure it out.
I wish we could get all of congressman to read the first two sections of this document! It does very through job of explaining how many existing checks-and-balances the DMCA removed, all in favor of the copyright holders! I know of few other examples where so much law has been invalidated with so little thought.
"Darknet" paper (Score:3, Interesting)
I had a look at the "Darknet" paper [stanford.edu] written by Peter Biddle, Paul England, Marcus Peinado, and Bryan Willman all of Microsoft Corporation.
It's really strange. Some aspects of it seem to pander very crudely to the MSFT bias towards single-user computers - the authors miss out on usenet as a "darknet" completely and they date "Internet" darknet activities to 1998. I can recall FTP'ing scanned playboy centerfolds from wustl.edu as early as 1989 - it was almost a year to the day after the Morris internet worm struck. At the same time the conclusions are very anti-MSFT-corporate-worldview: the authors conclude that some form of "darknet" will always exist for various reasons. This collides directly with MSFT's TCPA and Palladium and general piracy-crackdown viewpoint.
I can only conclude that some faction inside MSFT doesn't like or believe in the MSFT-corporate direction to include copy protection (a.k.a. DRM) in the OS and this paper is a sort of sermon in the void to warn the CEO/COO/C?? against putting all the MSFT eggs in one basket.
Or perhaps the authors are trying to run the plot of their latest cyber-thriller up the flagpole to see who salutes it.
DRM is Step Two (Score:3, Insightful)
1. Produce multi-million dollar movies and distribute them
2. ???
3. No profit due to Step 2 [slashdot.org]
Revise:
1. Produce multi-million dollar movies and distribute them DRM
2. ???
3. NO PROFIT! Who-hoo!
Sounds like the same-ol'-same-ol' to me....
I remember... (Score:2, Insightful)
Consider watermarking. If I know there's a watermark in the data, I can fiddle it until I understand the watermark and remove it. Like other people have said, any decryption key has to be in memory
So, DRM == copy protection. Anyone else remember where copy-protection went with games and everything for the first 15 years of commercial software? More and more annoying, until finally the companies gave up. Same thing will happen with DRM unless the antagonists can learn from history.
As far as legislation, and "secure" platforms go
simon
That is NOT the text (Score:5, Informative)
Proposals for systems involving mandatory watermark detection in rendering devices try to impact the effectiveness of [file sharing systems].... In addition to severe commercial and social problems, these schemes suffer from several technical deficiencies, which, in the presence of an effective [file sharing system], lead to their complete collapse. We conclude that such schemes are doomed to failure.
Note, the article actually says that the watermarking is doomed to failure... not p2p. I've got no idea where on earth you got that text, but its not correct.
Re: useless drivel (Score:3, Funny)
I think one could just use that reply for every article ever posted on Slashdot.
Bread on the table (Score:2)
Re:If you build it, they will come! (Score:5, Insightful)
It should be noted that the game industry has managed it. Consoles exist to some degree because console games can be made sufficiently difficult to copy that most people can't be bothered. And with some games costing upwards of $10 M to develop this couldn't happen sooner.
The current music industry is another story. They are dead. In 1970 the only way a record could be made and distributed was with a recording studio that cost thousands, perhaps millions, and expensive duplication equipment along with an expensive distribution chain. These days you can by a digital 8 track recorder and a PC for less than a grand and do it all yourself and then distribute it over the net. Mp3s and file sharing will change the economics of music and kill the RIAA but they will never kill it, with films it's different, digital technology offers the possibility of wrecking Hollywood.
Think about it for a sec, before putting up your slashdotisms.
Re:If you build it, they will come! (Score:5, Insightful)
hmmm (Score:5, Insightful)
You seem to be assuming that, a priori, the only movies made require Hollywood-level expense and infrastructure... Not so, with the advent of digital video and prosumer level video editing decks. (Is a $1000 video editing card cheap? A $3000 dv cam? $2000 a/v raid? hell no. but they're a damn sight cheaper than the big-studio level stuff.) I think the coming digital age will herald the end of the Hollywood blockbuster and the dawn of a new era of smaller independent filmmaking. Because now not only the tool but the distribution media are in place to make a good movie for less than 50 grand. If you can sell digital downloads of your film for $5 and get 10,000(*) people to look at it, you've broken even. Coupled with a strengthening of film festivals and online movie-consumer websites (think the Amazon book recommendation system applied to indie films), this could turn filmmaking from a hundreds-of-people-and-millions-of-dollars effort to a tens-of-people-and-thousands-of-dollars effort with a real chance of being a profitable enterprise... I think that this would allow a purer artistic vision to shine through in most of the resulting films because with lower financial risk and fewer participants there would be less of a "design by commitee" aspect.
(*)That seems like a lot of folks, but given the scale factor of the internet... (How many of us have laughed at one point or another at the "All Your Base" or "Gonads and Strife" clips?)
Re:hmmm (Score:3)
At best, you end up with clunky-but-adorable indies like Clerks, Meet the Feebles, and Go Fish. At worst, you end up with crap.
Re:hmmm (Score:2, Informative)
Piracy ratio? (Score:3, Insightful)
Meanwhilst, both of the new Star Wars movies were pretty cool (ignoring JarJar)... Yoda with a lightsaber in SW2 kicked butt. Guess which one I'm more likely to pay to see.
Good movies=good profit. If a movie is worth seeing on the big screen and DVD, then it will sell. I know a lot of consistant pirates who still have very large DVD collections, albeit of very good movies... hell, some of them even get the DVD for stuff they've already pirated.
Re:If you build it, they will come! (Score:2)
That movie would have had car explosions and Arnold Shwarzenegger as Frodo if shot in hollywood.
Lord of the Rings was not in any way a hollywood crap'o'movie.
Hollywoods biggest enemy is their scripts. Why the hell do they throw hundreds of millions on a terrible script like Lethal Weapon 3 ?? Most people watch the good movies in the theater and the sloppy ones at home when out of things to do.
With few exception hollywood has again and again made safe bets and delivers only variations on the same script the last 10 years.
The good stuff is made by pixar, dreamworks and other smaller players that has the gut to take some chances.
Re:If you build it, they will come! (Score:2)
And you know what? People copied movies off the air and the movie industry is still there and making billions.
Re:If you build it, they will come! (Score:2)
Yes, and if Sony is allowed to sell the Betamax, then the film industry will die,
and before that...
if Panasonic is allowed to sell audio cassette players, the music industry will die
and before that...
if tv stations are allowed to broadcast movies, the film industry will die
and before that...
if radio is allowed to broadcast music then the live music industry will die.
These have all failed to pass. In each case, the new technology not only didn't cause the 'death' of the old, but it provided a huge new revenue stream. "Protecting works" is just the latest catch-phrase, Jack.
Your statement is clearly false (Score:2)
Its an economic question, but not one of life or death.
Content providers have been trying since the days of shee music and music rolls to get some form of "Rights Management" and laws to protect them, always couched exactly how you put it.
But right now, the movie industry has no real way to protect its works today...and yet, they have record profits.
So one of two things is false: (1) the film industry is dying today or (2) we don't need DRM of any sort on mass media.
Oh, and by the way, if the Music Industry is dead, then why are they yet again turning record profits? Ever since Phillips Compact Cassette, music has been easy and cheap to copy. Yet they survive.
The idea that the entertainment industry is in trouble is a myth started by the "Wired" crowd back in 1998 and is demonstrably false.
Re:C'mon already (Score:2)
I do occassionally only to ensure I can get a nice sounding rip out of it. It pains me to see how many songs are out there encoded at a crappy 128kbps. At one time I thought that was sufficient until I started listening to them at 192kbps. At that rate it sounds MUCH better crisper. I can't tell the difference between 192kbps and any higher though and it's a good compromise on file size. With many relatives I have hundreds of CDs available to swap. Since it's all for personal use and I'm just trading amongst relatives and friends that's alright right? No? But Metallica said it was alright! They just don't want people using P2P and putting it out there for millions to download. We can still swap tapes right? Oh no? Why not? When did this happen?
Re:C'mon already (Score:5, Insightful)
Damn free music is costing me a fortune!
( Funny thing I've noticed tho
Re:Silly (Score:3, Funny)
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And interesting sig. So a religion is a small, unpopular, large, popular, small
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Re:watch out (Score:2, Insightful)
2) The mass transit analogy doesn't hold because mass transit costs a fortune to build and operate, while copy protection can be broken by someone who's still living in his parents basement.
3) The disease isn't capitalism, the disease is campaign finance. It can be cured.
Diplomacy is the art of saying, "Nice doggy" until you find a rock.
Re:Yep (Score:3, Insightful)
I'm sorry. Usually I just let moderation slide by like the stench from a dumpster. But sometimes the smell is just so offensive, I have to take issue. The whole freaking STORY is REDUNDANT. Moderation is a privilege (Ask me, I lost it in the great bitchslapping for moderating one of the editors), not something you forward your opinions with. The article is saying something WE ALL ALREADY KNOW, namely, that DRM won't work. To moderate someone redundant for pointing this out is ASININE. (Look that one up, broaden your vocabulary. Do it online though so you don't get drool on the big book)
Ahh, I feel better now. I hope you have some mod points left so you can mod this post accordingly.