Climate activists are calling out Shell for partnering with popular video gamers and online youth influencers to promote fossil fuels to a younger generation. From a report: The oil giant, which in July reported quarterly profits of more than $5bn, worked with Fortnite creators and paid popular gamers on multiple platforms to showcase its "ultimate road trips" promotion, part of a marketing campaign for a new gasoline it calls V-Power Nitro+.

According to the group Media Matters for America, the company is targeting young players on Twitch, TikTok, Instagram and YouTube, encouraging them to fill up virtual vehicles at interactive Shell gas stations and post screenshots of the game with a #Shellroadtrips hashtag. Research by the non-profit group revealed Shell sponsored livestreams of gameplay on Twitch by at least six streamers with a combined 5.5m followers. It also identified three more content creators on other platforms who were paid to promote the campaign in their videos. Those influencers, Media Matters said, have a combined 1.5 million Instagram followers, 8.5 million on TikTok and 11.6 million on YouTube.

Google Japan's latest DIY project is for people who can't get keyboards off their heads. From a report: Google isn't making this product. Instead, the Gboard CAPS project is another of Google Japan's joke keyboard ideas, like the 5.25-foot-long, single-row Gboard Stick Version keyboard shown off last year, used to promote Google's Gboard app. However, Google Japan seemingly prototyped the keyboard in real life. Everything you need to make this typing topper, including the firmware and hardware, is open source and available on GitHub. How do you type with the hat? It has a 6-axis sensor that reads its position. Turn the hat to select a character and press its top to enter. It pairs via Bluetooth, runs on a 3.7V, 120mAh battery, and charges via USB-C.

At CES 2023, a startup called Displace introduced their "truly wireless" TV with swappable batteries and a vacuum suction system that can keep the display adhered to walls without traditional mounting. To address concerns about what would happen when those batteries become depleted or when the wall/surface the TV is mounted to cracks, Displace says it has designed a built-in landing gear safety system to protect the $3,000 wireless TV. The Verge reports: Here, friends, is where Displace's "self-lowering landing gear technology" comes in. And I'm just going to quote directly from the press release so you can get the full rundown on how it supposedly works: "Sensors within the Displace TV constantly measure the battery level and pressure in the vacuum suction system, analyze the wall's surface, and check leakage on the vacuum pumps. If the vacuum pumps are in danger of not maintaining a seal or the wall's integrity falters, the Displace TV automatically deploys four quick adhesives for stability and initiates a self-lowering landing gear system. The adhesives work as anchor points, as the Displace TV begins to lower itself gently on a zipline (from as high as 10 feet) and deploys a reusable foam at the bottom to protect the TV screen."

When a problem is detected, the Displace attaches an adhesive frame onto the wall and begins lowering the display to the floor (with rope) from that frame. As all of this is happening, the TV generates a lot of sound and even flashing lights in an attempt to keep the area clear of children or animals. Once it's safely on the ground, you can pull the frame off the wall and reinsert it into the back of the TV. [...] The self-landing technology works at heights of up to 10 feet. When you're ready to put the TV back in its place, you just push the foam feet back into the TV, replace the adhesive tapes, and that's it. You can watch a demo of the safety system on YouTube.

Jason Koebler writes via 404 Media: An independent repair shop in Germany has invented a tool that can break through anti-repair locks Apple has put on a specific sensor on the MacBook Pro and MacBook Air. The Nerd.Tool.1 was invented by Stephan Steins of Dortmund's Notebook Nerds repair shop. It is specifically designed to allow independent repair shops to replace the display angle sensor on broken MacBook Pro and MacBook Air laptops. This was formerly a replacement that only Apple could do because the replacement part had to be "calibrated" with the specific device, which only Apple could do, until now. This sensor detects when the laptop lid is closed, and turns the screen and fan off, and puts the laptop to sleep. If it's broken, the laptop's screen will remain on even when the lid is closed, which drains the battery, can keep the fans running, and generally shorten the life of the computer.

The Nerd.Tool.1 recalibrates replacement sensors, allowing repair techs to replace them without any fuss. "We are calibrating new sensors nearly the same way Apple does," Steins told me. "They can do it via their T2 [security chip] or their M1/M2 chips. We are using the nerd.tool.1 for this task. The sensor holds all the data. It is not serialized or paired to the logic board so we are just calibrating it." "We broke Apple's lock," independent repair advocate and repair pro Louis Rossmann explained in a YouTube video demoing the Nerd.Tool.1. "To whoever it is at Apple who decided to not make this available to technicians, 'Fuck you, we win,'" Rossman said.

"We are selling the nerd.tool.1 to be able to spend time in developing other solutions," added Steins. "We will do our best to get nerd.tool.2 to fix other issues which repair shops are facing. The response has been awesome! The community is very kind, which shows how painful these missing tools are for many independent repair shops."

Bill Omar Carrasquillo, better known by his YouTube name Omi In a Hellcat, has been arrested after the feds found Carrasquillo had amassed a $30 million fortune with a large-scale piracy scheme in which he was buying and reselling copyrighted material from cable TV. Jalopnik reports: He was sentenced to five years in prison for "piracy of cable TV, access device fraud, wire fraud, money laundering, and hundreds of thousands of dollars of copyright infringement," along with having to forfeit his millions and pay $15 million in restitution. Those millions helped pay for the car collection now going up for auction.

[Road & Track reports Omi In A Hellcat's entire 57 vehicle collection is up for auction.] As of this writing, the auction features 32 cars and 25 bikes and off road vehicles. Despite his crimes, the man had decent taste in cars. There's good stuff to be had like.

U2's inaugural performance at the opening of Las Vegas's Sphere included a generative AI video collage projected hundreds of feet into the air — showing hundreds of surreal renderings of Elvis Presley.

An anonymous reader shares this report from Time magazine: The video collage is the creation of the artist Marco Brambilla, the director of Demolition Man and Kanye West's "Power" music video, among many other art projects. Brambilla fed hours of footage from Presley's movies and performances into the AI model Stable Diffusion to create an easily searchable library to pull from, and then created surreal new images by prompting the AI model Midjourney with questions like: "What would Elvis look like if he were sculpted by the artist who made the Statue of Liberty...?"

While Brambilla's Elvises prance across the Sphere's screen — which is four times the size of IMAX — the band U2 will perform their song "Even Better Than The Real Thing," as part of their three-month residency at the Sphere celebrating their 1991 album Achtung Baby... Earlier this year, U2 commissioned several artists, including Brambilla and Jenny Holzer, to create visual works that would accompany their performances of specific songs. Given U2's love for the singer and the lavish setting of the Sphere, Brambilla thought a tribute to Elvis would be extremely fitting. He wanted to create a maximalist work that encapsulated both the ecstatic highs and grimy lows of not only Elvis, but the city of Las Vegas itself. "The piece is about excess, spectacle, the tipping point for the American Dream," Brambilla said in a phone interview.

Brambilla was only given three-and-a-half months to execute his vision, less than half the time that he normally spends on video collages. So he turned to AI tools for both efficiency and extravagance. "AI can exaggerate with no end; there's no limit to the density or production value," Brambilla says. And this seemed perfect for this project, because Elvis became a myth; a larger-than-life character..." Brambilla transplanted his MidJourney-created images into CG (computer graphics) software, where he could better manipulate them, and left some of the Stable Diffusion Elvis incarnations as they were. The result is a kaleidoscopic and overwhelming video collage filled with video clips both historical and AI-generated, that will soon stretch hundreds of feet above the audience at each of U2's concerts.

"I wanted to create the feeling that by the end of it," Brambilla says, "We're in a place that is so hyper-saturated and so dense with information that it's either exhilarating or terrifying, or both."
Brambilla created an exclusive video excerpting from the larger collage for TIME. The magazine reports that one of the exact prompts he entered was:

"Elvis Presley in attire inspired by the extravagance of ancient Egypt and fabled lost civilizations in a blissful state. Encircling him, a brigade of Las Vegas sorceresses, twisted and warped mid-chant, reflect the influence of Damien Hirst and Andrei Riabovitchev, creating an atmosphere of otherworldly realism, mirroring the decadence and illusion of consumption."

Wednesday seven U.S. Republican candidates for President held their second debate before the 2024 primary — during which TikTok led to some surprisingly heated attacks against entrepreneur Vivek Ramaswamy:

Moderator: Mr. Ramaswamy, TikTok is banned on government-issed devices because of its ties to the Chinese government. Yet you joined TikTok at the dinner with boxer and influencer Jake Paul. Should the commander in chief be so easily persuaded by an influencer?

Vivek Ramaswamy: So the answer is, I have a radical idea for the Republican party: we need to win elections. And part of how we win elections is reaching the next generation of young Americans where they are. So when I get into office, I've been very clear. Kids under the age of 16 should not be using addictive social media. We're only going to ever get to declaring independence from China, which I favor, if we actually win. So while the Democrats are running rampant reaching the next generation three-to-one, there's exactly one person in the Republican party — which talks a big game about reaching young people — and that's me.... [Scattered applause]
Donald Trump declined to participate in the debate. But his former vice president Mike Pence immediately interrupted to say that "TikTok is controlled by the Chinese communist party." Continuing criticisms he'd made in an earlier interview, Pence said that TikTok "compromises the privacy of Americans every day."

Ramaswamy responded "And that is why we will end it once we win this election."

This immediately drew a strong response from from South Carolina governor Nikki Haley (also a former US ambassador to the UN): Nikki Haley: This is infuriating, because TikTok is one of the most dangerous social media apps —

Ramaswamy: Yes it is.

Haley: — that we could have. And once you've got — honestly, every time I hear you, I feel a little bit dumber for what you say. Because I can't believe that — here you've got a TikTok situation. What they're doing is these — 150 million people are on TikTok. That means they can get your contacts, they can get your financial information, they can get your emails, they can get —

Ramaswamy: Let me just say —

Haley: — your text messages, they can get all of these things.

Ramaswamy: Hurling — this is important. This is very important for our party —

Haley: China knows exactly what they're doing.

Ramaswamy: This is very important for our party, and I'm going to say it —

Haley: And what we've seen is you've gone and you've helped China go make medicines in China, not America.

Ramaswamy: Excuse me, excuse me —

Haley: You're now wanting kids to go and get on this social media that's dangerous for all of us. You went and you were in business with the Chinese... We can't trust you. We can't trust you. We can't have TikTok in our kids' lives. We need to ban it. [Loud applause]

Moderator: You have 15 seconds, Mr. Ramaswamy.

Ramaswamy: I think we would be better served as a Republican party if we're not sitting here hurling personal insults, and actually have a legitimate debate.

slack_justyb writes: Richard Stallman revealed his diagnosis of lymphoma at the GNU Hacker's meeting in Biel, Switzerland yesterday. He did not share much about his health condition but did indicate that it is "manageable" and that he expects to be around for many more years ahead.

Kyle Orland writes via Ars Technica: The "first official Unity user group in the world" has announced that it is dissolving after 13 years because "the trust we used to have in the company has been completely eroded." The move comes as many developers are saying they will continue to stay away from the company's products even after last week's partial rollback of some of the most controversial parts of its fee structure plans.

Since its founding in 2010, the Boston Unity Group (BUG) has attracted thousands of members to regular gatherings, talks, and networking events, including many technical lectures archived on YouTube. But the group says it will be hosting its last meeting Wednesday evening via Zoom because the Unity of today is very different from the Dave Helgason-led company that BUG says "enthusiastically sanctioned and supported" the group at its founding.

"Over the past few years, Unity has unfortunately shifted its focus away from the games industry and away from supporting developer communities," the group leadership wrote in a departure note. "Following the IPO, the company has seemingly put profit over all else, with several acquisitions and layoffs of core personnel. Many key systems that developers need are still left in a confusing and often incomplete state, with the messaging that advertising and revenue matter more to Unity than the functionality game developers care about."

BUG says the install-fee terms Unity first announced earlier this month were "unthinkably hostile" to users and that even the "new concessions" in an updated pricing model offered late last week "disproportionately affect the success of indie studios in our community." But it's the fact that such "resounding, unequivocal condemnation from the games industry" was necessary to get those changes in the first place that has really shaken the community to its core. "We've seen how easily and flippantly an executive-led business decision can risk bankrupting the studios we've worked so hard to build, threaten our livelihoods as professionals, and challenge the longevity of our industry," BUG wrote. "The Unity of today isn't the same company that it was when the group was founded, and the trust we used to have in the company has been completely eroded."

Google Podcasts is shutting down in 2024 after YouTube Music picks up full global availability of podcasts, which is expected before the end of 2023. As 9to5Google reports, YouTube Music "will be Google's one podcasting app and service going forward." From the report: The big advantage of Google Podcasts was its simplicity and wide availability on Android (through the Google Search app). A "simple migration tool" will move your existing subscriptions from Google Podcasts. Notably, there will be the ability in YouTube Music to add podcasts via RSS feeds, "including shows not currently hosted by YouTube." Google will also provide a non-YTM export option via "OPML file of their show subscriptions" that will work with other podcast players.

On the podcaster front, YouTube will allow for RSS uploads instead of requiring a video version. The next step over the coming weeks and months will see Google "gather feedback to make the migration process from Google Podcasts to YouTube Music as simple and easy as possible." "For now, nothing is changing and fans will continue to have access to YouTube, YouTube Music and Google Podcasts," says YouTube. "We're committed to being transparent in communicating future changes with our users and podcasters and will have more to share about this process in the coming months."

Mark Tyson writes via Tom's Hardware: A future version of [Deep Learning Super Sampling (DLSS) technology] is likely to include full neural rendering, hinted Bryan Catanzaro, a Nvidia VP of Applied Deep Learning Research. In a round table discussion organized by Digital Foundry (video), various video game industry experts talked about the future of AI in the business. During the discussion, Nvidia's Catanzaro raised a few eyebrows with his openness to predict some key features of a hypothetical "DLSS 10." [...]

We've seen significant developments in Nvidia's DLSS technology over the years. First launched with the RTX 20-series GPUs, many wondered about the true value of technologies like the Tensor cores being included in gaming GPUs. The first ray tracing games, and the first version of DLSS, were of questionable merit. However, DLSS 2.X improved the tech and made it more useful, leading to it being more widely utilized -- and copied, first via FSR2 and later with XeSS. DLSS 3 debuted with the RTX 40-series graphics cards, adding Frame Generation technology. With 4x upscaling and frame generation, neural rendering potentially allows a game to only fully render 1/8 (12.5%) of the pixels. Most recently, DLSS 3.5 offered improved denoising algorithms for ray tracing games with the introduction of Ray Reconstruction technology.

The above timeline raises questions about where Nvidia might go next with future versions of DLSS. And of course, "Deep Learning Super Sampling" no longer really applies, as the last two additions have targeted other aspects of rendering. Digital Foundry asked that question to the group: "Where do you see DLSS in the future? What other problem areas could machine learning tackle in a good way?" Bryan Catanzaro immediately brought up the topic of full neural rendering. This idea isn't quite as far out as it may seem. Catanzaro reminded the panel that, at the NeurIPS conference in 2018, Nvidia researchers showed an open-world demo of a world being rendered in real-time using a neural network. During that demo the UE4 game engine provided data about what objects were in a scene, where they were, and so on, and the neural rendering provided all the on-screen graphics. "DLSS 10 (in the far far future) is going to be a completely neural rendering system," Catanzaro added. The result will be "more immersive and more beautiful" games than most can imagine today.

"New York City is now turning to robots to help patrol the Times Square subway station," quipped one local newscast.

The non-profit New York City blog Gothamist describes the robot as "almost as tall as the mayor — but at least three-times as wide around the waist," with a maximum speed of 3 miles per hour-- but a 360-degree field of vision, equipped with four cameras to send live video (without audio) to the police. A 420-pound, 5-foot-2-inch robocop with a giant camera for a face will begin patrolling the Times Square subway station overnight, the New York Police Department announced Friday morning. At a press conference held underground in the 42nd Street subway station, New York City Mayor Eric Adams said the city is launching a two-month pilot program to test the Knightscope K5 Autonomous Security Robot. During the press conference, the K5 robot — which is shaped like a small, white rocketship — stood silently along with uniformed officers and city officials in suits. Stripes of glowing blue lights indicated it was "on."

The K5 will act as a crime deterrent and provide real-time information on how to best deploy human officers to a safety incident, the mayor said. It features multiple cameras, a button that can connect the public with a real person, and a speaker for live audio communication... During the pilot program, the K5 will patrol the Times Squares subway station from midnight to 6 a.m. with a human NYPD handler that will help introduce it to the public. After two months, the mayor said the handler will no longer be necessary, and the robot will go on solo patrol...

Knightscope, which manufactures the robot, reports that it has been deployed to 30 clients in 10 states, including at malls and hospitals. The K5 has been in some sticky situations in other cities. One was toppled and slathered in barbecue sauce in San Francisco, while another was beaten by an intoxicated man in Mountain View, California, according to news reports. Another robot fell into a pool of water outside an office building in Washington, D.C.

When asked whether the robot was at risk of vandalism in New York City, the mayor strode over to it and gave it a few firm shoves. "Let's be clear, this is not a pushover. 420 pounds. This is New York tested," he said.
The city is leasing the robot for $9 an hour — And yes, local newscasts couldn't resist calling it a robocop. One shows the mayor announcing "We will continue to stay ahead of those who want to harm everyday New Yorkers."

Though the robot is equipped with facial recognition capability, it will not be activated.

Since 1999, Slashdot has been covering the annual Ig Nobel prize ceremonies — which honor real scientific research into strange or surprising subjects. "Each winner (or winning team) has done something that makes people LAUGH, then THINK," explains the ceremony web page, promising that "a gaggle of genuine, genuinely bemused Nobel laureates handed the Ig Nobel Prizes to the new Ig Nobel winners." As co-founder Marc Abrahams says on his LinkedIn profile, "All these things celebrate the unusual, honor the imaginative — and spur people's interest in science, medicine, and technology."

You can watch this year's entire goofy webcast online. (At 50 minutes there's a jaw-droppingly weird music video about running on water...) Slashdot reader Thorfinn.au shares this summary of this year's winning research: CHEMISTRY and GEOLOGY PRIZE [POLAND, UK] — Jan Zalasiewicz, for explaining why many scientists like to lick rocks.

LITERATURE PRIZE [FRANCE, UK, MALAYSIA, FINLAND] — Chris Moulin, Nicole Bell, Merita Turunen, Arina Baharin, and Akira O'Connor for studying the sensations people feel when they repeat a single word many, many, many, many, many, many, many times.

MECHANICAL ENGINEERING PRIZE [INDIA, CHINA, MALAYSIA, USA] — Te Faye Yap, Zhen Liu, Anoop Rajappan, Trevor Shimokusu, and Daniel Preston, for re-animating dead spiders to use as mechanical gripping tools.

PUBLIC HEALTH PRIZE [SOUTH KOREA, USA] — Seung-min Park, for inventing the Stanford Toilet a computer vision system for defecation analysis et al.

COMMUNICATION PRIZE [ARGENTINA, SPAIN, COLOMBIA, CHILE, CHINA, USA] — María José Torres-Prioris, Diana López-Barroso, Estela Càmara, Sol Fittipaldi, Lucas Sedeño, Agustín Ibáñez, Marcelo Berthier, and Adolfo García, for studying the mental activities of people who are expert at speaking backward.

MEDICINE PRIZE [USA, CANADA, MACEDONIA, IRAN, VIETNAM] — Christine Pham, Bobak Hedayati, Kiana Hashemi, Ella Csuka, Tiana Mamaghani, Margit Juhasz, Jamie Wikenheiser, and Natasha Mesinkovska, for using cadavers to explore whether there is an equal number of hairs in each of a person's two nostrils.

NUTRITION PRIZE [JAPAN] — Homei Miyashita and Hiromi Nakamura, for experiments to determine how electrified chopsticks and drinking straws can change the taste of food.

EDUCATION PRIZE [HONG KONG, CHINA, CANADA, UK, THE NETHERLANDS, IRELAND, USA, JAPAN] — Katy Tam, Cyanea Poon, Victoria Hui, Wijnand van Tilburg, Christy Wong, Vivian Kwong, Gigi Yuen, and Christian Chan, for methodically studying the boredom of teachers and students.

PSYCHOLOGY PRIZE [USA] — Stanley Milgram, Leonard Bickman, and Lawrence Berkowitz for 1968 experiments on a city street to see how many passersby stop to look upward when they see strangers looking upward.

PHYSICS PRIZE [SPAIN, GALICIA, SWITZERLAND, FRANCE, UK] — Bieito Fernández Castro, Marian Peña, Enrique Nogueira, Miguel Gilcoto, Esperanza Broullón, Antonio Comesaña, Damien Bouffard, Alberto C. Naveira Garabato, and Beatriz Mouriño-Carballido, for measuring the extent to which ocean-water mixing is affected by the sexual activity of anchovies.

An anonymous reader shares a report: Google has been trying to publicly pressure Apple into adopting the GSMA's RCS (Rich Communications Service) messaging protocol for a long time now, with nothing to show for it. As a matter of fact, Apple CEO Tim Cook seemed to completely dismiss the idea when he answered a question on the subject by saying that consumers should buy their moms an iPhone. Google and its Android platform aren't giving up that easily and they've just released a snarky ad to continue criticizing Apple's preferred messaging platform.

The ad's called "iPager" and mimics Apple's marketing language to reveal a retro-styled beeper, indicating that Apple's behind the curve with its chosen messaging platform. The spot states that the iPager uses "outdated messaging tech" to "text with Android," citing many of the perceived disadvantages of sticking with SMS technology when communicating with Android phones. Google didn't invent this comparison whole-cloth, as the 30-year-old SMS tech actually dates back to old-school pagers.

Google Bard is getting support for Extensions today, incorporating essential apps like Google Maps, YouTube, Hotels, and Flights to simplify data retrieval and accelerate the creative process. Android Police reports: This integration ensures that users can seamlessly amalgamate data from myriad sources, thereby accelerating your creative process or just making it easier to accomplish basic tasks across the board. These tools were originally teased at I/O before their wider release today. The company posted an excellent explainer of how this works on its YouTube channel.

With today's update, you can now sync Bard with your Gmail, Docs, and Drive. This capability ensures that the AI collaborates with your personal content, making data retrieval and summarization more fluid. With the enhancement of the Google It button, Bard's responses can be cross-checked with Google Search, instilling greater trust in AI-generated data. Additionally, conversations initiated by others via Bard can be continued in your account, emphasizing collaborative creativity. You can learn more about Google Bard Extensions here.

YouTuber Pitstoptech built a "fully upgradeable gaming handheld" around one of Framework's upgradable motherboards. Tom's Hardware reports: The handheld model you see in the video is equipped with the following components:

- Framework's Intel Core i7-1260P processor equipped mainboard
- 7-inch FHD touchscreen display
- 16 GB RAM
- 512 GB SSD
- Dual front-facing speakers
- Detachable controllers
- 55 Wh Battery
- High-speed Wi-Fi & Bluetooth

These components appear to offer some passable small-screen gaming. And in the video, you can see the device plugs into a larger monitor / TV where using the controllers in a detached configuration (Bluetooth) may be more comfortable. [...] Pitstoptech intends to prepare and sell handheld DIY kits "soon," based on the prototype design you see in the pictures / video.

Elad Gil, writing in a blog post: In most industries, regulation prevents competition. This famous chart of prices over time reflects how highly regulated industries (healthcare, education, energy) have their costs driven up over time, while less regulated industries (clothing, software, toys) drop costs dramatically over time. (Please note I do not believe these are inflation adjusted - so 60-70% may be "break even" pricing inflation adjusted.)

Regulation favors incumbents in two ways. First, it increase the cost of entering a market, in some cases dramatically. The high cost of clinical trials and the extra hurdles put in place to launch a drug are good examples of this. A must-watch video is this one with Paul Janssen, one of the giants of pharma, in which he states that the vast majority of drug development budgets are wasted on tests imposed by regulators which "has little to do with actual research or actual development." This is a partial explanation for why (outside of Moderna, an accident of COVID), no $40B+ market cap new biopharma company has been launched in almost 40 years (despite healthcare being 20% of US GDP).

Secondly, regulation favors incumbents via something known as "regulatory capture." In regulatory capture, the regulators become beholden to a specific industry lobby or group -- for example by receiving jobs in the industry after working as a regulator, or via specific forms of lobbying. There becomes a strong incentive to "play nice" with the incumbents by regulators and to bias regulations their way, in order to get favors later in life. Additional resource: All-In Summit: Bill Gurley Presents 2,851 Miles.

"Here is another radical replacement for the traditional combustion engine," writes long-time Slashdot reader Inzkeeper. "Check out the Astron Aerospace H2 Starfire Omega 1... an ICE engine with a turbine configuration."

The company "is claiming that it is a viable alternative to EVs," reports TopSpeed: Astron have showcased a 3D rendering of their engine which helps to understand this extremely complicated new powerplant in all of its glory. They also showed a functioning prototype which gives us a glimpse into how the engine could potentially function... The company claims that it weighs an absolutely mind-boggling 35 pounds yet produces horsepower in the region of 160 and about 170 pound-feet of torque. These are insane figures. The Omega 1 boasts an alleged 60 percent efficiency, which is absurd if true given that piston engines rarely ever top 40 percent efficiency. On top of this, Omega 1 can run on any kind of combustible fuel, meaning that hydrogen could easily be used to reduce emissions so close to zero that it's negligible.
HotCars adds that "According to Astron Aerospace, the engine idles at 1,000 rpm and redlines at an incredible 25,000 rpm — much higher than all the other rotaries we've seen. This is thanks to the circular movement, rather than the epitrochoidal movement used for Reuleaux triangle rotaries." The awesome thing about this engine is that it is stackable, meaning two of them will make 320 hp and 340 lb-ft, three will produce 480 hp and 510 lb-ft, etc... Astron Aerospace also stated that due to the design, the engine is easily scalable for other applications — for instance, marine engines. According to them and one of their renders, a larger version can easily reach 4,500 hp...

[I]t is not only more efficient than the equivalent piston engine — 80% compared to a mere 34% — but the engine is also much smaller and lighter. This translates to better fuel economy and a lighter overall vehicle. The engine is air-cooled as well, which means there aren't any additional radiators or other cooling systems needed to keep the engine working. Air-cooled may sound a bit old-fashioned, but in this case, it simplifies the whole package. The maintenance on such an engine would also be minimal, with Astron Aerospace claiming 60,000 miles further usage over a typical piston engine before maintenance is required.

The disadvantage of this engine is that it hasn't yet been thoroughly tested in real-world conditions. Astron Aerospace has patented the engine and has a working prototype but has found no investors to begin mass testing and production. The engine needs to be worked hard to flesh out any potential weak points and new materials need to be used to cope with the internal stresses and wear.

Star Trek: The Animated Series was a half-hour Saturday morning cartoon that premiered exactly one half century ago — yesterday. You can watch its opening credits sequence on YouTube — with its strange 1970s version of the theme song. CBS's YouTube channel also offers clips from various episodes.

Starting in 1973, it ran for two seasons — a total of just 22 episodes. But the BBC notes it kept Star Trek in people's minds after the original series had been cancelled in 1969: While The Original Series had struggled in the ratings during its initial run, the show thrived in syndication, and created the phenomenon of fan conventions (think Comic-con in the present day). Because of this, studios were interested in more Star Trek, but there was a problem: the sets had been scrapped, the costumes were gone, and it would have been cost-prohibitive to rebuild everything from scratch. NBC settled on a different approach: an animated series.

According to The Fifty-Year Mission by Mark Altman and Edward Gross (an oral history of Star Trek), Gene Roddenberry wasn't overly interested in an animated show in and of itself. However, he was willing to go along with it because he saw it as a stepping stone to another live-action show or a feature film. An animated show would energise fans, he thought, so he agreed on the condition that he would have full creative control of The Animated Series. After a fight, the network gave in. The full, regular cast returned, with the exception of Walter Koenig's Pavel Chekov, who was cut for budget reasons...

[I]t was very much conceived of as a continuation of The Original Series. Some of the episodes were direct sequels, such as More Tribbles, More Trouble, which is a continuation of the classic The Trouble with Tribbles, and featured the return of Cyrano Jones... [Another episode was a sequel to The City on the Edge of Forever.] Dorothy (DC) Fontana led a group of writers from the original show who mostly wrote for a traditional, adult Star Trek audience. That's why the show didn't catch on — while it was well-received by critics, it might have done better in prime time. The show won a Daytime Emmy for best children's series, but it was cancelled after two years because of low ratings. Roddenberry then moved on to work on another live-action series, called Phase II, which would eventually become Star Trek: The Motion Picture...

Whatever is decided regarding "the canon", The Animated Series sits firmly within Star Trek's guiding ethos: Gene Roddenberry's vision for a utopian future where humans coexist peacefully with aliens as part of a Federation, and there's no poverty or war.

"12 people account for the lion's share of anti-vaccination propaganda posted to three of the leading social media outlets," NPR reported in 2021, citing a study from a London-based group opposed to online hate and disinformation."

But this week Ars Technica reports that one of those 12 "lost a lawsuit attempting to force YouTube to provide access to videos that were removed from the platform after YouTube banned his channels." Joseph Mercola had tried to argue that YouTube owed him more than $75,000 in damages for breaching its own user contract and denying him access to his videos. However, in an order dismissing Mercola's complaint, U.S. magistrate judge Laurel Beeler wrote that according to the contract Mercola signed, YouTube was "under no obligation to host" Mercola's content after terminating his channel in 2021 "for violating YouTube's Community Guidelines by posting medical misinformation about COVID-19 and vaccines."

"The court found no breach because 'there is no provision in the Terms of Service that requires YouTube to maintain particular content' or be a 'storage site for users' content,'" Beeler wrote. Because Mercola's contract with YouTube was found to be enforceable and "YouTube had the discretion to take down content that harmed its users," Beeler said that Mercola did not plausibly plead claims for breach of contract or unjust enrichment.

Mercola's complaint was dismissed without leave to amend.
Thanks to ArchieBunker (Slashdot reader #96,909) for sharing the article.