An anonymous reader quotes a report from Ars Technica: Months ago, 13-year-old Willis "Blue Scuti" Gibson became the first person to "beat" NES Tetris, crashing the game after a 1,511-line, 157-level performance. Over the weekend, 16-year-old Michael "dogplayingtetris" Artiaga became the first to reach an even more impressive plateau in the game, looping past Level 255 and instantly rolling the game all the way back to the ultra-slow Level 0. It took Artiaga a bit over 80 minutes and a full 3,300 cleared lines to finally achieve the game's first near-mythical "rebirth" live in front of hundreds of Twitch viewers. And after a bit of celebration and recovery on the low levels, Artiaga managed to keep his rolled-over game going for another 40 minutes, finally topping out after a total of 4,216 lines and a record 29.4 million points.

Artiaga's record does come with a small asterisk since he used a version of the game that was modified to avoid the crashes that stopped Blue Scuti's historic run. Still, NES Tetris' first-ever level rollover is a monumental achievement and a testament to just how far competitive classic Tetris has come in a short time.

Novelist Christopher Farnsworth has filed a class-action lawsuit (PDF) against Meta, accusing the company of using his and other authors' pirated books to train its Llama AI model. Farnsworth seeks damages and an order to stop the alleged copyright infringement, joining a growing group of creators suing tech companies over unauthorized AI training. Reuters reports: Farnsworth said in the lawsuit on Tuesday that Meta fed Llama, which powers its AI chatbots, thousands of pirated books to teach it how to respond to human prompts. Other authors including Ta-Nehisi Coates, former Arkansas governor Mike Huckabee and comedian Sarah Silverman have brought similar class-action claims against Meta in the same court over its alleged use of their books in AI training. [...] Several groups of copyright owners including writers, visual artists and music publishers have sued major tech companies over the unauthorized use of their work to train generative AI systems. The companies have argued that their AI training is protected by the copyright doctrine of fair use and that the lawsuits threaten the burgeoning AI industry.

Juno, an app designed for watching YouTube on the Vision Pro, has been removed from the App Store, developer Christian Selig said today. From a report: Back in April, YouTube emailed Selig and said that Juno was violating the YouTube Terms of Service and the YouTube API by modifying the native YouTube.com web user interface, and used YouTube trademarks and iconography that could be confusing to customers.

In response, Selig switched from using the embed player to the website player, made it clear that Juno was an unofficial YouTube viewer, and explained to YouTube that as a web viewer, Juno is not using YouTube APIs. At the same time, though, YouTube filed a complaint with the App Store, and Selig went on to warn customers that he would not fight Google on any decision regarding Juno. Juno has now been removed from the App Store by Apple in response to YouTube's complaint. Selig says that he does not agree with the decision because Juno is a simple web view and that that modifies CSS to make the player look more "visionOS like," but he does not plan to appeal the decision.

Amazon Prime is launching a new Shark Tank-style competition show where contestants pitch products to a panel of celebrity investors and a live audience called "The 100." If a product wins audience approval, it gets featured in Amazon's Buy It Now Store, accessible via QR codes during episodes. The show, called Buy It Now and hosted by JB Smoove, premieres on October 30, 2024. You can watch a trailer for it on YouTube. The Verge reports: The company announced the show earlier this year but has now released a trailer showing what it will look like. Contestants pitch their ideas to the audience. If the crowd votes for them, then the panelists pick which ones will show up on Amazon's Buy It Now Store: a new storefront launching alongside the show that viewers can reach using a QR code that shows up during episodes. One presenter per episode will get a $20,000 prize, too.

Apart from Smoove -- who you may remember from Curb Your Enthusiasm and Harley -- the show will feature "a star-studded rotating panel of celebrity panelists," including Gwyneth Paltrow, Anthony Anderson, Tabitha Brown, Tony Hawk, and Christian Siriano. It will also include three Amazon executives, and Ring founder and current CEO of Door.com (formerly Latch) Jamie Siminoff will serve as the "resident judge and entrepreneurial panelist." Oh, and those panelists will be selling their own products on that Buy It Now Store.

An anonymous reader shares a report: Songs by Adele, Bob Dylan, Green Day, R.E.M., Burna Boy, Rush and many others are currently unplayable on YouTube in the U.S. due to a legal dispute between the platform and the performing rights organization SESAC. Attempts to play many, but not all, songs by those artists on Saturday met with the following message: "This video contains content from SESAC. It is not available in your country."

A similar dispute between Universal Music Group and TikTok raged on for several months earlier this year before being resolved. In a statement to Variety, a YouTube rep said: "We have held good faith negotiations with SESAC to renew our existing deal. Unfortunately, despite our best efforts, we were unable to reach an equitable agreement before its expiration. We take copyright very seriously and as a result, content represented by SESAC is no longer available on YouTube in the US. We are in active conversations with SESAC and are hoping to reach a new deal as soon as possible." A source close to the situation tells Variety that the previous deal actually does not expire until next week, and suggests that YouTube's move is a negotiating tactic. SESAC is far smaller than ASCAP and BMI -- with approximately 30,000 members and 1.5 million compositions while ASCAP has nearly 800,000 members -- but as the caliber of artists affected by the block shows, it represents a comparatively large percentage of the marketplace.

iFixit's iPhone 16 teardown revealed a new battery removal process that does away with the usual pull tabs, instead opting for an adhesive that debonds when exposed to a low electrical current. "It only takes about a minute and a half for it to come unstuck," reports Engadget, citing Apple's repair guide. iFixit tech Shahram Mokhtari said, "I'm not sure we've ever had a battery removal process go so cleanly and smoothly." From the report: Only the iPhone 16 and iPhone 16 Plus have the new adhesive, and they've earned a 7/10 on iFixit's repairability scale. "Apple definitely seems to be leveling up on repairability," Mokhtari, adding Apple has "landed another repairability win" with this year's base iPhones thanks to the new battery removal procedure. Further reading: iPhone's 80% Charge Cap Barely Boosts Battery Life, Year-Long Test Reveals

The Verge's Emma Roth reports: NotebookLM, Google's AI note-taking app, can now summarize and help you dig deeper into YouTube videos. The new capability works by analyzing the text in a YouTube video's transcript, including autogenerated ones. Once you add a YouTube link to NotebookLM, it will use AI to provide a brief summary of key topics discussed in the transcript. You can then click on these topics to get more detailed information as well as ask questions. (If you're struggling to come up with something to ask, NotebookLM will suggest some questions.)

After clicking on some of the topics, I found that NotebookLM backs up the information provided in its chat window with a citation that links you directly to the point in the transcript where it's mentioned. You can also create an Audio Overview based on the content, which is a podcast-style discussion hosted by AI. I found that the feature worked on most of the videos I tried, except for ones published within the past two days or so. [...] In addition to adding support for YouTube videos, Google announced that NotebookLM now supports audio recordings as well, allowing you to search transcribed conversations for certain information and create study guides.

Google has restricted the creation of new accounts for Russian users, state news agencies cited Russia's digital ministry as saying on Thursday. Reuters: Google has been under pressure in Russia for several years, particularly for not taking down content Moscow considers illegal and for blocking the YouTube channels of Russian media and public figures since Moscow's invasion of Ukraine. "The ministry confirms that Google has restricted the creation of new accounts," Interfax quoted the digital ministry as saying. "Telecom operators have also recorded a significant reduction in the number of SMS messages sent by the company to Russian users."

An anonymous reader shares a report: YouTube Premium users around the world woke up to bad news today. In over a dozen countries, the price of YouTube Premium individual and family plans increased significantly. This is only the most recent sweep of price increases from Google, as many countries saw price jumps only months ago, with the United States being one of them last summer. Impacted countries include Ireland, Netherlands, Italy, Belgium, UAE, Switzerland, Malaysia, Saudi Arabia, Indonesia, Colombia, Thailand, Singapore, Norway, Sweden, Czech Republic, and Denmark. The prices have gone up by as early as 40%.

In the antitrust trial alleging Google had an ad-selling monopoly, "government lawyers have said some of their strongest evidence is in Google's own internal communications," reports the Wall Street Journal: [In 2010] a new crop of ad-tech companies were threatening Google's bottom line. "One way to make sure we don't get further behind in the market is picking up the one with the most traction and parking it somewhere..." [wrote YouTube Chief Executive Neal Mohan, who previously ran Google's display-ads business]. Google ended up buying one such company, AdMeld, for $400 million in 2011. Google shut down AdMeld two years later, after incorporating some of the startup's technology into its ad exchange, known commonly as AdX.

The Justice Department argued that AdMeld was part of a larger trend: Google acquiring nascent rivals to corner the market and then locking customers into using its products by conditioning access to one software tool on them paying for another... In a 2016 email introduced by the government, Google executive Jonathan Bellack asked colleagues: "Is there a deeper issue with us owning the platform, the exchange, and a huge network? The analogy would be if Goldman or Citibank owned the NYSE [New York Stock Exchange]...." The Justice Department also cited a 2018 email from another then-executive, Chris LaSala, who raised concerns internally over the 20% cut that Google takes from many of its AdX customers, saying Google was extracting "irrationally high rent" from users. "I don't think there is 20% of value in comparing two bids," wrote LaSala. "AdX is not providing additional liquidity to the market. It is simply running the auction."

Another former Google executive, Eisar Lipkovitz, testified that Google's omnipresence in ad-tech gives rise to conflicts of interest. Lipkovitz was rebuffed when he tried to get Google to lower the cut it took from AdX, he testified in a prerecorded deposition. The Justice Department finished presenting its case on Friday. Other witnesses included Google customers. One was Stephanie Layser, a former News Corp executive, who said she felt she had no choice but to use Google technology because the search giant has such market power that switching to another ad server would have meant losing out on millions in advertising revenue.
Google's lawyer countered that "There will be no witness in this case who can say with clarity where this industry is going in the next five years."

Or, as the Wall Street Journal puts it, "It makes no sense to focus on display ads, Google argues, when the industry is shifting to apps, social media and streaming services. Far from monopolizing the space, Google is actually losing ground, Google lawyer Karen Dunn said in her opening trial statement..."

"The cab was cut from a 1997 Jeep Grand Cherokee," writes the New York Times. "The engine once revved up a 1985 Toyota Celica; and 107 hand-sewn rubber segments, courtesy of Mr. Tymofichuk's wife, help to direct low-pressure air beneath the craft so that it rises eight inches above the ground..." On a cold spring day in a small garage in Alberta, Canada, an engine revved up and an improbable machine — fabricated from auto parts, a hand-sewn rubber skirt and an abandoned fiberglass hull — came to life.

A homemade hovercraft began to rise off the ground with a small crew standing by.

The successful liftoff was the culmination of a lifelong fascination of Robert Tymofichuk, 55, who spent about 1,800 hours over a year working on it [according to this nifty video on YouTube ]. And, to the gratitude of passengers, it comes with heated seats. "If you're going through all that hassle, you might as well make yourself comfortable," Mr. Tymofichuk said. He repurposed the seats from a Volkswagen, so the heating coils were already installed.
Achieve speeds around 40 miles per hour (or 64 kmph), "Mr. Tymofichuk's hovercraft now sails above land and water, a bright red gem coasting over the Saskatchewan River," according to the article. And it also quotes Mr. Tymofichuk as saying it's the fulfillment of a childhood dream.

"To actually have something constructed with your own hands be zipping around, and it's fully functional — it's like magic."

Meta (the parent company of Facebook, Instagram, and Threads) announced Monday that Russian state media outlets like RT are now "banned from our apps globally for foreign interference activity," reports CNN.

CNN adds that Meta is alleging that the "Kremlin-controlled networks" have "engaged in deceptive influence operations and attempted to evade detection... Prior to Monday's ban, RT had 7.2 million followers on Facebook and 1 million followers on Instagram." The move comes days after the US Justice Department announced charges against two RT employees for funneling nearly $10 million into a US company, identified by CNN as Tenet Media, to create and amplify content that aligned with Russian interests. The covert influence campaign was aimed at the American public ahead of the 2024 US presidential election, US officials said.
Last week the U.S. State department "revealed declassified U.S. intelligence findings that suggest RT is fully integrated into Russia's intelligence operations around the world," CNN reported earlier" In addition to its covert influence operations, the leaders of RT also administered an online crowdfunding effort to supply military equipment to Russian soldiers in Ukraine, Blinken alleged. The crowdfunding effort supplied "sniper rifles, suppressors, body armor, night vision equipment, drones, radio equipment, personal weapon sights, diesel generators" to Russian soldiers fighting in Ukraine, according to Blinken.

The goal of the U.S. announcement — and private discussions with allied diplomats — is to make sure that countries know that RT and Russian intelligence agencies are working together to sow division and harm democratic processes, while simultaneously making it much more difficult for RT to operate globally, a senior administration official said...

Asked for comment by CNN, RT responded with a mocking email that read in part: "We've been broadcasting straight out of the KGB headquarters all this time."
More from Reuters: U.S. Secretary of State Antony Blinken said on Friday that countries should treat RT's activities as they do covert intelligence operations... In briefing materials shared with Reuters, Meta said it had seen Russian state-controlled media try to evade detection in their online activities in the past and expected them to continue trying to engage in deceptive practices going forward.
A YouTube spokesperson told Reuters they've also terminated over 230 channels affiliated with Kremlin-controlled outlets — channels which were previously only blocked from viewers.

YouTube "began blocking Russian state-sponsored news channels globally in 2022," reports NBC News, "including those tied to RT and Sputnik. Over the years, according to YouTube, the platform has blocked thousands of channels and millions of videos." James Rubin, coordinator for the State Department's Global Engagement Center, said RT is "where propaganda, disinformation and lies are spread to millions, if not billions, of people around the world."

The Federal Trade Commission said on Thursday it found that several social media and streaming services engaged in a "vast surveillance" of consumers, including minors, collecting and sharing more personal information than most users realized. From a report: The findings come from a study of how nine companies -- including Meta, YouTube and TikTok -- collected and used consumer data. The sites, which mostly offer free services, profited off the data by feeding it into advertising that targets specific users by demographics, according to the report. The companies also failed to protect users, especially children and teens.

The F.T.C. said it began its study nearly four years ago to offer the first holistic look into the opaque business practices of some of the biggest online platforms that have created multibillion-dollar ad businesses using consumer data. The agency said the report showed the need for federal privacy legislation and restrictions on how companies collect and use data. "Surveillance practices can endanger people's privacy, threaten their freedoms, and expose them to a host of harms, from identify theft to stalking," said Lina Kahn, the F.T.C.'s chair, in a statement.

An anonymous reader quotes a report from TechCrunch: At its Made On YouTube event on Wednesday, the company announced a new dedicated space for creators to interact with their fans and viewers. The space, called "Communities," is kind of like a Discord server built into a creator's channel. With Communities, YouTube is hoping creators won't need to use other platforms like Discord or Reddit in order to interact with viewers. Communities are a space for viewers to post and interact with other fans directly within a creator's channel. In the past, viewers have been limited to leaving comments on a creator's video. Now, they can share their own content in a creator's Community to interact with other fans over shared interests. For instance, a fitness creator's Community could include posts from fans who are sharing videos and photos from their most recent hike.

To start, the feature is only available to subscribers. The company sees Communities as a dedicated space for conversation and connection, while still allowing creators to maintain control over their content. Conversations in Communities are meant to flow over time, YouTube says, as they would in any other forum-style setting. The new Communities feature shouldn't be confused with YouTube's Community feature, which is a space for creators to share text and images with viewers. The feature launched back in 2016, and doesn't allow viewers to interact with each other. YouTube is testing Communities now on mobile devices with a small group of creators. The company plans to test the feature with more creators later this year before expanding access to additional channels in early 2025.

YouTube has announced a series of AI-related features on the platform, including a couple that might change how creators make videos -- and the videos they make. From a report: The first feature is the new Inspiration tab in the YouTube Studio app, which YouTube has been testing in a limited way over the last few months. The tab's job is, essentially, to tell you what to make: the AI-powered tool will suggest a concept for a video, provide a title and a thumbnail, and even write an outline and the first few lines of the video for you. YouTube frames it as a helpful brainstorming tool but also acknowledges that you can use it to build out entire projects. And I'm just guessing here, but I'd bet those AI-created ideas are going to be pretty darn good at gaming the YouTube algorithm.

Once you have some AI inspiration, you can make some AI videos with Veo, the superpowerful DeepMind video model that is now being integrated into YouTube Shorts. Veo is mostly going to be part of the "Dream Screen" feature YouTube has been working on, which is an extension of the green screen concept but with AI-generated backgrounds of all sorts. You'll also be able to make full Veo videos, too, but only with clips up to six seconds long. (After a few seconds, AI video tends to get... really weird.)

Google said in a blog post today it will begin labeling AI-generated and AI-edited image search results later this year. Digital Trends reports: The company will flag such content through the "About this image" window and it will be applied to Search, Google Lens, and Android's Circle to Search features. Google is also applying the technology to its ad services and is considering adding a similar flag to YouTube videos, but will "have more updates on that later in the year," per the announcement post.

Google will rely on Coalition for Content Provenance and Authenticity (C2PA) metadata to identify AI-generated images. That's an industry group Google joined as a steering committee member earlier in the year. This "C2PA metadata" will be used to track the image's provenance, identifying when and where an image was created, as well as the equipment and software used in its generation.

The Verge's Alex Heath reports: Snap's fifth-generation Spectacles have a richer, more immersive display. Using them feels snappier. They weigh less than their predecessor and last longer on a charge. Those are exactly the kinds of upgrades you'd expect from a product line that's technically eight years old. But the market for Spectacles -- and AR glasses in general -- still feels as nascent as ever. Snap has an idea for what could change that: developers. These new Spectacles, announced Tuesday at Snap's annual Partner Summit in Los Angeles, aren't being sold. Instead, Snap is repeating its playbook for the last version of Spectacles in 2021 and distributing them to the people who make AR lenses for Snapchat. This time around, though, there's an extra hurdle: you have to apply for access through Lens Studio, the company's desktop tool for creating AR software, and pay $1,188 to lease a pair for at least one year. (After a year, the subscription becomes $99 a month.)

Yes, Snap is asking developers to pay $1,188 to build software for hardware with no user base. Even still, Snap CEO Evan Spiegel believes the interest will be there. "Our goal is really to empower and inspire the developer and AR enthusiast communities," he tells me. "This really is an invitation, and hopefully an inspiration, to create." [...] Ultimately, I'm skeptical of why developers will want to build software for Spectacles right now, given the lack of a market and the cost of getting access to a pair. Still, Spiegel believes enough of them are excited about the promise of AR glasses and that they'll want to help shape that future. "I think it's the same reason why developers were really excited with the early desktop computer or the reason why developers were really excited by the early smartphones," he says. "I think this is a group of visionary technologists who are really excited about what the future holds." Spiegel may be right. AR glasses may be the future, and Spectacles may be well-positioned to become the next major computing platform, even with competition heating up. But there's still a lot of progress that needs to happen for Snap's vision to become reality. Road to VR has a full list of specs embedded in their report. They also published a reveal trailer on YouTube.

Google's acquisition strategy in online advertising has come under scrutiny in the U.S. antitrust trial against the tech giant. Neal Mohan, YouTube CEO and former Google ad executive, defended the company's purchases of DoubleClick and Admeld, saying they were aimed at competing, not neutralizing rivals.

The Justice Department alleges Google built an impenetrable ad empire by owning key parts of the ad tech stack, stifling competition. Prosecutors pointed to internal emails discussing "parking" acquired companies, which they argue shows intent to sideline competitors. Mohan countered that "parking" meant allowing acquired firms to operate independently while integrating with Google's technology.

Last October Slashdot reported on René Rebe's discovery of a random illegal instruction speculation bug on AMD Ryzen 7000-series and Epyc Zen 4 CPUs — which Rebe discussed on his YouTube channel.

But this week's YouTube episode had a different ending, reports Tom's Hardware... Two days ago, tech streamer and host of Code Therapy René Rebe was streaming one of many T2 Linux (his own custom distribution) development sessions from his office in Germany when he abruptly had to remove his microphone and walk off camera due to the arrival of police officers. The officers subsequently cuffed him and took him to the station for an hour of questioning, a span of time during which the stream continued to run until he made it back...

[T]he police seemingly have no idea who did it and acted based on a tip sent with an email. Finding the perpetrators could take a while, and options will be fairly limited if they don't also live in Germany.
Rebe has been contributing to Linux "since as early as 1998," according to the article, "and started his own T2 SD3 Embedded Linux distribution in 2004, as well." (And he's also a contributor to many other major open source projects.)

The article points out that Linux and other communities "are compelled by little-to-no profit motive, so in essence, René has been providing unpaid software development for the greater good for the past two decades."

"It is with great relief that I welcome you home!" SpaceX COO Gwynne Shotwell posted on X. "This mission was even more extraordinary than I anticipated."

"SpaceX's Polaris Dawn crew is home," reports CNN, "capping off a five-day mission to orbit — which included the world's first commercial spacewalk — by splashing down in the Gulf of Mexico." The Crew Dragon capsule carrying four astronauts landed off the coast of Dry Tortugas, Florida, at 3:37 a.m. ET Sunday.

The Polaris Dawn mission made history as it reached a higher altitude than any human has traveled in five decades. [870 miles (1,400 kilometers) — beating the 853-mile record set in 1966 by NASA's Gemini 11 mission.] A spacewalk conducted early Thursday morning also marked the first time such an endeavor has been completed by a privately funded and operated mis.sion.

But returning to Earth is among the most dangerous stretches of any space mission. To safely reach home, the Crew Dragon capsule carried out what's called a "de-orbit burn," orienting itself as it prepared to slice through the thickest part of Earth's atmosphere. The spacecraft then reached extremely hot temperatures — up to 3,500 degrees Fahrenheit (1,900 degrees Celsius) — because of the pressure and friction caused by hitting the air while still traveling around 17,000 miles per hour (27,000 kilometers per hour). The crew, however, should have remained at comfortable temperatures, protected by the Crew Dragon's heat shield, which is located on the bottom of the 13-foot-wide (4-meter-wide) capsule. Dragging against the air began to slow the vehicle down before the Crew Dragon deployed parachutes that further decelerated its descent. Having hit the ocean, the spacecraft briefly bobbed around in the water until rescue crews waiting nearby hauled it out of the ocean and onto a special boat, referred to as the "Dragon's nest." Final safety checks took place there before the crew disembarked from the capsule and began the journey back to dry land.
You can watch video of the splashdown on YouTube.

While in space, the crew performed 40 science experiments and research, according to the article. "Gillis, a trained violinist, also brought her instrument along for the mission and delivered a rendition of 'Rey's Theme' from "Star Wars: The Force Awakens." (Slashdot reader SuperKendall points out that the "Rey's Theme" rendition "was not just the astronaut playing violin in space, but was in conjunction with young adult orchestras around the world.")

SpaceX's COO said the performance "made me tear up. Thank you all for taking this journey."